Because yes, I do know that Owen would never do that, but I also know Hannah would never lie about something like that."Mara and Owen are about as close as twins can get. So when Mara's friend Hannah accuses Owen of rape, Mara doesn't know what to think. Can the brother she loves really be guilty of such a violent crime? Torn between the family she loves and her own sense of right and wrong, Mara is feeling lost, and it doesn't help that things have been strained with her ex-girlfriend and best friend since childhood, Charlie.As Mara, Hannah, and Charlie navigate this new terrain, Mara must face a trauma from her own past and decide where Charlie fits in her future. With sensitivity and openness, this timely novel confronts the difficult questions surrounding consent, victim blaming, and sexual assault.

    She can’t go a day without fighting with her mother. And no matter how hard she tries, she can’t make her best friend, Matt, fall in love with her. But Ashley also has something no one else does: a literal glimpse into the future. When Ashley looks into the mirror, she can see her twenty-three-year-old self.Her older self has been through it all already—she endured the bullying, survived the heartbreak, and heard every ugly word her classmates threw at her. But her older self is also keeping a dark secret: Something terrible is about to happen to Ashley. Something that will change her life forever. Something even her older self is powerless to stop.

    Then Emilie’s mom enrolls her in public school, and Emilie goes from studying at home in her pj’s to halls full of strangers. To make matters worse, Emilie is paired with starting point guard Chatham York for a major research project on Emily Dickinson. She should be ecstatic when Chatham shows interest, but she has a problem. She hasn’t told anyone about her epilepsy. Emilie lives in fear her recently adjusted meds will fail and she’ll seize at school. Eventually, the worst happens, and she must decide whether to withdraw to safety or follow a dead poet’s advice and “dwell in possibility.”

    Claire Wang never thought she’d be one of them, until her parents pluck her from her privileged life in Shanghai and enroll her at a high school in California. Suddenly she finds herself living in a stranger’s house, with no one to tell her what to do for the first time in her life. She soon embraces her newfound freedom, especially when the hottest and most eligible parachute, Jay, asks her out.Dani De La Cruz, Claire’s new host sister, couldn’t be less thrilled that her mom rented out a room to Claire. An academic and debate-team star, Dani is determined to earn her way into Yale, even if it means competing with privileged kids who are buying their way to the top. When her debate coach starts working with her privately, Dani’s game plan veers unexpectedly off course.Desperately trying to avoid each other under the same roof, Dani and Claire find themselves on a collision course, intertwining in deeper and more complicated ways, as they grapple with life-altering experiences. Award-winning author Kelly Yang weaves together an unforgettable modern immigrant story about love, trauma, family, corruption, and the power of speaking out.

    Even the most consistent use of condoms won’t prevent pregnancy when your boyfriend secretly pokes holes in them to keep you from going out-of-state for college. Veronica needs an abortion, but the closest place she can legally get one is over nine hundred miles away—and Veronica doesn’t have a car. Too ashamed to ask her friends or family for help, Veronica turns to the one person she believes won’t judge her: Bailey Butler, Jefferson High’s own little black cloud of anger and snark—and Veronica’s ex-best friend. Once on the road, Veronica quickly remembers nothing with Bailey is ever simple and that means two days of stolen cars, shotguns, crazed ex-boyfriends, truck stop strippers with pro-life agendas, and a limo driver named Bob. But the pain and betrayal of their broken friendship can’t be outrun. When their fighting leads to a brutal moment of truth, Bailey abandons Veronica. Now Veronica must risk everything in order to repair the hurt she’s caused

    It’s an extremely turbulent time politically, but especially so for someone like Shirin, a sixteen-year-old Muslim girl who’s tired of being stereotyped.Shirin is never surprised by how horrible people can be. She’s tired of the rude stares, the degrading comments - even the physical violence - she endures as a result of her race, her religion, and the hijab she wears every day. So she’s built up protective walls and refuses to let anyone close enough to hurt her. Instead, she drowns her frustrations in music and spends her afternoons break-dancing with her brother.But then she meets Ocean James. He’s the first person in forever who really seems to want to get to know Shirin. It terrifies her - they seem to come from two irreconcilable worlds - and Shirin has had her guard up for so long that she’s not sure she’ll ever be able to let it down.

