Designed to dislodge the German Army from its position west of Moscow, Mars cost the Soviets an estimated 335,000 dead, missing, and wounded men and over 1,600 tanks. But in Russian history books, it was a battle that never happened. It became instead another victim of Stalin's postwar censorship.David Glantz now offers the first definitive account of this forgotten catastrophe, revealing the key players and detailing the major events of Operation Mars. Using neglected sources in both German and Russian archives, he reconstructs the historical context of Mars and reviews the entire operation from High Command to platoon level.Orchestrated and led by Marshal Georgy Kostantinovich Zhukov, one of the Soviet Union's great military heroes, the twin operations Mars and Uranus formed the centerpiece of Soviet strategic efforts in the fall of 1942. Launched in tandem with Operation Uranus, the successful counteroffensive at Stalingrad, Mars proved a monumental setback. Fought in bad weather and on impossible terrain, the ambitious offensive faltered (despite spectacular initial success in some sectors). Zhukov kept sending in more troops and tanks only to see them decimated by the entrenched Germans.Illuminating the painful progress of Operation Mars with vivid battle scenes and numerous maps and illustrations, Glantz presents Mars as a major failure of Zhukov's renowned command. Yet, both during and after the war, that failure was masked from public view by the successful Stalingrad operation, thus eliminating any stain from Zhukov's public image as a hero of the Great PatrioticWar.For three grueling weeks, Operation Mars was one of the most tragic and agonizing episodes in Soviet military history. Glantz's reconstruction of that failed offensive fills a major gap in our knowledge of World War II, even as it raises important questions about the reputations of national military heroes.

    With courage, guile, and nerves of steel, these “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They flirted with German soldiers, bribed them with wine, whiskey, and home cooking, used their Aryan looks to seduce them, and shot and killed them. They bombed German train lines and blew up a town’s water supply. They also nursed the sick and taught children.Yet the exploits of these courageous resistance fighters have remained virtually unknown.As propulsive and thrilling as Hidden Figures, In the Garden of Beasts, Band of Brothers, and A Train in Winter, The Light of Days at last tells the true story of these incredible women whose courageous yet little-known feats have been eclipsed by time. Judy Batalion—the granddaughter of Polish Holocaust survivors—takes us back to 1939 and introduces us to Renia Kukielka, a weapons smuggler and messenger who risked death traveling across occupied Poland on foot and by train. Joining Renia are other women who served as couriers, armed fighters, intelligence agents, and saboteurs, all who put their lives in mortal danger to carry out their missions. Batalion follows these women through the savage destruction of the ghettos, arrest and internment in Gestapo prisons and concentration camps, and for a lucky few—like Renia, who orchestrated her own audacious escape from a brutal Nazi jail—into the late 20th century and beyond.Powerful and inspiring, featuring twenty black-and-white photographs, The Light of Days is an unforgettable true tale of war, the fight for freedom, exceptional bravery, female friendship, and survival in the face of staggering odds.

    She falls in love with the wrong boy – the German son of the camp commander.Hanna is a talented pianist, and the protected second daughter of middle class Hungarian Jews. Relatively late in World War II the Budapest Jews were rounded up and sent to Auschwitz. Hanna and her mother and sister are separated from her father. Her mother becomes increasingly mentally ill until she too is taken away somewhere. Her sister Erika is slowly starving to death. Hanna is quite a naïve 15-year-old but when presented with the opportunity to play piano for the camp commander, she is desperate to be chosen. She goes each day under guard to the commander’s house and stands waiting in case the commander should want some music. Also living in the house is the commander’s son, Karl. A handsome young man who seems completely disengaged from what is happening around him. Hanna hates him as he sits drawing in the music room. But the longer Hanna goes to the house, the more she realises there are other things going on. Secret things. Karl may not be the person she thinks he is. Before she knows it she has fallen in love with the wrong boy.

    He's loyal to the Fuehrer before family, a champion for the cause and a fan of the famous Luftwaffe. When his friends Moritz and Johann discover a shortwave radio, everything changes. Now they listen to BBC broadcasts of news reports that tell both sides. Now they know the truth. The boys, along with Johann's sister Katarina, band together to write out the reports and covertly distribute flyers throughout their city. It's an act of high treason that could have them arrested--or worse. As the war progresses, so does Emil's affection for Katarina. He'd do anything to have a normal life and to stay in Passau by her side. But when Germany's losses become immense, even their greatest resistance can't prevent the boys from being sent to the Eastern Front. For Katrina's sake, and for his family, Emil hopes he will survive the battle. He knows they've already lost the war.

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    To all appearances, she was a strong and dignified survivor, with old-world courtesies, a twinkling sense of humor, and a lilting Austrian syntax. Yet deep within, she'd been scarred by a profound personal trauma.Finally, just before she died at the age of 91, she chose to entrust me with this profound secret, and all at once I understood how it had affected her entire adult life. This is a story of friendship and strength, of courage and betrayal. It is an epic tale set against the backdrop of history.

    It wasn't until she was an adult, practicing law in Boston, that she discovered her parents were Jewish--Holocaust survivors living invented lives. Not even their names were their own. In this powerful memoir, Helen Fremont delves into the secrets that held her family in a bond of silence for more than four decades, recounting with heartbreaking clarity a remarkable tale of survival, as vivid as fiction but with the resonance of truth.Driven to uncover their roots, Fremont and her sister pieced together an astonishing story: of Siberian Gulags and Italian royalty, of concentration camps and buried lives. After Long Silence is about the devastating price of hiding the truth; about families; about the steps we take, foolish or wise, to protect ourselves and our loved ones. No one who reads this book can be unmoved, or fail to understand the seductive, damaging power of secrets.What Fremont and her sister discover is an astonishing story: one of Siberian gulags and Italian royalty, of concentration camps and buried lives. AFTER LONG SILENCE is about the devastating price of hiding the truth; about families; about the steps we take, foolish or wise, to protect ourselves and our loved ones. No one who reads this book can be unmoved, or fail to understand the seductive, damaging power of secrets. -->

    Approved by both the Anne Frank House Foundation in Amsterdam and the Anne Frank-Fonds in Basel, run by the Frank family, this work of literary criticism unravels the complex, fascinating story of the diary and effectively makes the case for it being a work of art from a precociously gifted writer.

