The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”

    O'RourkeP. J. O'Rourke says we've worked ourselves into a state of anger and perplexity, and it's no surprise because perplexed and angry are what Americans have been since the Roanoke Colony got lost. This astute and entertaining look at the state of these United States includes essays on everything from our fraught history ("Oh Beautiful for . . . Pilgrim Feet?") to the political effects of social media, ("Whose Bright Idea Was It to Make Sure that Every Idiot in the World Is in Touch with Every Other Idiot?"). A plan is advanced to reform federal poverty programs, "Just Give Them the Money." And a rant is made against the "Internet of Things" because your juicer is sending fake news to your Fitbit about what's in your refrigerator.Included is a quiz to determine whether you're a "Coastal" or a "Heartlander" (you know organic, fair-traded, locavore, and gluten-free, but do you know hay from straw?), an impassioned plea to license politicians (we license beauticians!), and much more. This is P. J. at his finest.

    The books that followed, among them Slow Days, Fast Company and Sex and Rage, have seduced generations of readers with their unfailing wit and impossible glamour. What is less well known is that Babitz was a working journalist for the better part of three decades, writing for the likes of Rolling Stone, Vogue, and Esquire, as well as for off-the-beaten-path periodicals like Wet: The Magazine of Gourmet Bathing and Francis Ford Coppola’s short-lived City. Whether profiling Hollywood darlings, getting to the bottom of health crazes like yoga and acupuncture, remembering friends and lovers from her days hobnobbing with rock stars at the Troubadour and art stars at the Ferus Gallery, or writing about her beloved, misunderstood hometown, Los Angeles, Babitz approaches every assignment with an energy and verve that is all her own.I Used to Be Charming gathers nearly fifty pieces written between 1975 and 1997, including the full text of Babitz’s wry book-length investigation into the pioneering lifestyle brand Fiorucci. The title essay, published here for the first time, recounts the accident that came close to killing her in 1996; it reveals an uncharacteristically vulnerable yet never less than utterly charming Babitz.

    - Critical essays reflecting a variety of schools of criticism- Notes on the contributing critics, a chronology of the author's life, and an index- An introductory essay by Harold Bloom.

    It was also rife with organized crime, with a mayor in the pocket of the syndicates and a DA taking bribes to throw trials. In "A Bright and Guilty Place," Richard Rayner narrates the entwined lives of two men, Dave Clark and Leslie White, who were caught up in the crimes, murders, and swindles of the day. Over a few transformative years, as the boom times shaded into the Depression, the adventures of Clark and White would inspire pulp fiction and replace L.A.'s reckless optimism with a new cynicism. Together, theirs is the tale of how the city of sunshine got noir. When "A Bright and Guilty Place" begins, Leslie White is a naive young photographer who lands a job as a crime-scene investigator in the L.A. district attorney's office. There he meets Dave Clark, a young, movie-star handsome lawyer and a rising star prosecutor with big ambitions. The cases they tried were some of the first "trials of the century," starring dark-hearted oil barons, sexually perverse starlets, and hookers with hearts of gold. Los Angeles was in the grip of organized crime, and White was dismayed to see that only the innocent paid while the powerful walked free. But Clark was entranced by L.A.'s dangerous lures and lived the high life, marrying a beautiful woman, wearing custom-made suits, yachting with the rich and powerful, and jaunting off to Mexico for gambling and girls. In a shocking twist, when Charlie Crawford, the Al Capone of L.A., was found dead, the chief suspect was none other than golden boy Dave Clark. "A Bright and Guilty Place "is narrative nonfiction at its most gripping. Key to the tale are the story of the theft of water from the Owens River Valley that let L.A grow; the Teapot Dome scandal that brought shame to President Harding; and the emergence of crime writers like Raymond Chandler and James M. Cain, who helped mythologize L.A. In Rayner's hands, the ballad of Dave Clark is the story of the coming of age of a great American city.

    The film, Dear White People, garnered a Sundance Award for Breakthrough Talent and has been hailed by critics everywhere. Channeling the sensibility of the film into this book, Simien will keep you laughing with his humorous observations, even if you haven't seen the satiric film.News Flash: the minimum number of black friends needed to not seem racist has just been raised to two. Rather than panic, readers are advised to purchase a copy of Dear White People. Whether you are a white person wondering why your black office mate is avoiding eye contact with you after you ran your fingers through her hair or you're a black nerd who has to break it to your white friends that you've never seen The Wire, this myth-busting, stereotype-diffusing guide to a post-Obama world has something for you!With decision-making trees to help you decide when it's the right time to wear Blackface (hint: probably never) and quizzes to determine whether you've become the Token Black Friend, Dear White People is the ultimate silly-yet-authoritative handbook to help the curious and confused navigate racial microaggressions in their daily lives. Based on the eponymous award-winning film, which has been lauded as a smart, hilarious satire, this tongue-in-cheek guide is a must-have that anybody who is in semi-regular contact with black people can't afford to miss!

    The story reported that a team of burglars had been arrested inside the offices of the Democratic National Committee in the Watergate office complex in Washington. On assignment, Carl Bernstein and Bob Woodward uncovered a widespread political scandal and cover-up at the highest levels of government, culminating with the resignation of President Richard Nixon. The Post won a Pulitzer Prize for its work, which became the subject of two best-selling books and a renowned movie, "All the President's Men."This eBook is a look back at the dramatic chain of events that would convulse Washington for two years and lead to the first resignation of a U.S. president, forever changing American politics.

