The impact is at once harrowing and thrilling.An elderly inventor, burning with manic creativity, tries to reconcile with his estranged gay son. A bereaved boy draws a thuggish classmate into a relationship of escalating guilt and violence. A genteel middle-aged woman, a long-time resident of a psychiatric hospital, becomes the confidante of a lovelorn teenaged volunteer. Told with Chekhovian restraint and compassion, and conveying both the sorrow of life and the courage with which people rise to meet it, You Are Not a Stranger Here is a triumph of storytelling.

    Mother of Pearl revolves around twenty-eight-year-old Even Grade, a black man who grew up an orphan, and Valuable Korner, the fifteen-year-old white daughter of the town whore and an unknown father. Both are passionately determined to discover the precious things neither experienced as children: human connection, enduring commitment, and, above all, unconditional love. A startlingly accomplished mixture of beauty, mystery, and tragedy, Mother of Pearl marks the debut of an extraordinary literary talent. (Oprah's Book Club)

    A once-popular singer, desperate to make a comeback, turning from the one certainty in his life . . . A man whose unerring taste in music is the only thing his closest friends value in him . . . A struggling singer-songwriter unwittingly involved in the failing marriage of a couple he’s only just met . . . A gifted, underappreciated jazz musician who lets himself believe that plastic surgery will help his career . . . A young cellist whose tutor promises to “unwrap” his talent . . . Passion or necessity—or the often uneasy combination of the two—determines the place of music in each of these lives. And, in one way or another, music delivers each of them to a moment of reckoning: sometimes comic, sometimes tragic, sometimes just eluding their grasp. An exploration of love, need, and the ineluctable force of the past, Nocturnes reveals these individuals to us with extraordinary precision and subtlety, and with the arresting psychological and emotional detail that has marked all of Kazuo Ishiguro’s acclaimed works of fiction.

    Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker.Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”Bad boy --Look at your game, girl --Sardines --The night runner --The mirror, the bucket, and the old thigh bone --Cat person --The good guy --The boy in the pool --Scarred --The matchbox sign --Death wish --Biter --Acknowledgments

    Virtuosic and exquisitely compressed, these stories show Salter at his best.The collection received the 1989 PEN/Faulkner Award.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    Here, wolf-like girls are reformed by nuns; a family makes its living wrestling alligators in a theme park; and little girls sail away on crab shells. Filled with stunning inventiveness and heart, St. Lucy’s Home for Girls Raised by Wolves introduces a radiant new writer.

    Now with a fresh new cover and six new stories, the entire collection of twelve is available in this beautiful volume. Beginning is a foreword by David Jeremiah, followed by adventures that evoke the splendor and love found at the manger over 2000 years ago. You ll meet a shy, bookish boy who finds himself center stage in a Christmas pageant, a family whose car full of presents and groceries disappears, and a mountain man trapped in a blizzard with his twelve-year-old grandson. You ll meet characters you feel you ve known your whole life who ll make you laugh one minute and cry the next.So this year, and the years to follow, gather your family and experience the true spirit of adoration and worship at Christmas through this timeless gift of story.Trim Size: 7 x 7"

    Her charming hosts offer Ava a chance to relax at their idyllic ancestral estate, Woodburn Hall, while working on her first novel. But Woodburn is anything but quiet: Ancient feuds lurk just beneath its placid surface, and modern-day rivalries emerge as Ava finds herself caught between the competing attentions of Will and his black-sheep cousin Jake. Fascinated by the family’s impressive history—their imposing house filled with treasures, and their mingling with literary lions Fitzgerald, Hemingway, and Faulkner—Ava stumbles onto rumors about the darker side of the Woodburns’ legacy. Putting aside her planned novel, she turns her creative attentions to the eccentric and tragic clan, a family with more skeletons (and ghosts) in their closets than anyone could possibly imagine. As Ava struggles to write the true story of the Woodburns, she finds herself tangled in the tragic history of a mysterious Southern family whose secrets mirror her own.

    Revolving around the electrification of rural northeast Georgia shortly after the end of World War II, the novel has become a classic coming-of-age story. Kay, now an acclaimed writer with an international following, has reread the novel with the eyes of a seasoned storyteller. Cutting here and adding there, Kay has enriched an already highly comical and poignant work. The Year the Lights Came On is ready to find its place in the hearts of a new generation.

