While his sexuality prohibits him from practicing his degree in youth ministry in a church setting, he’s found a fulfilling job as a youth counselor at a residential treatment facility in Colorado. He falls in love, marries the man of his dreams, and makes peace with God. He’s happy.Then his buried past drags him back to the Ozarks.The life Brooke has worked so hard to build is crumbling in his hands in the face of painful memories and past abuse, and his confidence is withering. In El Dorado Springs, where his nightmares come to life, Brooke desperately seeks closure life doesn’t offer. Brooke must find value in himself, in his marriage, and in the world around him—and create the hope and perseverance to keep his past from swallowing him whole.

    When lightning strikes and Kokos is released, she finds herself in the world of the 20th century -- as the disgruntled employee of the multinational corporation, Mephistco. In order to keep her job and fulfill an ancient curse, Kokos must hunt down the descendant of the woman she was instructed to haunt centuries ago. No easy task, as that descendant happens to be Rainbow Rosenbloom -- London taxi-driver, film critic, lesbian, and niece to a pack of formidable aunts.As the hilarious tale unfolds, both Rainbow and her dybbuk discover that History still holds a few tricks up her sleeve.

    Soehnlein captures the spirit of a generation and an era, embodied in the haunting, unstoppable voice of thirteen-year-old Robin MacKenzie, a modern-day Holden Caulfield, whose struggle for a place in the world is as ferocious as it is real.The time is the late 1970s--an age of gas shortages, head shops, and Saturday Night Fever. The place, suburban New Jersey. At a time when the teenagers around him are coming of age, Robin MacKenzie is coming undone. While "normal boys" are into cars, sports, and bullying their classmates, Robin enjoys day trips to New York City with his elegant mother, spinning fantastic tales for her amusement in an intimate ritual he has come to love. He dutifully plays the role of the good son for his meat-and-potatoes father, even as his own mind is a jumble of sexual confusion and painful self-doubt. But everything changes in one, horrifying instant when a tragic accident wakes his family from their middle-American dream and plunges them into a spiral of slow destruction.As his family falls apart day by day, Robin finds himself pulling away from the unquestioned, unexamined life that has been carefully laid out for him. Small acts of rebellion lead to larger questions of what it means to stand on his own. Falling into a fevered triangle with two other outcasts, Todd Spicer and Scott Schatz, Robin embarks on an explosive odyssey of sexual self-discovery that will take him beyond the spring-green lawns of suburbia, beyond the fraying fabric barely holding together his quickly unraveling family, and into a complex future, beyond the world of normal boys.In The World Of Normal Boys, K.M. Soehnlein has created a dazzling gem of a debut novel in the tradition of Ordinary People and A Boy's Own Story, one that sparkles with raw honesty, poetic beauty, wry insight, and a rare richness of emotion that reverberates long after the last page is read. It is a story about growing up and falling apart, of rebellion and acceptance, of unspoken lives and irreversible choices that are made.

    McNally later adapted the script for the 1997 film of the same name.

    They share a 15-year-old son, Wesley, who lives on the upper East Side with his mother and doctor stepfather. Trying to get to know his impressive, distant father better, he moves in for a semester with him his male partner in a mid-town brownstone. George, the partner, is a former actor — by his own account “fifteen years past fabulous.” Charming, funny, smart and compassionate, George manages a struggling theater district restaurant and becomes the model for the kind of man Wesley would someday like to be.

    Unemployed, depressed, mid-transition, friendless, and still living in the upstairs bedroom of his parents' house in a conservative suburb, he can think of little to do but write his memoir. In the third person, he tells the tale of his would-be love affair with his college roommate, Colin, another trans man with a girlfriend and a successful indie rock band. The plot is interrupted intermittently by Dean's first person commentary, often criticizing middle-class conformity-but also the queer counterculture from which he feels equally alienated. He is obsessed with Morrissey of The Smiths and wants nothing in life other than the same level of fame. As his far-fetched dreams become a foreseeable reality, he must decide between honesty and belonging, conformity or isolation, community or self....

    She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together?This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel.