    His size and pace seemed to make him unstoppable - and he was still just 20, having only recently learned to play on the wing. How much better would he get? But a year later, a rare and serious kidney disorder threatened more than his career. He fought back, and continued to score tries at a remarkable rate.Lomu's astonishing story is not just about tries, but about adapting to becoming rugby's first superstar of the professional era, a life lived in the spotlight. This is an extraordinary tale from an extraordinary man.

    To recover the painting, he must repair his strained relationship with his harshly judgmental father, uncover his family history, and restore his connection to his own Judaism. Along the way to illuminating the mysteries of his past, Matt is torn between his doting girlfriend, Tracy, and his alluring attorney, Rachel, with whom he travels to Budapest to unearth the truth about the painting and, in turn, his family.As his journey progresses, Matt's revelations are accompanied by equally consuming and imaginative meditations on the painting and the painter at the center of his personal drama, Budapest Street Scene by Ervin Kalman. By the time Memento Park reaches its conclusion, Matt's narrative is as much about family history and father-son dynamics as it is about the nature of art itself, and the infinite ways we come to understand ourselves through it.Of all the questions asked by Mark Sarvas's Memento Park--about family and identity, about art and history--a central, unanswerable predicament lingers: How do we move forward when the past looms unreasonably large?

    In the 1950s, Noah's grandparents raised their children on Holocaust stories. But because tales of rebellion and death camps gave his father and aunt constant nightmares, in Noah's adolescence Grandma would only recount the PG version. Noah, however, craved the uncensored truth and always felt one right question away from their pasts. But when Poppy died at the end of the millennium, it seemed the Holocaust stories died with him. In the years that followed, without the love of her life by her side, Grandma could do little more than mourn. After college, Noah, a travel writer, roamed the world for fifteen months with just one rule: avoid Poland. A few missteps in Europe, however, landed him in his grandparents' country. When he returned home, he cautiously told Grandma about his time in Warsaw, fearing that the past would bring up memories too painful for her to relive. But, instead, remembering the Holocaust unexpectedly rejuvenated her, ending five years of mourning her husband. Together, they explored the memories--of Auschwitz and a half-dozen other camps, the Warsaw Ghetto Uprising, and the displaced persons camps--that his grandmother had buried for decades. And the woman he had playfully mocked as a child became his hero. I was left with the stories--the ones that had been hidden, the ones that offered catharsis, the ones that gave me a second hero, the ones that resurrected a family, the ones that survived even death. Their shared journey profoundly illuminates the transformative power of never forgetting.

    She and her father are among the thousands of Jewish refugees scrambling over the Alps toward Italy, where they hope to be safe at last, now that the Italians have broken with Germany and made a separate peace with the Allies. The Blums will soon discover that Italy is anything but peaceful, as it becomes overnight an open battleground among the Nazis, the Allies, resistance fighters, Jews in hiding, and ordinary Italian civilians trying to survive.Mary Doria Russell sets her first historical novel against this dramatic background, tracing the lives of a handful of fascinating characters. Through them, she tells the little-known but true story of the network of Italian citizens who saved the lives of forty-three thousand Jews during the war’s final phase. The result of five years of meticulous research, A Thread of Grace is an ambitious, engrossing novel of ideas, history, and marvelous characters that will please Russell’s many fans and earn her even more.

    Recently beatified by Pope John Paul II, Edith Stein was a courageous, intelligent and holy woman who speaks powerfully to us even today.

    Jack Wiseman, a tough, smart New York Jew, is the lieutenant charged with guarding this treasure—a responsibility that grows more complicated when he meets Ilona, a fierce, beautiful Hungarian who has lost everything in the ravages of the Holocaust. Seventy years later, amid the shadowy world of art dealers who profit off the sins of previous generations, Jack gives a necklace to his granddaughter, Natalie Stein, and charges her with searching for an unknown woman—a woman whose portrait and fate come to haunt Natalie, a woman whose secret may help Natalie to understand the guilt her grandfather will take to his grave and to find a way out of the mess she has made of her own life.A story of brilliantly drawn characters—a suave and shady art historian, a delusive and infatuated Freudian, a family of singing circus dwarfs fallen into the clutches of Josef Mengele, and desperate lovers facing choices that will tear them apart—Love and Treasure is Ayelet Waldman’s finest novel to date: a sad, funny, richly detailed work that poses hard questions about the value of precious things in a time when life itself has no value, and about the slenderest of chains that can bind us to the griefs and passions of the past.

    In 1949, a controversial best-seller in Israel, Tom Segev draws on thousands of declassified documents along with personal diaries and correspondence to reconstruct the unvarnished story of Israel's first year.Segev reveals the lofty aspirations that guided the state's leaders as well as the darker side of the Zionist utopia: the friction between the early settlers and the immigrants, the lack of good-faith negotiations with the Arabs; the clash between religious and secular factions; the daily collision of the Zionist myth with the severe realities of life in the new state. Unflinching in its observations, this bold chronicle is indispensible for understanding the dilemmas that continue to confront--and divide--Israeli society.