Searching for clues about her best friend’s mysterious and sudden suicide, she ventures to the squatter, utopian town of Freedom, Iowa. All is not well in Freedom, however: things went awry after the town’s residents summoned a protector spirit to serve as their judge and executioner.Danielle shows up in time to witness the spirit—a blood-red, three-antlered deer—begin to turn on its summoners. Danielle and her new friends have to act fast if they’re going to save the town—or get out alive.

    Sophie, a provincial girl, is swept up in the glamour of Belle poque Paris but discovers that loving a feted artist like Edouard brings undreamt of complications. Following in Sophie's footsteps a hundred years later, Liv, after a whirlwind romance, finds her Parisian honeymoon is not quite the romantic getaway she had been hoping for...This enthralling self-contained story will have you falling in love with Liv and Sophie, and with Paris then and now, and it is the perfect appetizer for the The Girl You Left Behind, a spellbinding story of love, devotion and passion in the hardest of times.

    Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully.Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for.At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She's a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.Librarian Note: Older cover of B07VH6Y4JD.

    A powerful and passionate tale is set on a southern army post --a human hell inhabited by a sexually disturbed officer, his animalistic wife, her lover, and the driven young private who forces the drama to its climax...

    They have argued, worked, and laughed together for decades. Yet they’ve never really stopped taking each other by surprise. Fair Play shows us Mari and Jona’s intertwined lives as they watch Fassbinder films and Westerns, critique each other’s work, spend time on a solitary island (recognizable to readers of Jansson’s The Summer Book), travel through the American Southwest, and turn life into nothing less than art.

    When he loses a bet to her and the penalty is to go out on five dates with men she’s chosen from Guys4Guys.com, he thinks that’s bad enough. Finding out she used a thirteen-year-old picture of him to score a date with a young guy who looks like a rock star? Epically bad.Jay thought he wanted to fall for an older man. But his last boyfriend left him feeling humiliated and determined to stick to guys his own age. When he realizes he’s been conned into a date with exactly the kind of man he’s sworn to avoid, he’s ready to walk away on the spot. Only Devin’s swift apologies convince Jay to accept dinner to make up for the deception.“The date doesn’t count for the bet unless you get a goodnight kiss.” After one not-a-date dinner with Jay, Devin isn’t worried about his sister’s rules. He just wishes he could convince Jay to go out with him for real. Jay wants no part of Devin, but Devin wants every part of Jay . . . so he asks Jay to help update his look for the rest of his dates. But once Jay’s made Devin over into the perfect date, will he be able to let him go?------------Dear Author,I lost a bet with my sister. I was so sure the Broncos would win. Now it is time for me to pay up. She has decided I need a man in my life. She submitted a profile for me at Guys4Guys.com and set up five dates. I haven’t been on five dates in the past five years. And if the thought of five first dates isn’t scary enough, check out the photo she put in my profile.Yes, that hot, young, guy really is me… thirteen years ago! To be twenty-two again. I miss my thirty-two-inch waist and six-pack.Photo Description: A good-looking, young blond man leans back against exposed pipework. He is shirtless and his jeans look a little old-fashioned with their light wash. His arms are huge and he sports a six-pack, although he’s already looking the tiniest bit soft around the waistline. As if that six-pack might not quite be there in ten years…This story was written as a part of the M/M Romance Group's "Love’s Landscapes" event. Group members were asked to write a story prompt inspired by a photo of their choice. Authors of the group selected a photo and prompt that spoke to them and wrote a short story. This story may contain sexually explicit content and is intended for adult readers. It may contain content that is disagreeable or distressing to some readers. The M/M Romance Group strongly recommends that each reader review the General Information section before each story for story tags as well as for content warnings.

    The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure—to live a lifetime in a single day.

    One cold night, in a most unlikely corner of Chicago, two strangers are about to cross paths. From that moment on, their world will collide and lives intertwine.It's not that far from Evanston to Naperville, but Chicago suburbanites Will Grayson and Will Grayson might as well live on different planets. When fate delivers them both to the same surprising crossroads, the Will Graysons find their lives overlapping and hurtling in new and unexpected directions. With a push from friends new and old - including the massive, and massively fabulous, Tiny Cooper, offensive lineman and musical theater auteur extraordinaire - Will and Will begin building toward respective romantic turns-of-heart and the epic production of history's most awesome high school musical.

    Mikage, the heroine of Kitchen, is an orphan raised by her grandmother, who has passed away. Grieving, she is taken in by her friend Yoichi and his mother (who was once his father), Eriko. As the three of them form an improvised family that soon weathers its own tragic losses, Yoshimoto spins a lovely, evocative tale that recalls early Marguerite Duras. Kitchen and its companion story, "Moonlight Shadow," are elegant tales whose seeming simplicity is the ruse of a writer whose voice echoes in the mind and the soul.

    As a pastry chef on the come up, when she arrives in Scotland, she has one goal in mind: win the Holiday Baking Challenge. Winning is her opportunity to prove to her family, her former boss, and most importantly herself, she can make it in the culinary world. Kiskeya will stop at nothing to win , that is, if she can keep her eyes on the prize and off her infuriating teammate's perfect lips.Sully Morales, home cooking hustler, and self-proclaimed baking brujita lands in Scotland on a quest to find her purpose after spending years as her family’s caregiver. But now, with her home life back on track, it's time for Sully to get reacquainted with her greatest love, baking. Winning the Holiday Baking Challenge is a no brainer if she can convince her grumpy AF baking partner that they make a great team both in and out of the kitchen before an unexpected betrayal ends their chance to attain culinary competition glory.

    The most action that Jamie sees happens when he is kidnapped by the supervillain of the week--and then waits for his boss, Captain Superior, to show up and rescue him. Again.On his most recent nabbing, Jamie gets to meet Tad, Terrorantula's new villainous apprentice. Even though they are supposed to be on opposite sides (or are they?), sparks fly almost immediately. So, when Tad offers to give Jamie much-needed self-defense classes, how could Jamie pass the opportunity to hang out with the coolest (and hottest) guy he knows?But Tad has a secret--one that threatens the budding relationship between the two teenage sidekicks, and could destroy Captain Superior forever.

    After witnessing a horrendous slaughter, the village girl Heloise opposes the Order, and risks bringing their wrath down on herself, her family, and her village.

    "It is a story of the voluptuousness of doom," Mann wrote. "But the problem I had especially in mind was that of the artist's dignity."

    One day, Colonel Fred Johnson will be hailed as a hero to the system. One day, he will meet a desperate man in possession of a stolen spaceship and a deadly secret and extend a hand of friendship. But long before he became the leader of the Outer Planets Alliance, Fred Johnson had a very different name. The Butcher of Anderson Station. This is his story.Word Count: ~9,000 words

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.