    Through research, interviews, and the powerful, personal writing for which she is celebrated, Oluo investigates the backstory of America's growth, from immigrant migration to our national ethos around ingenuity, from the shaping of economic policy to the protection of sociopolitical movements that fortify male power. In the end, she shows how white men have long maintained a stranglehold on leadership and sorely undermined the pursuit of happiness for all.

    In 1996, longtime New Yorker writer Mark Singer was conscripted by his editor to profile Donald Trump. At that time Trump was a mere Manhattan-centric megalomaniac, a failing casino operator mired in his second divorce and (he claimed) recovering from the bankruptcy proceedings that prompted him to inventory the contents of his Trump Tower home. Conversing with Trump in his offices, apartments, cars, and private plane, Singer found himself fascinated with this man "who had aspired to and achieved the ultimate luxury, an existence unmolested by the rumbling of a soul."In Trump and Me, Singer revisits the profile and recounts how its publication lodged inside its subject's head as an enduring irritant--and how Singer ("A TOTAL LOSER!" according to Trump) cheerfully continued to bait him. He reflects on Trump's evolution from swaggering buffoon to potential threat to America's standing as a rational guardian of the world order. Heedlessly combative, equally adept at spewing insults and manipulating crowds at his campaign rallies, the self-proclaimed billionaire has emerged as an unlikely tribune of populist rage. All politics is artifice, and Singer marvels at how Trump has transfixed an electorate with his ultimate feat of performance art--a mass political movement only loosely tethered to reality.

    This New York Times Notable Book of the Year, 1998, is now in trade paper.From the bestselling author of Eyes on the Prize, here is the definitive biography of the great lawyer and Supreme Court justice.

    We have been invested in a set of beliefs about our American identity: our exceptionalism, the inevitable rightness of our path, the promise that hard work and determination will carry us to freedom. But in Stakes Is High, Mychal Denzel Smith confronts the shortcomings of these stories -- and with the American Dream itself -- and calls on us to live up to the principles we profess but fail to realize. In a series of incisive essays, Smith exposes the stark contradictions at the heart of American life, holding all of us, individually and as a nation, to account. We've gotten used to looking away, but the fissures and casual violence of institutional oppression are ever-present. There is a future that is not as grim as our past. In this profound work, Smith helps us envision it with care, honesty, and imagination.

    The one problem was the title: couldn’t some prophetic fact-checker have seen that the worst years of our lives—far worse—were still to come? Here they are, the 2000s, and in This Land Is Their Land, Ehrenreich subjects them to the most biting and incisive satire of her career.Taking the measure of what we are left with after the cruelest decade in memory, Ehrenreich finds lurid extremes all around. While members of the moneyed elite can buy congressmen, many in the working class can barely buy lunch. While a wealthy minority obsessively consumes cosmetic surgery, the poor often go without health care for their children. And while the corporate C-suites are now nests of criminality, the less fortunate are fed a diet of morality, marriage, and abstinence. Ehrenreich’s antidotes are as sardonic as they are spot-on: pet insurance for your kids; Salvation Army fashions for those who can no longer afford Wal-Mart; and boundless rage against those who have given us a nation scarred by deepening inequality, corroded by distrust, and shamed by its official cruelty.Full of wit and generosity, these reports from a divided nation show once again that Ehrenreich is, as Molly Ivins said, “good for the soul.”—*The Times (London)

    The novel takes place in the space of four days in the life of Bob Jones, a black man who is constantly plagued by the effects of racism. Living in a society that is drenched in race consciousness has no doubt taken a toll on the way Jones behaves, thinks, and feels, especially when, at the end of his story, he is accused of a brutal crime he did not commit. "One of the most important American writers of the twentieth century ... [a] quirky American genius..."—Walter Mosley, author of Bad Boy Brawly Brown, Devil in a Blue Dress "If He Hollers is an austere and concentrated study of black experience, set in southern California in the early forties."—Independent Publisher

    The letter defends the strategy of nonviolent resistance to racism. It says that people have a moral responsibility to break unjust laws and to take direct action rather than waiting potentially forever for justice to come through the courts. Responding to being referred to as an "outsider," King writes, "Injustice anywhere is a threat to justice everywhere."

    An eclectic collection of the year's best reportage, The Best American Crime Reporting 2008 brings together the murderers and the master­minds, the mysteries and missteps that make for brilliant stories, told by the aces of the true-crime genre. This latest addition to the highly acclaimed series features guest editor Jonathan Kellerman, bestselling author of more than twenty crime novels, most recently Compulsion and the forthcoming Bones.Story of a snitch / Jeremy Kahn --A season in hell / Dean La Tourette --I'm with the Steelers / Justin Heckert --House across the way / Calvin Trillin --Caged life / Alan Prendergast --Badges of dishonor / Pamela Collof --Dangerous minds / Malcolm Gladwell --Dean of Death Row / Tad Friend --Tainted kidney / Charles Graeber --Ploy / Mark Bowden --Day of the dead / D. T. Max --Just a random female / Nick Schou --Serial killer's disciple / James Renner --Mercenary / Tom Junod --Murder at 19,000 feet / Jonathan Green