    Someone to love. Who will love me back." September, 1982. John Cougar's "Jack and Diane" is on endless radio rotation, and Dallas and Dynasty rule the ratings. Jack Paterno is a straight-A student living in the Detroit suburb of Hazel Park, with his own Atari 5200, a Beta VCR, and everything a seventh-grader could ask for. The only thing he has in common with foul-mouthed Brad Dayton, who lives on the gritty south side near 8 Mile, is that both are in Varsity Band. Or maybe that's not the only thing. Because Jack is discovering that while hanging around with girls in elementary school was perfectly acceptable, having lots of girl friends (as opposed to girlfriends) now is getting him and Brad labeled as Band Fags. And Jack is no fag. Is he?As Jack and Brad make their way through junior high and then through Hazel Park High School, their friendship grows deeper and more complicated. From stealing furtive glances at Playgirl to discussing which celebrities might be like that, from navigating school cliques to dealing with crushes on girls and guys alike, Jack is trying to figure out who and what he is. He wants to find real, endless love, but he also wants to be popular and "normal." But, as Brad points out, this is real life--not a John Hughes movie. And sooner or later, Jack will have to choose.Filled with biting wit and pitch-perfect observations, Band Fags is an exhilarating novel about lust and love, about the friendships that define and sometimes confine us, and about coming of age and coming to terms with the end of innocence and the beginning of something terrifying, thrilling, and completely unpredictable.Advance praise for Band Fags! "For those of us who came of age in the 80s, reading Frank Anthony Polito's novel is like being teleported back to high school. Filled with pop culture references that will have you saying, 'I remember that!, ' this is a love letter to a time when happiness was a pair of Calvin Klein jeans, and every heartbreak could be fixed by listening to your Bonnie Tyler or REO Speedwagon albums. Most important, though, it is a portrait of a friendship between two boys struggling to find themselves without losing each other."--Michael Thomas Ford, author of Last Summer "With the Motor City running on empty in Reagan's America, Frank Anthony Polito's characters dance their mystery dance of teenage longing as if Motown never left for California. Sexy, funny, and wiser than it wants to be, Band Fags! pulses with a ragged beauty and bounces to its beat. I give it a 98.6." --Thorn Kief Hillsbery, author of What We Do Is Secret"More than just a novel, Band Fags! is a virtual time machine that transports you smack dab into the cheesy heart of the 80's. It's like a queer Wonder Years as it follows Brad and Jack's memorable journey through high school hell. Screamingly funny, surprisingly charming and, ultimately, truly moving, it's a fresh take on the importance of friendship during the worst/best years of your life." --Brian Sloan, A Really Nice Prom Mess and Tale of Two Summers"A consistently hilarious story of the best-friendship we all seem to have had, set in a time we can never seem to forget -- the totally awesome '80s -- Band Fags! never misses a beat in its affectionate, moment-by-moment chronicling of the complicated journey we take from cradle to closet to what lies beyond." --Matthew Rettenmund, author of Boy Culture"Band Fags! is like the gay teen flick John Hughes never got around to making. Let's face it, there's a Band Fag in all of us and Frank Anthony Polito has his on speed dial. This book is a sweet, funny, deeply felt valentine to the wonder/horror of coming of age in the 1980's. You might just pee your parachute pants." --Den

    Two farms. One deadly secret. Every day’s the same on the farm. Seventeen-year-old Seb rides his quad bike alongside his dad and cattle dog, dreaming about a different life. A life that doesn’t require him to spend all day in the blistering sun. Where the nearest town isn’t a forty-minute drive away with a population of less than three hundred people. Where he can talk to someone who isn’t his little brother or short-tempered father.So when new neighbours move into the derelict farm on the opposite side of the shrub, Seb hopes his luck is finally about to change. Could Jake, the enigmatic boy with a dangerous glint in his eye, be his ticket out of The Nowhere? And if so, how far are they both willing to go to escape?Fast forward two decades and Seb’s working as a nurse back in Perth. With his dad living in his home, Seb is tormented by the demons that have followed him his entire adult life. He begins confiding in his caring colleague Sandra, who convinces him the only way he’ll be able to move forward is to exorcise his ghosts and seek closure.But when Jake calls out the blue telling Seb he’s coming to visit, Seb has to decide whether he’s ready to face exactly what happened that summer. On the night that forever changed not only the lives of the two boys, but that of their entire families.Youthful, brutal and ferociously fantastic, The Nowhere is a coming-of-age novel about aspiration and isolation, sexuality and sadness, love, loss, and how life changes. Despite his best efforts, Seb learns that secrets can’t be kept forever. The truth always comes out eventually. You can’t keep it secret forever, the truth always comes out eventually.

