She longed to have relatives and knew precious little about her Czech father's childhood as a refugee.On the night before Juliet's father died, in 2006, Juliet's father suddenly looked up and said: 'The plane is in the hangar.' In the years after his death, Juliet comes to truly understand the significance of these words.On a trip to Prague she is shocked to see the Rieden name written many times over on the walls of the Pinkas Synagogue memorial. These names become the catalyst for a life-changing journey that uncovers a personal Holocaust tragedy of epic proportions.Juliet traces the grim fate of her father's cousins, aunts and uncles on visits to Auschwitz and Theresienstadt concentration camps and learns about the extremes of cruelty, courage and kindness.Then in a locked box in Britain's National Archives, she discovers a stash of documents including letters from her father that reveal intimate details of his struggle.Meticulously researched and beautifully told, this is the moving story of a woman's quest to piece together the hidden parts of her father's life and the unimaginable losses he was determined to protect his children from.PRAISE FOR THE WRITING ON THE WALL'Rieden sets out to chart her story with a journalist's rigour: facts, timelines, archival material. She does it brilliantly. But it is the small, powerful resonant moments within a harrowing arc that bring her story alive.' The Australian

    Shares the stories of thirty-three couples who met and fell in love during World War II, offering a view of the personal side of the wartime experience and the legacy of relationships forged in the midst of tragedy.

    And he shows how these squads were utilized as the Nazis made two separate plans for dealing with the civilian populations they wanted to destroy. Drawing on Nuremberg Tribunal documents largely ignored until now, and on newly available material from eyewitnesses and survivors, Richard Rhodes has given us a book that is essential reading on the Holocaust the World War II.

    Maschmann wrote to Hannah Arendt that her intent in writing this memoir was to help her former Nazi colleagues think about their actions, and to help others “better understand” why people like her had been drawn to Hitler.Written as a letter to an unnamed Jewish girl, this memoir details the trajectory of a socially-conscious, well-educated, middle-class girl as she joins the Hitler Youth, supervises the eviction of Polish farmers from their land and works in the high echelons of Nazi press and propaganda. Maschmann was arrested in 1945, at the age of 27, completed mandatory de-Nazification and became a freelance journalist.This eBook edition includes a new introduction explaining how the Publishers identified Maschmann’s high school Jewish friend, Marianne Schweitzer Burkenroad, born in 1918 and now living in California. In an afterword, she recounts for the first time her friendship with Maschmann and her reactions to Account Rendered.

    Then the family is rounded up, deported to Auschwitz, and separated. Now Riva is alone. At Auschwitz, and later in the work camps at Mittlesteine and Grafenort, Riva vows to live, and to hope - for Mama, for her brothers, for the millions of other victims of the nightmare of the Holocaust. And through determination and courage, and unexpected small acts of kindness, she does live - to write the unforgettable memoir that is a testament to the strength of the human spirit.

    This book tells the story of their extraordinary friendship, and gives fascinating insight into Hitler's character during these formative years.

    

    On the day they arrived at Auschwitz, a soldier directed Elly to the right; her mother and brother were sent to the left. She never saw her family alive again. Elly later learned that her father also had been killed in a forced-labor camp.

    These symbols of Nazi Germany were remnants of the residence’s forgotten history, and evidence that we never live far from the past. From that discovery unspooled the twisting, captivating tale of four of the remarkable people who had called this palace home. Their story is Europe’s, and The Last Palace chronicles the upheavals that have transformed the continent over the past century. There was the optimistic Jewish financial baron Otto Petschek, who build the palace after World War I as a statement of his faith in democracy, only to have that faith shattered; Rudolf Toussaint, the cultured, compromised German general who occupied the palace during World War II, ultimately putting his life at risk to save the house and Prague itself from destruction; Laurence Steinhardt, the first postwar US ambassador, whose quixotic struggle to keep the palace out of Communist hands was paired with his pitched efforts to rescue the country from Soviet domination; and Shirley Temple Black, an eyewitness to the crushing of the 1968 Prague Spring by Soviet tanks, who determined to return to Prague and help end totalitarianism – and did just that as US ambassador in 1989.Weaving in the life of Eisen’s own mother to demonstrate how those without power and privilege moved through history, The Last Palace tells the dramatic and surprisingly cyclical tale of the endurance of liberal democracy.

    Told in five indelible voices, the book gives a you-are-there punch and a moving immediacy. Litvin recreates her parents' incredible love story of a Holocaust survivor and an American Jewish GI who landed at Normandy. This book reminds readers that genocide can happen anywhere but that the strength of hope endures, even in the most horrific conditions. "Naomi Litvin leaves all students of the Holocaust in her debt...every memoir adds to our knowledge, both of what happened, and of the emotions and feelings of that terrible era, and this memoir is no exception: it calls out to be read." -Sir Martin Gilbert, Winston Churchill's official biographer, and author of eighty-one books. Naomi Litvin is a freelance writer and lives in Northern California.

    Covering the years 1939-1945, it is the author's own account of her experience growing up in the Warsaw ghetto and her eventual deportation to, imprisonment in, and survival of the Majdanek, Auschwitz, Ravensbruck, and Neustadt-Glewe camps. The book is notable for its simplicity and clarity of style, and is told with a first-person immediacy that makes the stark terror of its content stand out. This edition is expanded with a new epilogue and postscripts that bring Mrs. Birenbaum's story up to date.

    Then Bronia and her sisters were deported to Auschwitz II-Birkenau concentration camp and with courage and the help of strangers Bronia became one of the youngest survivors.

    Suppose that without your noticing, it became dangerous for some people to live in Germany any longer. Suppose you found, to your complete surprise, that your own father was one of those people.That is what happened to Anna in 1933. She was nine years old when it began, too busy with her schoolwork and toboganning to take much notice of political posters, but out of them glared the face of Adolf Hitler, the man who would soon change the whole of Europe – starting with her own small life.Anna suddenly found things moving too fast for her to understand. One day, her father was unaccountably missing. Then she herself and her brother Max were being rushed by their mother, in alarming secrecy, away from everything they knew – home and schoolmates and well-loved toys – right out of Germany…

    Nazism was finished in the bunker in Berlin and its death warrant signed on the bench at Nuremberg.”   That’s Milton Mayer, writing in a foreword to the 1966 edition of They Thought They Were Free. He’s right about the critics: the book was a finalist for the National Book Award in 1956. General readers may have been slower to take notice, but over time they did—what we’ve seen over decades is that any time people, across the political spectrum, start to feel that freedom is threatened, the book experiences a ripple of word-of-mouth interest. And that interest has never been more prominent or potent than what we’ve seen in the past year.  They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune.   A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.