This was 'the surge', and at its helm was General David Petraeus, now acknowledged as one of the greatest military tacticians in US history. Based on unprecedented access to the entire chain of army command - at the top and fighting on the ground - this is the definitive account of one of America's biggest ever military gambles, and what it means for the future of Iraq.

    This is the dance of history in our age: slow, slow, quick, quick, slow, back and forth and from side to side, we step across these fixed and shifting lines. —from Part IVWith astonishing range and depth, the essays, speeches, and opinion pieces assembled in this book chronicle a ten-year intellectual odyssey by one of the most important, creative, and respected minds of our time. Step Across This Line concentrates in one volume Salman Rushdie’s fierce intelligence, uncanny social commentary, and irrepressible wit—about soccer, The Wizard of Oz, and writing, about fighting the Iranian fatwa and turning with the millennium, and about September 11, 2001. Ending with the eponymous, never-before-published speeches, this collection is, in Rushdie’s words, a “wake-up call” about the way we live, and think, now.

    Alfred R. Ferguson was founding editor of the edition, followed by Joseph Slater (until 1996).

    Beard called perpetual war for perpetual peace. The Federation of American Scientists has cataloged nearly 200 military incursions since 1945 in which the United States has been the aggressor. In a series of penetrating and alarming essays, whose centerpiece is a commentary on the events of September 11, 2001 (deemed too controversial to publish in this country until now) Gore Vidal challenges the comforting consensus following September 11th and goes back and draws connections to Timothy McVeigh's bombing of the federal building in Oklahoma City. He asks were these simply the acts of evil-doers? Gore Vidal is the master essayist of our age. -- Washington Post Our greatest living man of letters.--Boston Globe Vidal's imagination of American politics is so powerful as to compel awe.--Harold Bloom, The New York Review of Books

    Increasingly, though, the disconnect between the chaos of world events and the response at home took on pressing urgency for her. Seeking to understand the Muslim world that had been reduced to scaremongering headlines, she moved to Istanbul.Hansen arrived in Istanbul with romantic ideas about a mythical city perched between East and West, and with a naïve sense of the Islamic world beyond. Over the course of her many years of living in Turkey and traveling in Greece, Egypt, Afghanistan, and Iran, she learned a great deal about these countries and their cultures and histories and politics. But the greatest, most unsettling surprise would be what she learned about her own country—and herself, an American abroad in the era of American decline. It would take leaving her home to discover what she came to think of as the two Americas: the country and its people, and the experience of American power around the world. She came to understand that anti-Americanism is not a violent pathology. It is, Hansen writes, “a broken heart . . . A one-hundred-year-old relationship.”Blending memoir, journalism, and history, and deeply attuned to the voices of those she met on her travels, Notes on a Foreign Country is a moving reflection on America’s place in the world. It is a powerful journey of self-discovery and revelation—a profound reckoning with what it means to be American in a moment of grave national and global turmoil.

     In Our Women on the Ground, nineteen of these women tell us, in their own words, about what it's like to report on conflicts that are (quite literally) close to home. From sexual harassment on the streets of Cairo to the impossibility of traveling without a male relative in Yemen, their challenges are unique—as are their advantages, such as being able to speak candidly with other women or gain entry to places that an outsider would never be able to access. Their daring, shocking, and heartfelt stories, told here for the first time, shatter stereotypes about Arab women and provide an urgently needed perspective on a part of the world that is often misunderstood. INCLUDING ESSAYS BY: Donna Abu-Nasr, Aida Alami, Hannah Allam, Jane Arraf, Lina Attalah, Nada Bakri, Shamael Elnoor, Zaina Erhaim, Asmaa al-Ghoul, Hind Hassan, Eman Helal, Zeina Karam, Roula Khalaf, Nour Malas, Hwaida Saad, Amira Al-Sharif, Heba Shibani, Lina Sinjab, and Natacha Yazbeck

    In 48 hours he has ‘fallen in love’ with her, calls her day and night, urges her to marry him, join him in Syria to enjoy a life of paradise – and join his jihad.Discover how ISIS entraps people such as the teenage girls from Bethnal GreenAnna Erelle is the undercover journalist behind "Melodie". Created to investigate the powerful propaganda weapons of Islamic State, “Melodie” is soon sucked in by Bilel, right-hand man of the infamous Abu Bakr al-Baghdadi. An Iraqi for whose capture the US government has promised $10 million, al-Baghdadi is described by Time Magazine as the most dangerous man in the world and by himself as the caliph of Islamic State. Bilel shows off his jeep, his guns, his expensive watch. He boasts about the people he has just killed.With Bilel impatient for his future wife, “Melodie” embarks on her highly dangerous mission, which – at its ultimate stage – will go very wrong … Enticed into this lethal online world like hundreds of other young people, including many young British girls and boys, Erelle’s harrowing and gripping investigation helps us to understand the true face of terrorism.

    It is an indispensable guide to the depth and power of the Shia–Sunni split.

    By its own reckoning, this country is just entering the fifteenth century.The Kingdom is also the story of a family--a family that has fought its way from poverty and obscurity into wealth and power the likes of which the world has never known, a family characterized by fierce loyalty among its members, ruthlessness toward its enemies, and dedication to one of the world's most severe and demanding creeds.The Kingdom is Saudi Arabia--the only country in the world to bear the name of the family that rules it.

    It explores how America and the West lost their way as well as the struggles of their respective governments to reclaim the moral authority on which their survival demands.