    Here we encounter a blind piano tuner whose wonderful memories of his first wife are cruelly distorted by his second; a woman in a difficult marriage who must choose between her indignant husband and her closest friend; two children, survivors of divorce, who mimic their parents' melodramas; and a heartbroken woman traveling alone in Italy who experiences an epiphany while studying a forgotten artist's Annunciation. Trevor is, in his own words, 'a storyteller. My fiction may, now and again, illuminate aspects of the human condition, but I do not consciously set out to do so.' Conscious or not, he touches us in ways that few writers even dare to try.

    M. Homes as one of the most provocative and daring writers of her generation. Here you'll find the cult classic A Real Doll, the tale of a teenage boy's erotic obsession with his sister's favorite doll; Adults Alone, which first introduced Paul and Elaine, the crack-smoking yuppie couple whose marriage careens out of control in Homes's novel Music for Torching; and Looking for Johnny, in which a kidnapped boy, having failed his abductor's expectations, is returned home. Brilliantly conceived, sharply etched, and exceptionally satisfying, these stories explore the American dream in ways you're not likely soon to forget. Working in Kodacolor hues, Homes offers an uncanny picture of a surreal suburbia-outrageous and utterly believable.

    Wheelchair-bound Inez Graney and her two older sons, Leon and Butch, take a bizarre road trip through the Mississippi Delta to visit the youngest Graney brother, Raymond, who's been locked away on death row for eleven years. It could well be their last visit. Mack Stafford, a hard-drinking and low-grossing run-of-the-mill divorce lawyer, gets a miracle phone call with a completely unexpected offer to settle some old, forgotten cases for more money than he has ever seen. Mack is suddenly bored with the law, fed up with his wife and his life, and makes drastic plans to finally escape. Quiet, dull Sidney, a data collector for an insurance company, perfects his blackjack skills in hopes of bringing down the casino empire of Clanton's most ambitious hustler, Bobby Carl Leach, who, among other crimes, has stolen Sidney's wife. Three good ol' boys from rural Ford County begin a journey to the big city of Memphis to give blood to a grievously injured friend. However, they are unable to drive past a beer store as the trip takes longer and longer. The journey comes to an abrupt end when they make a fateful stop at a Memphis strip club. The Quiet Haven Retirement Home is the final stop for the elderly of Clanton. It's a sad, languid place with little controversy, until Gilbert arrives. Posing as a low-paid bedpan boy, he is in reality a brilliant stalker with an uncanny ability to sniff out the assets of those "seniors" he professes to love. One of the hazards of litigating against people in a small town is that one day, long after the trial, you will probably come face-to-face with someone you've beaten in a lawsuit. Lawyer Stanley Wade bumps into an old adversary, a man with a long memory, and the encounter becomes a violent ordeal. Clanton is rocked with the rumor that the gay son of a prominent family has finally come home, to die. Of AIDS. Fear permeates the town as gossip runs unabated. But in Lowtown, the colored section of Clanton, the young man finds a soul mate in his final days. Featuring a cast of characters you'll never forget, these stories bring Ford County to vivid and colorful life. Often hilarious, frequently moving, and always entertaining, this collection makes it abundantly clear why John Grisham is our most popular storyteller.

    "Grand Stand-In" is narrated by an employee of a Nuclear Family Supplemental Provider—a company that supplies "stand-ins" for families with deceased, ill, or just plain mean grandparents. And in "Blowing Up On the Spot," a young woman works sorting tiles at a Scrabble factory after her parents have spontaneously combusted.Southern gothic at its best, laced with humor and pathos, these wonderfully inventive stories explore the relationship between loss and death and the many ways we try to cope with both.

    Olivia Harker Cross owns a strip of mountain in Pope County, Kentucky, a land where whites and blacks eke out a living in separate, tattered kingdoms and where silver-faced wolves howl in the night. But someone is killing the wolves of Big Foley Mountain–and Olivia is beginning to realize how much of her own bitter history she’s never understood: Her mother’s madness, building toward a fiery crescendo. Her daughter’s flight to California, leaving her to raise Will’m, her beloved grandson. And most of all, her town’s fear, for Olivia has real and dangerous enemies. Now this proud, lonely woman will face her mother and daughter, her neighbors and the wolf hunters of Big Foley Mountain. And when she does, she’ll ignite a conflict that will embroil an entire community–and change her own life in the most astonishing of ways.