The muslin curtains billow out towards her like clouds. There is a touch of brilliant red, the ribbon on her hat. The rest is white, cream, palest grey. It is a painting which leads Flora on, beckoning her away from her childhood, her complaining, clinging mother, pert younger sister, and the confines of a small community, to a proud and self-reliant future. But later, this image is to prove the catalyst for the most signicant event in her life. Isolation, separation, solitude, betrayal. The shocks of life. The consolations and the beauty of death. A few piercing moments of absolute joy and perfect understanding. THE SERVICE OF CLOUDS is about these things, and also about love, loyalty, friendship, growing up and growing old.

    We meet the Mishra family in Delhi in 1978, where eight-year-old Ajay and his older brother Birju play cricket in the streets, waiting for the day when their plane tickets will arrive and they and their mother can fly across the world and join their father in America. America to the Mishras is, indeed, everything they could have imagined and more: when automatic glass doors open before them, they feel that surely they must have been mistaken for somebody important. Pressing an elevator button and the elevator closing its doors and rising, they have a feeling of power at the fact that the elevator is obeying them. Life is extraordinary until tragedy strikes, leaving one brother severely brain-damaged and the other lost and virtually orphaned in a strange land. Ajay, the family's younger son, prays to a God he envisions as Superman, longing to find his place amid the ruins of his family's new life.Heart-wrenching and darkly funny, Family Life is a universal story of a boy torn between duty and his own survival."

    While her B-School batch mates are busy scrambling for top jobs and grades, a restless Sarika dreams of putting on her running shoes and having all the pages of her passport stamped by the age of thirty.What follows is a frenzied quest of not just collecting stamps but ticking off items off her ever-expanding bucket list: From learning the local language in Spain to an alcohol trail through Greece; from a tryst with Shakespeare and Jane Austen in the United Kingdom to an encounter with the Vampire in Romania; from straddling the border between two countries in the Middle East to a road trip through Morocco to the Sahara; each experience bringing her just a little closer to reaching that final destination on her passport. A journey of falling in love with globetrotting--this one promises to be one of the best roller-coaster reading experiences you will have this year.

    "Half the headaches in a man's life involve a woman and half the heartaches in a woman's life are because of a man." Swadha, 24, single, NH Consultants Pvt.Ltd. And then they met him.....exactly when they shouldn't have.

    Unable to tell her parents what has happened, she puts on a suit every day and pretends to go to work. What she's really doing is escaping to a studio, where she begins to paint for the first time in years. But when her work is spotted by a top gallery owner, she cannot admit she is the painter, and pretends to be the agent instead. Meanwhile at home, she's agreed to an arranged marriage to keep the peace. There are too many layers of pretence and something has to give way -- but at what cost to Nina?

    Fireflies in the Mist is Hyder's capstone to her astonishing River of Fire, which was hailed by The New York Review of Books as "magisterial with a technical resourcefulness rarely seen before in Urdu fiction."Fireflies follows the creation of modern day Bangladesh -- from Indian province, to Partition, to the emergence of statehood -- as told through the impassioned voice of Deepali Sarkar and others around her who live through the turbulence. Hyder perceptively and majestically follows the trajectory of Sarkar's life -- from her secluded upbringing in Dhaka to becoming a socialist rebel and to her ultimate transformation as a diasporic Bengali cosmopolitan -- in the way that many of yesterday's revolutionaries are slowly but surely ensnared within a net of class and luxury dangled in front of them.

    She’s smart, confident, and just got a kick-ass new job at a top advertising firm in Washington, D.C. Even before her younger sister gets married in a big, traditional wedding, Serena knows her own dreams don’t include marriage or children. But with her mother constantly encouraging her to be more like her sister, Serena can’t understand why her parents refuse to recognize that she and her sister want completely different experiences out of life.A new friendship with her co-worker, Ainsley, comes as a breath of fresh air, challenging Serena’s long-held beliefs about the importance of self-reliance. She’s been so focused on career success that she’s let all of her hobbies and close friendships fall by the wayside. As Serena reconnects with her family and friends--including her ex-boyfriend--she learns letting people in can make her happier than standing all on her own.

    "Conveys a world that is spiritual, foreign, and entirely accessible."--Vanity Fair. Reading tour.

    Spirited and strong-willed, she befriends the shy Devanna, a young boy whose mother has died in tragic circumstances. Together they grow up amidst the luscious jungles, rolling hills, and coffee plantations of Coorg in Southern India; cocooned by an extended family whose roots to this beautiful land can be traced for centuries. Their futures seem inevitably linked, but everything changes when, one night, they attend a "tiger wedding." It is there that Devi gets her first glimpse of Machu, the celebrated tiger killer and a hunter of great repute. Although she is still a child and Machu is a man, Devi vows to marry him one day. It is this love that will gradually drive a wedge between Devi and Devanna, sowing the seed of a devastating tragedy that will change the fate of all three --- an event that has unforeseen and far-reaching consequences for generations to come.Told in rich, lyrical prose and set against the background of a changing society, TIGER HILLS is a sweeping saga about one woman's determination to live life on her own terms --- and a riveting novel about the choices we make in the name of family, nation, and love.

