A. Macalla Whitcomb. By deciding to investigate how Mrs. Whitcomb's obsessions might have led to her mysterious disappearance, Lois unwittingly invites the forces which literally haunt Mrs. Whitcomb's films into her life, eventually putting her son, her husband and herself in danger. Experimental Film mixes painful character detail with a creeping aura of dread to produce a fictionalized "memoir" designed to play on its readers' narrative expectations and pack an existentialist punch.

    Two years ago, Shadow Boy Alasdair Finch’s life shattered to bits.His brother, Oliver—dead.His sweetheart, Mary—gone.His chance to break free of Geneva—lost.Heart-broken and desperate, Alasdair does the unthinkable: He brings Oliver back from the dead.But putting back together a broken life is more difficult than mending bones and adding clockwork pieces. Oliver returns more monster than man, and Alasdair’s horror further damages the already troubled relationship.Then comes the publication of Frankenstein and the city intensifies its search for Shadow Boys, aiming to discover the real life doctor and his monster. Alasdair finds refuge with his idol, the brilliant Dr. Geisler, who may offer him a way to escape the dangerous present and his guilt-ridden past, but at a horrible price only Oliver can pay…

    A girl is dragged into a crypt during a field trip to an eighteenth-century cemetery. A group of friends meet their fate after an unsettling visit with a backwoods psychic. And that's just the beginning. Celebrated author Vivian Vande Velde is at her spine-tingling best in this collection of thirteen scary stories, all of which take place on Halloween night. With tales that range from the disturbing to the downright gruesome, this is one collection that teens will want to read with the lights on . . . and the doors locked.

    But he’s wrong. Callum is haunted by the dead. The only thing that keeps them away is a diary he has found in the basement of his house.After he moves to a godforsaken town of Olden Cross, the haunting stops. But one day Callum and his friend Nathan find something terrible. And then the dead reappear.Callum’s existence turns into a living hell. Boys and girls Callum’s age start disappearing, and when Callum least expects it, his diary goes missing.

    Coated in red dust, the terrain is bewilderingly empty. And yet multiple spacecraft are circling Mars, sweeping over Terra Sabaea, Syrtis Major, the dunes of Elysium, and Mare Sirenum—on the brink, perhaps, of a staggering find, one that would inspire humankind as much as any discovery in the history of modern science.In this beautifully observed, deeply personal book, Georgetown scientist Sarah Stewart Johnson tells the story of how she and other researchers have scoured Mars for signs of life, transforming the planet from a distant point of light into a world of its own.Johnson’s fascination with Mars began as a child in Kentucky, turning over rocks with her father and looking at planets in the night sky. She now conducts fieldwork in some of Earth’s most hostile environments, such as the Dry Valleys of Antarctica and the salt flats of Western Australia, developing methods for detecting life on other worlds. Here, with poetic precision, she interlaces her own personal journey—as a female scientist and a mother—with tales of other seekers, from Percival Lowell, who was convinced that a utopian society existed on Mars, to Audouin Dollfus, who tried to carry out astronomical observations from a stratospheric balloon. In the process, she shows how the story of Mars is also a story about Earth: This other world has been our mirror, our foil, a telltale reflection of our own anxieties and yearnings.Empathetic and evocative, The Sirens of Mars offers an unlikely natural history of a place where no human has ever set foot, while providing a vivid portrait of our quest to defy our isolation in the cosmos.

    "Twilight," "True Blood," "Being Human," "The Vampire Diaries," "Buffy the Vampire Slayer," "Blade," "Underworld," and the novels of Anne Rice and Darren Shan--against this glut of bloodsuckers, it takes an incredible film to make a name for itself. Directed by Tomas Alfredson and adapted for the screen by John Ajvide Lindqvist, The Swedish film "L't den r?tte komma in" (2008), known to American audiences as "Let the Right One In," is the most exciting, subversive, and original horror production since the genre's best-known works of the 1970s. Like "Twilight," "Let the Right One In" is a love story between a human and a vampire--but that is where the resemblance ends. Set in a snowy, surburban housing estate in 1980s Stockholm, the film combines supernatural elements with social realism. It features Oskar, a lonely, bullied child, and Eli, the girl next door. "Oskar, I'm not a girl," she tells him, and she's not kidding--she's a vampire. The two forge an intense relationship that is at once innocent and disturbing. Two outsiders against the world, one of these outsiders is, essentially, a serial killer. What does Eli want from Oskar? Simple companionship, or something else? While startlingly original, "Let the Right One In" could not have existed without the near century of vampire cinema that preceded it. Anne Billson reviews this history and the film's inheritence of (and new twists on) such classics as "Nosferatu" (1979) and "Dracula" (1931). She discusses the genre's early fliration with social realism in films such as "Martin" (1977) and "Near Dark" (1987), along with its adaptation of mythology to the modern world, and she examines the changing relationship between vampires and humans, the role of the vampire's assistant, and the enduring figure of vampires in popular culture.

    But for many years the family have been unable to keep their side of the bargain and have fallen into decline. Miren's grandmother is determined to restore their glory, even at the price of Miren's freedom.A spellbinding tale of dark family secrets, magic and witches, and creatures of myth and the sea; of strong women and the men who seek to control them.

