Only the love of Silvia, his girlfriend, can save him. To help him, she goes to a strange doctor, who will guide her on a journey between reality and myth... This is an early work of the internationally acclaimed cartoonist, rendered in a striking red and black two-color palette.

    Yet it was also an age of constant, harrowing warfare. Armies, not philosophers, shaped the face of Europe as modern nation-states emerged from feudal society. In Furies, one of the leading scholars of Renaissance history captures the dark reality of the period in a gripping narrative mosaic. As Lauro Martines shows us, total war was no twentieth-century innovation. These conflicts spared no civilians in their path. A Renaissance army was a mobile city-indeed, a force of 20,000 or 40,000 men was larger than many cities of the day. And it was a monster, devouring food and supplies for miles around. It menaced towns and the countryside-and itself-with famine and disease, often more lethal than combat. Fighting itself was savage, its violence increased by the use of newly invented weapons, from muskets to mortars.For centuries, notes Martines, the history of this period has favored diplomacy, high politics, and military tactics. Furies puts us on the front lines of battle, and on the streets of cities under siege, to reveal what Europes wars meant to the men and women who endured them.

     Caterina Capreta was an innocent girl of fourteen when she caught the attention of the world’s most infamous chronicler of seduction: Giacomo Casanova. Intoxicated by a fierce love, she wed Casanova in secret. But his shocking betrayal inspired her to commit an act that would mark her forever . . .Now twenty years later on the island of Murano, the woman in possession of Caterina’s most devastating secret has appeared with a request she cannot refuse: to take in a noble-born girl whose scandalous love affair resembles her own. But the girl’s presence stirs up unwelcome memories of Caterina’s turbulent past. Tested like never before, she reveals the story of the man she will never forget . . .Bringing to life a fascinating chapter in the history of Venice, Casanova’s Secret Wife is a tour de force that charts one woman’s journey through love and loss to redemption.

    Their name is inextricably linked to the history of Florence. The city itself remains a living symbol of the peninsula's most splendid epoch. When people around the world think of Italy, they usually think of Florence and Tuscany, and of the priceless art collections that hold, to this day, an irresistible fascination for millions of visitors. This concise and brilliant book reads like a piece of journalism in the best sense of the term. With an entirely original and non-provincial approach, the author traces the dazzling rise and fall of this dynasty, from the first gonfaloniere to the last Grand Duke, tirelessly bringing out its historical links with Florence, Italy and Europe. The many illustrations, clarified by ample captions, do not add up to a mere gallery of official portraits; rather, the

    All hope seemed lost until a powerful French force landed at Newport in July. Then, under Washington's directives, Nathanael Greene began a series of hit-and-run operations against the British. The damage the guerrilla fighters inflicted would help drive the enemy to Yorktown, where Greene and Lafayette would trap them before Washington and Rochambeau, supported by the French fleet, arrived to deliver the coup de grâce. Richard M. Ketchum illuminates, for the first time, the strategies and heroic personalities-American and French-that led to the surprise victory, only the second major battle the Americans would win in almost seven horrific years. Relying on good fortune, daring, and sheer determination never to give up, American and French fighters-many of whom walked from Newport and New York to Virginia-brought about that rarest of military operations: a race against time and distance, on land and at sea. Ketchum brings to life the gripping and inspirational story of how the rebels defeated the world's finest army against all odds.

    Shipped off to Tuscany by her mother, Bella is suddenly thrust into living with seven strangers during one life-altering summer. Meet Hope, the sturdy and practical girl, steadfast in her loyalty to her boyfriend; Meghan and Karen, identical twins with an eye for fashion and beauty to match; Stillman, haunted by his hard past, and Phillip, an athlete, both fueled by competition; Lee, by family mandate in pre-med; and Rune, the Hollywood-bound wild child. All add sizzling chemistry and rebellious humor to the mix. In one whirlwind summer, while uncovering the charms of Italy, they discover both friendship and love.After their summer together, life – and loss – happens. Returning to Tuscany 30 years later, their dreams, anger, secrets and disappointments create an emotional kaleidoscope. Their reunion sends them on a startling collision course that none of them could have predicted.Set against the allure of Tuscany, with an irresistible fusion of heartbreak and humor, this debut novel, “To Tuscany with Love,” explores the fear of letting the past determine the future and the power of friendship.

    A recent French biography begins, Who doesn't know Nadar? In France, that's a rhetorical question. Of all of the legendary figures who thrived in mid-19th-century Paris a cohort that includes Victor Hugo, Baudelaire, Gustave Courbet, and Alexandre Dumas Nadar was perhaps the most innovative, the most restless, the most modern. The first great portrait photographer, a pioneering balloonist, the first person to take an aerial photograph, and the prime mover behind the first airmail service, Nadar was one of the original celebrity artist-entrepreneurs. A kind of 19th-century Andy Warhol, he knew everyone worth knowing and photographed them all, conferring on posterity psychologically compelling portraits of Manet, Sarah Bernhardt, Delacroix, Daumier and countless others a priceless panorama of Parisian celebrity. Born Gaspard-Felix Tournachon, he adopted the pseudonym Nadar as a young bohemian, when he was a budding writer and cartoonist. Later he affixed the name Nadar to the facade of his opulent photographic studio in giant script, the illuminated letters ten feet tall, the whole sign fifty feet long, a garish red beacon on the boulevard. Nadar became known to all of Europe and even across the Atlantic when he launched "The Giant," a gas balloon the size of a twelve-story building, the largest of its time. With his daring exploits aboard his humongous balloon (including a catastrophic crash that made headlines around the world), he gave his friend Jules Verne the model for one of his most dynamic heroes. The Great Nadaris a brilliant, lavishly illustrated biography of a larger-than-life figure, a visionary whose outsized talent and canny self-promotion put him way ahead of his time."