    In a Southern Indian village, Asha doesn’t have much—raising two children in a tiny hut, she and her husband can barely keep a tin roof over their heads—but she wants a better education for her gifted son. Pressured by her family, Asha reluctantly checks into the Happy Mothers House: a baby farm where she can rent her only asset—her womb—to a childless couple overseas. To the dismay of friends and family, Priya places her faith in a woman she’s never met to make her dreams of motherhood come true.Together, the two women discover the best and the worst that India’s rising surrogacy industry has to offer, bridging continents and cultures to bring a new life into the world—and renewed hope to each other.

    In an attempt to escape this legacy that binds her, Mukta is transported to a foster family in Bombay. There she discovers a friend in the high spirited eight-year-old Tara, the tomboyish daughter of the family, who helps her recover from the wounds of her past. Tara introduces Mukta to a different world—ice cream and sweets, poems and stories, and a friendship the likes of which she has never experienced before. As time goes by, their bond grows to be as strong as that between sisters. In 1993, Mukta is kidnapped from Tara’s room. Eleven years later, Tara who blames herself for what happened, embarks on an emotional journey to search for the kidnapped Mukta only to uncover long buried secrets in her own family.Moving from a remote village in India to the bustling metropolis of Bombay, to Los Angeles and back again, amidst the brutal world of human trafficking, this is a heartbreaking and beautiful portrait of an unlikely friendship—a story of love, betrayal, and redemption—which ultimately withstands the true test of time.

    Sometimes they serve as liaisons between two distinct hearts, and sometimes they shatter two people irreparably apart. But when they are woven into promises and hopes, they give rise to something that lasts forever. They change lives.I had almost lost myself, when she brought me back to life - with her promises. She was dying with a dreadful tumour, but she had the authority to pull those last strings that brought me back to her. She was gradually dying, and every night before going to sleep - she would take a portion of my heart, my soul and my words. She would take a promise from me every night that made me who I'm today. She gave me a new life.One of those promises was to compile this novel that took me to an eventful journey in which I discovered several people, like me, who too were keeping her promises.What were those amusing, surprising and horrendous promises that they all kept?Who else other than I were bound to her promises?Would she be able to redefine love and sacrifice with her plans?Can grief completely redefine who you are? Can a broken heart be healed?Can you fall in love with the same person all over again?Can you live and die, both at the same time?Be a part of my story, about a girl, who - through her promises, changed the lives of the people she loved, including mine.This is my journey. This is the window of my past, and the view to my future. It is yours now!

    Set in the sweltering streets of Toturpuram, a small city on the Bay of Bengal, The Hero's Walk, which won the 2001 Commonwealth Writers Prize for best book in Canada and the Caribbean, explores the troubled life of Sripathi Rao, an unremarkable, middle-aged family man and advertising copywriter. As The Hero's Walk opens, Sripathi's life is already in a state of thorough disrepair. His mother, a domineering, half-senile octogenarian, sits like a tyrant at the top of his household, frightening off his sister's suitors, chastising him for not having become a doctor, and brandishing her hypochondria and paranoia with sinister abandon. It is Sripathi's children, however, who pose the biggest problems: Arun, his son, is becoming dangerously involved in political activism, and Maya, his daughter, broke off her arranged engagement to a local man in order to wed a white Canadian. Sripathi's troubles come to a head when Maya and her husband are killed in an automobile accident, leaving their 7- year-old daughter, Nandana, without Canadian kin. Sripathi travels to Canada and brings his granddaughter home, while his family is shaken by a series of calamities that may, eventually, bring peace to their lives. --Jack Illingworth

    So when he agrees to return to India to visit his ailing grand­father, he is sure he’ll be able to resist his family’s pleas that he marry a “good” Indian girl. With a girlfriend and a promising career back in San Francisco, the last thing Neel needs is an arranged marriage.Leila is a thirty-year-old teacher in Neel’s family’s village who has watched too many prospective husbands come and go to think her newest suitor will be any different. She is well past prime marrying age; her family has no money for a dowry; and then there’s the matter of an old friendship with a Muslim boy named Janni.Neel and Leila struggle to reconcile their own desires with the expectations of others in this riveting story of two people, two countries, and two ways of life that may be more compatible than they seem.

    . . We're taking a break.''A city-with-fancy-food sort of break?'If only.Amy's husband Hugh says he isn't leaving her.He still loves her, he's just taking a break - from their marriage, their children and, most of all, from their life together. Six months to lose himself in south-east Asia. And there is nothing Amy can say or do about it.Yes, it's a mid-life crisis, but let's be clear: a break isn't a break up - yet . . .However, for Amy it's enough to send her - along with her extended family of gossips, misfits and troublemakers - teetering over the edge.For a lot can happen in six-months. When Hugh returns if he returns, will he be the same man she married? And will Amy be the same woman?Because if Hugh is on a break from their marriage, then isn't she?The Break isn't a story about falling in love but about staying in love. It is Marian Keyes at her funniest, wisest and brilliant best.