This exceptional volume brings together the most comprehensive selection of poems by Breton available in the English language. Here, in a bilingual French-English format are 73 poems representing all styles and stages of the writer's career.

    The German text is en face. The six hymns comprise a deeply affecting poem that speaks across the centuries with unquestioned radiance."Appropriate for general readers and for scholars interested in the art of translation." — Choice

    Eminescu (1850-1889) was a complex personality; at once a philosopher, politician, journalist, and prose writer, but above all a poet -- he is 'an expression of the Romanian soul'. The selection in this volume includes English language versions of some of Eminescu's best-known poems and is illustrated with original drawings by the Romanian artist A Bordenache and graphics from the princeps edition of Eminescu's poems published in 1883.

    George Oppen's New Collected Poems gathers in one volume all of the poems published in books during his lifetime (1908-84), as well as previously uncollected poems and also a selection of his unpublished work. Oppen, who won a Pulitzer Prize in 1969, has long been acknowledged as one of America's foremost modernists. A member of the Objectivist group that flourished in the 1930s (which also included William Carlos Williams, Charles Reznikoff, Carl Rakosi, and Louis Zukofsky), he was hailed by Ezra Pound as "a serious craftsman, a sensibility which is not every man's sensibility and which has not been got out of any other man's book." Oppen's New Collected Poems (which replaces New Direction's earlier, smaller Collected Poems of 1975) is edited by Michael Davidson of the University of California at San Diego, who also writes an introduction to the poet's life and work and supplies generous notes that will give interested readers an understanding of the background of the individual books as well as references in the poems.

    Bataille's poetry is definitely the poetry of a philosopher, but it is also a poetry with an obsessively erotic, often scatological edge to it, frequently pushing the boundary of what is or isn't obscene. Bataille believed that everything relates to the workings of desire and death in sexuality, but he also believed that poetry was the product of ""hate"" (and other extreme emotions), just as much as erotic pleasure accedes to self-annihilation. But Bataille was interested in actual action, not just disengaged hypothesis concerning the sexual act. Dufour Editions is pleased to bring Bataille's poetry to print in English. ""This is the audacious, frightful side of surrealism.""-Library Journal "Bataille produced some of the most transcendent, pointedly filthy literature of the century, and these poems, together in English for the first time, are no exception." - Publishers Weekly

    Merwin was born in New York City in 1927 and grew up in New Jersey and Pennsylvania. He worked as a tutor in France, Portugal, and Majorca, and has translated from French, Spanish, Latin and Portugese. He has published more than a dozen volumes of orignal poetry and several volumes of prose. Mr. Merwin has been awarded the Tanning Prize, the Pulitzer and Bollingen prizes, the Fellowship of the Academy of American Poets, the Shelley Memorial Award, the Pen Translation Prize, and many other honors. He lives in Haiku, Hawaii.W.S. Merwin's Second Four Books of Poems includes some of the most startlingly original and influential poetry of the second half of this century, a poetry that has moved, as Richard Howard has written, "from preterition to presence to prophecy."Other books by M.S. Merwin available from Consortium:East Window (Copper Canyon Press), 1-55659-091-1The First Four Books of Poems (Copper Canyon Press), 1-55659-139-XFlower & Hand (Copper Canyon Press), 1-55659-119-5

    . .And maybe never as a human.Get ready . . . it’s time to unlearn and learn.A collection of musings that will have you reeling in a wave of emotion long after you are done reading, this powerhouse of work will make you smile, cry, go red in anger, nod your head in agreement and grasp the finer nuances of what it means to be her in today’s world.A SMALL BOOK OF BIG LEARNINGS.About the AuthorReecha Agarwal Goyal holds an MBA in marketing and finance from Loyola Institute of Business Administration, Chennai. She has worked as a Wealth Manager in one of the reputed MNCs for six months before getting married in Delhi. Literature has always fascinated her and she has an undying passion for words. She believes that it is her kids, Aanya and Ayansh, who have brought out the writer in her. They make her see this world in a whole new light. Pink Musings is her first book and she desires to spend her entire life reading, writing and travelling.

    Yet very little of Picabia's poetry and prose has been translated into English, and his literary experiments have never been the subject of close critical study. I Am a Beautiful Monster is the first definitive edition in English of Picabia's writings, gathering a sizable array of Picabia's poetry and prose and, most importantly, providing a critical context for it with an extensive introduction and detailed notes by the translator. Picabia's poetry and prose is belligerent, abstract, polemical, radical, and sometimes simply baffling. For too long, Picabia's writings have been presented as raw events, rule-breaking manifestations of inspirational carpe diem. This book reveals them to be something entirely different: maddening in their resistance to meaning, full of outrageous posturing, and hiding a frail, confused, and fitful personality behind egoistic bravura. I Am a Beautiful Monster provides the texts of of Picabia's significant publications, all presented complete, many of them accompanied by their original illustrations.

    Within its pages, everyday flora take on an extraordinary life, jostling tragically at times, at times comically, for a foothold in a busying world. Stunningly visualised and skilfully animated, this imaginative collaboration beckons us toward a landscape of botanical characters, and invites us to see ourselves among them.

    It demonstrates a commitment to surrealistic aesthetics, and has a clear lack of an obvious plot, minimal development of character, variations of time sequence, and experiments with vocabulary and punctuation.

    The book vividly portrays the difficulties encountered by a young intellectual trying to shape himself under the oppressive Ceausescu regime and provides a stark depiction of a man's intellectual suffocation under hard-line socialist rule. The book's overall significance is therefore far more wideranging than just Romania or the 1980s.

    Expected to redeem himself in this magical land of opportunity, young Karl is swept up instead in a whirlwind of dizzying reversals, strange escapades, and picaresque adventures.Although Kafka never visited America, images of its vast landscape, dangers, and opportunities inspired this saga of the "golden land." Here is a startlingly modern, fantastic and visionary tale of America "as a place no one has yet seen, in a historical period that can't be identified," writes E. L. Doctorow in his new foreword. "Kafka made his novel from his own mind's mythic elements," Doctorow explains, "and the research data that caught his eye were bent like rays in a field of gravity."

    Sara Peters combines poetry and short prose vignettes to create a singular, unflinching portrait of a Town in which the lives of girls and women are shaped by the brutality meted upon them and by their acts of defiance and yearning towards places of safety and belonging. Through lucid detail, sparkling imagery and illumination, Peters' individual characters and the collective of The Town leap vividly, fully formed off the page. A hybrid in form, I Become a Delight to My Enemies is an awe-inspiring example of the exquisite force of words to shock and to move, from a writer of exceptional talent and potential.

    The translators of this volume have endeavored not only to convey the spirit of the original Romanian, but to find an English equivalent for its sound. The English verse, printed facing the Romanian, conveys the distilled, metaphorical nature of a poetry that expresses a strong sense of ancestral continuity and apocalyptic visions of the world.Originally published in 1976.

    The poems follow an unlikely character named Miss Peach, an unpredictable, cartoonish shapeshifter, who emerges onto the page dragging the myth of the individual, various gender scripts, and the grand tradition of the poetic persona along with her. She becomes an outsider, a hero, an intruder, a rock star. The town around her, Gold River, is also always in flux—part center and part mirage. The Stranger Manual celebrates the fractious nature of self and society in poems that are fabulist, speculative, and alluring.