    This book is his most experimental work, but a work no less tradition-saturated than Eliot's. As poet, private individual, and "good European", Montale's way of dealing with his difficulties was to seize the occasions offered him by writing poetry in which the lover's passions for his beloved country would convey the truth of both his public and his private situations.

    But the tranquil setting conceals a complex maze and a masked killer: within minutes Mary has been severely attacked and her husband brutally murdered. A year later and the ‘Honeymoon Killer’, Karel Indrizzio, is dead and Mary is living a restless life in Philadelphia. Her scars are a constant reminder of that dreadful day, but in an effort to help her forget, her friend – attractive journalist, Pierangelo – invites her to return to Italy. However, in this city Mary’s dark secret cannot stay buried for long. For there is a new menace stalking the women of Florence, and his technique is startlingly reminiscent of her own attacker’s. Piero is following the deadly trail and Mary soon recognizes terrifying implications and patterns in his research: either this is a copycat, or her husband’s murderer is still at large . . .

    Brilliant in its interpretation of the 16th-century master's paintings, this monumental biography of Titian draws on contemporary accounts and recent art historical research and scholarship, some of it previously unpublished, providing an unparalleled portrait of the artist, as well as a fascinating rendering of Venice as a center of culture, commerce, and power. Sheila Hale's Titian is destined to be this century's authoritative text on the life of greatest painter of the Italian High Renaissance.

    And if you can't beat 'em.... well. Kill 'em with kindness.Get checked in with Miss Spell's Hotel - book one in the Know Spell Hotel spin off series, a funny, gothic, urban fantasy adventure... with witches!P.S.  Don't worry if you haven't ready any of the Maggie MacKay books (although book one - Maggie for Hire is currently FREE!)  Miss Spell's Hotel stands alone!

    Gilroy won the Pulitzer Prize for his play "The Subject Was Roses," and 43 years since he began work on "Lake." In the vein of Edgar Lee Masters's "Spoon River Anthology," Gilroy tells the story of a summer vacation community in Northern New Jersey over the course of 25 years, the early 1920's through the late '40's. Each chapter is the voice of another character; some are monologues, some more interior than that. The story works its way around the lake, catching a vignette/snapshot/moment from each turn of the wheel. It's a remarkable read from an 86-year-old writer, still at the top of his game.

    From one of the great political journalists of our time comes a boldly argued reinterpretation of the central event in our collective past--a book that portrays the American Revolution not as a clash of ideologies but as a Machiavellian struggle for power.

     Think that a day in the life of a London museum director is cold, quiet, and austere? Think again. Giles Waterfield brings a combination of intellectual comedy and knockabout farce to the subject in this story of one long day in a museum full of scandals, screw-upsŠand more than a few scalawags. At the beginning of The Hound in the Left-hand Corner, Auberon, the brilliant but troubled director of the Museum of British History, is preparing one midsummer's day for the opening of the most spectacular exhibition his museum has ever staged. The centerpiece is a painting of the intriguing Lady St. John strikingly attired as Puck, which hasn't been shown in London in a hundred years. As the day passes, the portrait arouses disquieting questions, jealousies, rivalries -- and more than a few strange affections -- in the minds of the museum staff. As guests and employees pour in, the tension rises -- and Auberon himself has the hilariously ridiculous task of keeping the peace, without losing his own sense of reality as well. For everyone who loves the farce of David Lodge and Michael Frayn, or even the Antiques Roadshow, the fast-paced, hilarious satire of The Hound in the Left-hand Corner is sure to delight and entertain.

    1740. They say only the brave ride Bridles Lane at night. Vicar Richard Dodge speaks of ghosts and demons, conducting elaborate exorcisms in his churchyard overlooking the lane. And with the villagers sheltering in fear, local smugglers carry their haul up the road to be hidden in the safety of the church. Isaac and Scarlett Bailey have spent their lives hiding contraband in Talland church. Forced into free trade by their father's mistakes, they want nothing more than to escape the smuggling syndicate and build a life above the law. On the other side of Bridles Lane, Flora Kelly has grown up in the shadow of her mother, the village charmer. Sceptical of her mother's craft, Flora reopens her family's tavern, determined that her life will not be one of fortune telling and herbal lore. When a seemingly abandoned ship is wrecked in Talland Bay, it sparks a wave of hysteria among the superstitious villagers. Faith in the vicar wavers and Flora feels herself drawn to the controversial old ways of her mother. Among growing unrest, the mystery of the wrecked ship deepens, unearthing long-forgotten secrets that will tear a village- and a family- apart. Inspired by true events, Bridles Lane is the first book in the West Country Trilogy, from the author of Forgotten Places and The Devil and the Deep Blue Sea.