    Beginning with a ruthless analysis of New Leftism and concluding with a critique of the key strands in its thinking, Roger Scruton conducts a reappraisal of such major left-wing thinkers as E. P. Thompson, Ronald Dworkin, R. D. Laing, Jurgen Habermas, Gyorgy Lukacs, Jean-Paul Sartre, Jacques Derrida, Slavoj Žižek, Ralph Milliband, and Eric Hobsbawm. In addition to assessments of these thinkers' philosophical and political contributions, the book contains a biographical and bibliographical section summarizing their careers and most important writings.In Fools, Frauds and Firebrands Scruton asks, What does the Left look like today, and how has it evolved? He charts the transfer of grievances, from the working class to women, gays, and immigrants, asks what we can put in the place of radical egalitarianism, and what explains the continued dominance of antinomian attitudes in the intellectual world. Can there be any foundation for resistance to the leftist agenda without religious faith?Writing with great clarity, Scruton delivers a devastating critique of modern left-wing thinking.

    They consider themselves the new chosen—congressmen, generals, and foreign dictators who meet in confidential cells, to pray and plan for a "leadership led by God," to be won not by force but through "quiet diplomacy." Their base is a leafy estate overlooking the Potomac in Arlington, Virginia, and Jeff Sharlet is the only journalist to have reported from inside its walls.The Family is about the other half of American fundamentalist power—not its angry masses, but its sophisticated elites. Sharlet follows the story back to Abraham Vereide, an immigrant preacher who in 1935 organized a small group of businessmen sympathetic to European fascism, fusing the far right with his own polite but authoritarian faith. From that core, Vereide built an international network of fundamentalists who spoke the language of establishment power, a "family" that thrives to this day. In public, they host Prayer Breakfasts; in private, they preach a gospel of "biblical capitalism," military might, and American empire. Citing Hitler, Lenin, and Mao as leadership models, the Family's current leader, Doug Coe, declares, "We work with power where we can, build new power where we can't."Sharlet's discoveries dramatically challenge conventional wisdom about American fundamentalism, revealing its crucial role in the unraveling of the New Deal, the waging of the cold war, and the no-holds-barred economics of globalization. The question Sharlet believes we must ask is not "What do fundamentalists want?" but "What have they already done?"Part history, part investigative journalism, The Family is a compelling account of how fundamentalism came to be interwoven with American power, a story that stretches from the religious revivals that have shaken this nation from its beginning to fundamentalism's new frontiers. No other book about the right has exposed the Family or revealed its far-reaching impact on democracy, and no future reckoning of American fundamentalism will be able to ignore it.

    In Why We Suck, Dr. Denis Leary uses his common sense, and his biting and hilarious take on the world, to attack the politically correct, the hypocritical, the obese, the thin--basically everyone who takes themselves too seriously. He does so with the extra oomph of a doctorate bestowed upon him by his alma mater Emerson College. "Sure it's just a celebrity type of thing--they only gave it to me because I'm famous," Leary explains. "But it's legal and it means I get to say I'm a doctor--just like Dr. Phil." In Why We Suck, Leary's famously smart style and sardonic wit have found their fullest and fiercest expression yet. Zeroing in on the ridiculous wherever he finds it, Leary unravels his Irish Catholic upbringing, the folly of celebrity, the pressures of family life, and the great hypocrisy of politics with the same bright, savage, and profane insight he brought to his critically acclaimed one-man shows No Cure for Cancer and Lock 'n Load, and his platinum-selling song, "Asshole." Proudly Irish American, defiantly working class, with a reserve of compassion for the underdog and the overlooked, Leary delivers blistering diatribes that are penetrating social commentary with no holds barred. Leary's book will find wide appeal among people who want to laugh out loud or find a guide who matches their view of what's wrong in America and the world-at-large; and fans of his one-man shows, his many movies, and Rescue Me, Leary's Golden Globe and Emmy-nominated television show. Why We Suck is the latest salvo from one of America's most original and biting comic satirists.

    Emphasizing Paine’s American career, it brings together his best-known works—Common Sense, The American Crisis, Rights of Man, The Age of Reason—along with scores of letters, articles, and pamphlets.Paine came to America in 1774 at age 37 after a life of obscurity and failure in England. Within fourteen months he published Common Sense, the most influential pamphlet for the American Revolution, and began a career that would see him prosecuted in England, imprisoned and nearly executed in France, and hailed and reviled in the American nation he helped create. In Common Sense, Paine set forth an inspiring vision of an independent America as an asylum for freedom and an example of popular self-government in a world oppressed by despotism and hereditary privilege. The American Crisis, begun during “the times that try men’s souls” in 1776, is a masterpiece of popular pamphleteering in which Paine vividly reports current developments, taunts and ridicules British adversaries, and enjoins his readers to remember the immense stakes of their struggle. Among the many other items included in the volume are the combative “Forester” letters, written in a reply to a Tory critic of Common Sense, and several pieces concerning the French Revolution, including an incisive argument against executing Louis XVI.Rights of Man (1791–1792), written in response to Edmund Burke’s attacks on the French Revolution, is a bold vision of an egalitarian society founded on natural rights and unbound by tradition. Paine’s detailed proposal for government assistance to the poor inspired generations of subsequent radicals and reformers.The Age of Reason (1794–1795), Paine’s most controversial work, is an unrestrained assault on the authority of the Bible and a fervent defense of the benevolent God of deism.Included in this volume are a detailed chronology of Paine’s life, informative notes, an essay on the complex printing history of Paine’s work, and an index.

    Anger and grief in the wake of the shootings at Sandy Hook Elementary School are palpable in this urgent piece of writing, but no less remarkable are King’s keen thoughtfulness and composure as he explores the contours of the gun-control issue and constructs his argument for what can and should be done.