And she works hard to keep it all together. Too hard...There is no room for mistakes in her life. Even taking home a little boy whose parents forgot to pick him up at the pool can put a crimp in Cecilia's carefully planned schedule. Especially when she arrives at the address she was givenand finds an empty, abandoned house...There's nothing for Cecilia to do but to take the boy home with her, never realizing that soon his quiet presence and knowing eyes will trigger unwelcome memories from her past--and unravel her meticulously crafted life...

    J. Box, and Patricia Skalka. Award-winning author Jeff Nania keeps readers wondering who is on the right side of the law in the rural Northwoods county.

    She strove to keep her life in order, her ER in order. But no one could have been prepared for the man she admits one quiet night to the Springer Hospital. Delirious and in critical condition, he barely responds to treatment. And then he disappears without trace. The subsequent search leads Toby to a second patient with the same infection. And it reveals an unsettling twist - the infection can only be spread through direct tissue exchange. Soon Toby's on a trail that winds from a pregnant sixteen-year-old prostitute to an unexpected tragedy in her own home. Only then does she discover the unthinkable: a terrifying and deadly epidemic is about to be unleashed ...

    An ambitious FBI special agent. Together they are at the heart of the ticking-clock investigation for a psychopathic serial killer. The bond they forge in this crucible sets the stage for high-stakes suspense.Detective Kara Quinn, on leave from the LAPD, is on an early morning jog in her hometown of Liberty Lake when she comes upon the body of a young nurse. The manner of death shows a pattern of highly controlled rage. Meanwhile in DC, FBI special agent Mathias Costa is staffing his newly minted Mobile Response Team. Word reaches Matt that the Liberty Lake murder fits the profile of the compulsive Triple Killer. It will be the first case for the MRT. This time they have a chance to stop this zealous if elusive killer before he strikes again. But only if they can figure out who he is and where he is hiding before he disappears for another three years. The stakes are higher than ever before, because if they fail, one of their own will be next...

    Ten years ago, Jess's mother was murdered by the Magpie Man.She was the first of his victims but not the last.Now Jess is the star of a YouTube reality series and she's using it to catch the killer once and for all.The whole world is watching her every move.And so is the Magpie Man.

    As the hostage negotiation instructor for the NYPD, she deals with worst-case scenarios every day. Nothing fazes her anymore.That all changes when she gets a call from Eden Fletcher, a fellow survivor of the infamous Wilcox cult. The two haven’t spoken since the night of a tragic, fiery massacre, when their paths diverged. But now Eden needs Abby’s help: someone has kidnapped her son and is demanding a $5 million ransom. As Abby throws herself into the case, she can’t help but wonder why the kidnapper has targeted Eden. But Eden refuses to talk. She’s silent about the relics of their shared past hanging on her walls. About the kidnapper’s possible motives. About what’s happened in the years since she and Abby parted ways.As the truth closes in, Abby realizes that her past may not be as far behind as she thought…and it’s come home to collect.

    To quote the author: "Greenwich Killing Time was the first book I ever wrote. I wrote it in 1984 and it was published in 1986. I was doing a lot of Peruvian marching powder at the time so I don't remember too much about writing it, but I do recall a couple of things. I borrowed the title from my friend Ted Mann. I borrowed the typewriter, an old Smith-Corona, from my friend, the future Village Irregular, Mike McGovern. Mike graciously loaned me the typewriter claiming he'd missed many important deadlines with the instrument. It had, I later learned, once belonged to his mother before she'd been bugled to Jesus years earlier. I took this as a sign of the Lord's hand at work in the world. It could've been, of course, just another case of a Jew borrowing a typewriter.Though most of the books have been set in New York (with the exception of Armadillos & Old Lace, set in Texas, and Steppin' On a Rainbow, set in Hawaii), Greenwich Killing Time is the only one that was written in New York. Some critics have remarked, not unkindly, we hope, that the book smells like New York. If this is true it is no doubt because of the truly visceral voyage one goes through in writing a first novel. It's almost as if your first novel writes you...

    . .   The truth is easy to miss, even when it’s right in front of us. As a forensic reconstructionist, Rory Moore sheds light on cold-case homicides by piecing together crime scene details others fail to see. Cleaning out her late father’s law office a week after his burial, she receives a call that plunges her into a decades-old case come to life once more. In the summer of 1979, five Chicago women went missing. The predator, nicknamed The Thief, left no bodies and no clues behind—until police received a package from a mysterious woman named Angela Mitchell, whose unorthodox investigation skills appear to have led to his identity. But before police could question her, Angela disappeared. Forty years later, The Thief is about to be paroled for Angela’s murder—the only crime the DA could pin on him. As a former client of her father’s, Rory becomes reluctantly involved with the killer—though he continues to insist he didn’t murder Angela. Now he wants Rory to do what her father once promised: prove that Angela is, in fact, still alive. As Rory begins reconstructing Angela’s last days, another killer emerges from the shadows, replicating those long-ago murders. With every startling discovery she makes, Rory becomes more deeply entangled in the enigma of Angela Mitchell—and in The Thief’s tormented mind. Drawing connections between past and present is the only way to stop the nightmare, but even Rory can’t be prepared for the full, terrifying truth that is emerging . . .