    First crushes and last rites; dark spells and bright magic; forbidden lovers and enchanted beings -- and always, always the hungry games of desire. Pucker up for a darkly sweet collection of ghosts, shape shifters, fairies, unicorns, vampires, and demons in tales from today's biggest writers of the paranormal persuasion.

    14 original teen paranormal short stories YA talent, united with the common theme of road trips.Contents:Introduction by Melissa Marr & Kelley Armstrong1 Giovanni’s Farewell by Claudia Gray2 Scenic Route (The Forest of Hands and Teeth #0.5) by Carrie Ryan3 Red Run by Kami Garcia4 Things About Love (Genies #1.5) by Jackson Pearce5 Niederwald (Soul Screamers #4.5) by Rachel Vincent6 Merely Mortal (Wicked Lovely #5.5) by Melissa Marr7 Facing Facts (Darkest Powers #3.6) by Kelley Armstrong8 Let’s Get this Undead Show on the Road by Sarah Rees Brennan9 Bridge (Shade #2.5) by Jeri Smith-ReadySkin Contact (The Body Finder #2.5) by Kimberly Derting10 Leaving by Ally Condie11 At The Late Night, Double Feature, Picture Show by Jessica Verday12 IV League by Margaret Stohl13 Gargouille by Mary E. Pearson14 The Third Kind by Jennifer Lynn Barnes15 Automatic (The Morganville Vampires: Extras) by Rachel Caine

    In Jim Butcher’s ”Curses”, Harry Dresden investigates how to lift a curse laid by the Fair Folk on the Chicago Cubs. In Patricia Briggs’ “Fairy Gifts,”, a vampire is called home by magic to save the Fae who freed him from a dark curse. In Melissa Marr’s “Guns for the Dead”, the newly dead Frankie Lee seeks a job in the afterlife on the wrong side of the law. In Holly Black’s “Noble Rot”, a dying rock star discovers that the young woman who brings him food every day has some strange appetites of her own.Featuring original stories from 20 authors, this dark, captivating, fabulous, and fantastical collection is not to be missed!Contents:Curses / by Jim Butcher --How the pooka came to New York City / by Delia Sherman --On the slide / by Richard Bowes --The Duke of Riverside / by Ellen Kushner --Oblivion by Calvin Klein / by Christopher Fowler --Fairy gifts / by Patricia Briggs --Picking up the pieces / by Pat Cadigan --Underbridge / by Peter S. Beagle --Priced to sell / by Naomi Novik --The bricks of Gelecek / by Matthew Kressel --Weston walks / by Kit Reed --The projected girl/ by Lavie Tidhar --The way station / by Nathan Ballingrud --Guns for the dead / by Melissa Marr --And go like this / by John Crowley --Noble rot / by Holly Black --Daddy longlegs of the evening / by Jeffrey Ford --The skinny girl / by Lucius Shepard --The Colliers' Venus (1893) / by Caitlín R. Kiernan --King pole, gallows pole, bottle tree / by Elizabeth Bear.

    Now they are about to learn what happens to those who believe they can bury the past -- and get away with murder.

    Written in diary form as Dracula is, this compulsively readable book has revelations that will shock and delight readers of the original. More erotic than Anne Rice, Kalogridis is a major new voice in vampire fiction. The first chilling tale in an exciting new trilogy is a rich and terrifying historical novel set fifty years before the opening of Bram Stoker's Dracula. At the castle of Prince Vlad Tsepesh, also known as Dracula, Vald's great-nephew Arkady is honored to care for his beloved though strange great-uncle...until he beings to realize what is expected of him in his new role. It seems that either he provides his great-uncle with unsuspecting victims to satisfy his needs, or Vlad will kill those Arkady loves. He is trapped into becoming party to murder and sadistic torture. And it is in his blood. When Arkady learns that his newborn son is being groomed one day to follow in his footsteps, he knows that he must fight Dracula, even if it means death.

    Inferno is a town in trouble, driven to the brink by racial tension, gang violence, and a collapsing economy. But things can always get worse, and they do so with astonishing speed when an unidentified spacecraft crash lands in the desert outside of town, followed by a second craft bearing the alien being who will soon be known as Stinger. Stinger is a kind of interstellar hunter on a mission he intends to complete, whatever the cost. He brings with him an endless array of technological marvels and an infinite capacity for destruction that threaten the existence of Inferno, its inhabitants, and the larger world beyond"--Dust jacket flap.

    Working to rebuild her law practice after her son commits suicide, Angela Toussaint journeys to the family home where the suicide took place, hoping for answers, and discovers an invisible, evil force that is driving locals to acts of violence.

    Weird Women, edited by award-winning anthologists Lisa Morton and Leslie S. Klinger, collects some of the finest tales of terror by authors as legendary as Louisa May Alcott, Frances Hodgson Burnett, and Charlotte Gilman-Perkins, alongside works of writers who were the bestsellers and critical favorites of their time—Marie Corelli, Ellen Glasgow, Charlotte Riddell—and lesser known authors who are deserving of contemporary recognition.As railroads, industry, cities, and technology flourished in the mid-nineteenth century, so did stories exploring the horrors they unleashed. This anthology includes ghost stories and tales of haunted houses, as well as mad scientists, werewolves, ancient curses, mummies, psychological terrors, demonic dimensions, and even weird westerns. Curated by Klinger and Morton with an aim to presenting work that has languished in the shadows, all of these exceptional supernatural stories are sure to surprise, delight, and frighten today’s readers.