    Powerful and artful, and ten years in the writing, it is a masterwork from Jamie O’Neill.Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the distant beacon of Muglins Rock and claim that island for themselves. All the while Mr. Mack, who has grand plans for a corner shop empire, remains unaware of the depth of the boys’ burgeoning friendship and of the changing landscape of a nation.

    Examples abound in popular culture, from actress Cynthia Nixon, who left her male partner of 15 years to be with a woman, to writer and comedienne Carol Leifer, who divorced her husband for the same reason.In a culture increasingly open to accepting this fluidity, Dear John, I Love Jane is a timely, fiercely candid exploration of female sexuality and personal choice. The book is comprised of essays written by a broad spectrum of women, including a number of well-known writers and personalities. Their stories are sometimes funny, sometimes painful—but always achingly honest—accounts of leaving a man for a woman, and the consequences of making such a choice.Arousing, inspiring, bawdy, bold, and heartfelt, Dear John, I Love Jane is an engrossing reflection of a new era of female sexuality.

    Using the magical and mythic language of classic stories from around the world, Fairy Tales takes familiar myths and folktales and turns them into stories about men coming out, learning to trust themselves, looking for and finding love, facing AIDS, and helping those they love.

    Now, at last, The Essential Dykes to Watch Out For gathers a “rich, funny, deep and impossible to put down” (Publishers Weekly) selection from all eleven Dykes volumes. Here too are sixty of the newest strips, never before published in book form.Settle in to this wittily illustrated soap opera (Bechdel calls it “half op-ed column and half endless serialized Victorian novel”) of the lives, loves, and politics of a cast of characters, most of them lesbian, living in a midsize American city that may or may not be Minneapolis.Her brilliantly imagined countercultural band of friends -- academics, social workers, bookstore clerks -- fall in and out of love, negotiate friendships, raise children, switch careers, and cope with aging parents.Bechdel fuses high and low culture -- from foreign policy to domestic routine, hot sex to postmodern theory -- in a serial graphic narrative “suitable for humanists of all persuasions.”

    After his father dies, Noah's mother, a temperamental poet, takes a teaching job in a small New Hampshire town, far from Chicago and the only world Noah has known. While Noah gets along reasonably with his mother, the crumbling house they try to renovate quickly reveals dark secrets, via dusty Mason jars they discover interred between walls. The jars contain scraps of letters, poems, and journal entries, and eventually reconstructs a history of pain and violence that drives a sudden wedge between Noah and his mother. Fortunately, Noah finds an unexpected ally in J.D., a teenager down the street who has family troubles of his own.

    In one story, a Jewish college Sarah passively consents to a form-life in pursuit of an MRS degree and is swept into a culture of normalized sexual violence. Another reveals a version of Sarah finding pleasure—and a new set of problems—by playing dead for a wealthy necrophiliac. A Buffy-loving Sarah uses fan fiction to work through romantic obsession. As the collection progresses, Cohen explodes this search for self, insisting that we have more to resist and repair than our own personal narratives. Readers witness as the ever-evolving "Sarah" gets recast: as a bible-era trans woman, an aging lesbian literally growing roots, a being who transcends the earth as we know it. While Cohen presents a world that will clearly someday end, "Sarah" will continue.In each Sarah's refusal to adhere to a single narrative, she potentially builds a better home for us all, a place to live that demands no fixity of self, no plague of consumerism, no bodily compromise, a place called Sarahland.