    And if she's learned one thing, it is to Pack. Light.Carry only what fits in a suitcase.Toothbrush? Yes.Socks? Yes.Emotional attachment to friends? foster families? a boyfriend? Nope!There's no room for any additional baggage.Muir has just one year left before she ages out of the system. One year before she's free. One year to avoid anything--or anyone--that could get in her way.Then she meets Francine. And Kira. And Sean.And everything changes.

    Determined to follow in Da Vinci’s footsteps, she’s ready to tackle the one thing that will give her an advantage in a museum-sponsored scholarship contest: drawing actual cadavers. But when she tries to sneak her way into the hospital’s Willed Body program and misses the last metro train home, she meets a boy who turns her summer plans upside down.Jack is charming, wildly attractive, and possibly one of San Francisco’s most notorious graffiti artists. On midnight buses and city rooftops, Beatrix begins to see who Jack really is—and tries to uncover what he’s hiding that leaves him so wounded. But will these secrets come back to haunt him? Or will the skeletons in her family’s closet tear them apart?

    Her friends were okay, her grades were fine, and while she somehow managed to land a boyfriend, he doesn’t actually know anything about her. When Penny heads to college in Austin, Texas, to learn how to become a writer, it’s seventy-nine miles and a zillion light years away from everything she can’t wait to leave behind.Sam’s stuck. Literally, figuratively, emotionally, financially. He works at a café and sleeps there too, on a mattress on the floor of an empty storage room upstairs. He knows that this is the god-awful chapter of his life that will serve as inspiration for when he’s a famous movie director but right this second the seventeen bucks in his checking account and his dying laptop are really testing him. When Sam and Penny cross paths it’s less meet-cute and more a collision of unbearable awkwardness. Still, they swap numbers and stay in touch—via text—and soon become digitally inseparable, sharing their deepest anxieties and secret dreams without the humiliating weirdness of having to see each other.

    But then one day she hears of a criminal, Stuart Harris, locked up on death row in Texas. Like Zoe, Stuart is no stranger to secrets. Or lies. Or murder.Full of heartache yet humour, Zoe tells her story in the only way she can—in letters to the man in prison in America. Armed with a pen, Zoe takes a deep breath, eats a jam sandwich, and begins her tale of love and betrayal.

    A place offering a shot at “normality” for Olive, a girl on the edge, and for the new friends she never expected to make – who each have their own reasons for being there. Luckily Olive has a plan to solve all their problems. But how do you fix the world when you can’t fix yourself?

    On his first day, tensions are clearly on the rise as a picked-upon upperclassmen finally snaps, unleashing a violent attack on both the students who tormented him for so long, and the corrupt, petty faculty that let it happen. But within this desperate place, Peter befriends fellow freshmen Noah Stein, a volatile classmate whose face bears the scars of a hard-fighting past, and the beautiful but lonely Lorelei Paskal —so eager to become popular, she makes only enemies.To even stand a chance at surviving their freshmen year, the trio must join forces as they navigate a bullying culture dominated by administrators like the once popular Ms. Bromine, their embittered guidance counselor, and Father Mercedes, the parish priest who plans to scapegoat the students as he makes off with church finances. A coming-of-age tale reversed, Brutal Youth follows these students as they discover that instead of growing older and wiser, going bad may be the only way to survive.

    When Stacey levels charges against four of Kate’s classmates, the whole town erupts into controversy. Facts that can’t be ignored begin to surface, and every answer Kate finds leads back to the same question: Where was Ben when a terrible crime was committed?This story—inspired by real events—from debut novelist Aaron Hartzler takes an unflinching look at silence as a form of complicity. It’s a book about the high stakes of speaking up, and the razor thin line between guilt and innocence that so often gets blurred, one hundred and forty characters at a time.

    Then her beloved grandmother drops two bombshells: (1) Gram is dying. (2) She’s taking her entire family on a round-the-world cruise of dreams come true—but at the end, Gram won’t be returning home.With a promise to live in the now without regrets, Maddie boards the Wishwell determined to make every moment count. She finds new friends in her fellow Wishwellians, takes advantage of the trip’s many luxuries, gets even closer to her quirky family, and falls for painfully gorgeous Enzo. But despite the copious laughter, headiness of first love, and wonder of the glamorous destinations, Maddie knows she is on the brink of losing Gram, and she struggles to find the strength to let go in a whirlwind summer shaped by love, grief, and laughter.

    Nijkamp portrays the events thoughtfully, recounting fifty-four intense minutes of bravery, love, and loss." —BookRiot