    . . Murder at leisure?London, 1888: Susannah rushes into marriage to a young and wealthy surgeon. After a passionate honeymoon, she returns home with her new husband wrapped around her little finger. But then everything changes.Thomas's behavior becomes increasingly volatile and violent. He stays out all night, returning home bloodied and full of secrets. The gentle caresses she enjoyed on her wedding night are now just a honeyed memory.When the first woman is murdered in Whitechapel, Susannah's interest is piqued. But as she follows the reports of the ongoing hunt for the killer, her mind takes her down the darkest path imaginable. Every time Thomas stays out late, another victim is found dead.Is it coincidence? Or is her husband the man they call Jack the Ripper?

    She was only sixteen when her own boyfriend Jasper imprisoned and tortured her—and left her for dead. Now an eminent psychiatrist who specializes in the criminal mind, Evelyn is the force behind Hanover House, a maximum-security facility located in a small Alaskan town. Her job puts her at odds with Sergeant Amarok, who is convinced that Hanover is a threat to his community…even as his attraction to beautiful Evelyn threatens to tear his world apart. BEGINS WITH AN ESCAPE FROM HER PAST Then, just as the bitter Alaskan winter cuts both town and prison off from the outside world, the mutilated body of a local woman turns up. For Amarok, this is the final proof he needs: Hanover has to go. Evelyn, though, has reason to fear that the crime is a personal message to her—the first sign that the killer who haunts her dreams has found her again. . .and that the life she has so carefully rebuilt will never be the same…

    . .The brutal murders of three young boys paralyze the citizens of Platte City, Nebraska. What's worse is the grim realization that the man recently executed for the crimes was a copycat. When Sheriff Nick Morrelli is called to the scene of another grisly murder, it becomes clear that the real predator is still at large, waiting to kill again.Morreli understands the urgency of the case terrorizing his community, but it's the experienced eye of FBI criminal profiler Maggie O'Dell that pinpoints the true nature of the evil behind the killings -- a revelation made all the more horrific when Morrelli's own nephew goes missing.Maggie understands something else: the killer is enjoying himself, relishing his ability to stay one step ahead of her, making this case more personal by the hour. Because out there, watching, is a killer with a heart of pure and perfect evil.

    An executive accused of embezzling kills himself and his loved ones. A house fire claims the lives of all its inhabitants. Separate incidents with two common threads--a first wife who took her own life, and a secret the victims took to their graves. . .And ThenStephanie Coburn has barely recovered from her sister's mysterious suicide before her brother-in-law and his new wife are murdered, her face disfigured beyond recognition. Stephanie never met the bride, has never even seen a clear photograph. But she knew her sister, and she knows something is desperately wrong. . .You'll Say GoodbyeThe police won't listen. Her only ally is another victim's son. Step by step, they're uncovering a trail of brutal vengeance and a killer who will never relent--and whose forgiveness can only be earned in death. . .

    Her skill at mining victims' memories to re-create the faces of sadistic criminals has left her haunted and wary, and only Jack Bowman's dogged persistence convinces her to help him. The rugged police chief is hunting a serial killer who's targeting teenage girls. But what seems like a simple assignment is fraught with complications, including a searing attraction to Jack that's tempting Fiona to let her guard down in potentially dangerous ways. Jack never intended for Fiona to become so deeply involved in the case -- or in his life. But every instinct tells him she's his best hope for finding a psychopath who's lurking in plain sight, growing more ruthless with each passing day. And now that Fiona is right in the killer's crosshairs, the only way to keep her safe is to unravel a small town's darkest secrets, one terrifying thread at a time....

    To outsiders, the Crenshaw Six appear to be led by a man named Garcia . . . but what no one has figured out is that the gang's real leader (and secret weapon) is Garcia's girlfriend, a brilliant young woman named Lola. Lola has mastered playing the role of submissive girlfriend, and in the man's world she inhabits she is consistently underestimated. But in truth she is much, much smarter--and in many ways tougher and more ruthless--than any of the men around her, and as the gang is increasingly sucked into a world of high-stakes betrayal and brutal violence, her skills and leadership become their only hope of survival. "Lola "marks the debut of a hugely exciting new thriller writer, and of a singular, magnificent character unlike anyone else in fiction."

    August, 1999On the hottest day of the year, Assistant Commissioner Florence Lovelady attends the funeral of Larry Glassbrook, the convicted murderer she arrested thirty years earlier. A master carpenter and funeral director, Larry imprisoned his victims, alive, in the caskets he made himself. Clay effigies found entombed with their bodies suggested a motive beyond the worst human depravity.June, 196913-year- old Patsy Wood has been missing for two days, the third teenager to disappear in as many months. New to the Lancashire police force and struggling to fit in, WPC Lovelady is sent to investigate an unlikely report from school children claiming to have heard a voice calling for help. A voice from deep within a recent grave.August, 1999As she tries to lay her ghosts to rest, Florence is drawn back to the Glassbrooks' old house, in the shadow of Pendle Hill, where she once lodged with the family. She is chilled by the discovery of another effigy - one bearing a remarkable resemblance to herself. Is the killer still at large? Is Florence once again in terrible danger? Or, this time, could the fate in store be worse than even her darkest imaginings?