Blemishes, scars, freckles, and wrinkles have all disappeared, their fingerprints are different, their vision is impeccable, and most importantly, their illnesses have been cured.But the fresh start they’ve been given is anything but perfect. Without their old bodies, their new physical identities have been lost. Hannah, an artistic prodigy, has to relearn how to hold a brush; David, a Congressman, grapples with his old habits; Connie, an actress whose stunning looks are restored after a protracted illness, tries to navigate an industry obsessed with physical beauty; and Linda, who spent eight years paralyzed after a car accident, now struggles to reconnect with a family that seems to have built a new life without her. As each tries to re-enter their previous lives and relationships they are faced with the question: how much of your identity rests not just in your mind, but in your heart, your body?

    A. Lafferty295 • Blind Shemmy • (1983) • novelette by Jack Dann316 • In the Islands • (1983) • shortstory by Pat Murphy329 • Nunc Dimittis • (1983) • novelette by Tanith Lee348 • Blood Music • (1983) • novelette by Greg Bear371 • Her Furry Face • (1983) • shortstory by Leigh Kennedy387 • Knight of Shallows • (1983) • novelette by Rand B. Lee419 • The Cat • [Solar Cycle] • (1983) • shortstory by Gene Wolfe426 • The Monkey Treatment • (1983) • novelette by George R. R. Martin452 • Nearly Departed • [Deadpan Allie] • (1983) • shortstory by Pat Cadigan467 • Hearts Do Not in Eyes Shine • (1983) • novelette by John Kessel486 • Carrion Comfort • (1983) • novelette by Dan Simmons522 • Gemstone • (1983) • novelette by Vernor Vinge546 • Black Air • (1983) • novelette by Kim Stanley Robinson571 • Honorable Mentions: 1983 • essay by Gardner Dozois

     War is everywhere. Not only among the firefights, in the sweat dripping from heavy armor and the clenching grip on your weapon, but also wedging itself deep into families, infiltrating our love letters, hovering in the air above our heads. It's in our dreams and our text messages. At times it roars with adrenaline, while at others it slips in silently so it can sit beside you until you forget it's there. Join Joe Haldeman, Linda Nagata, Karin Lowachee, Ken Liu, Jay Posey, and more as they take you on a tour of the battlefields, from those hurtling through space in spaceships and winding along trails deep in the jungle with bullets whizzing overhead, to the ones hiding behind calm smiles, waiting patiently to reveal itself in those quiet moments when we feel safest. War Stories brings us 23 stories of the impacts of war, showcasing the systems, combat, armor, and aftermath without condemnation or glorification. Instead, War Stories reveals the truth. War is what we are. Table of Contents: Foreword -- Gregory Drobny Graves -- Joe Haldeman Part 1: Wartime Systems In the Loop -- Ken Liu Ghost Girl -- Rich Larson The Radio -- Susan Jane Bigelow Contractual Obligation -- James L. Cambias The Wasp Keepers -- Mark Jacobsen Non-Standard Deviation -- Richard Dansky Part 2: Combat All You Need -- Mike Sizemore The Valkyrie -- Maurice Broaddus One Million Lira -- Thoraiya Dyer Invincible -- Jay Posey Light and Shadow -- Linda Nagata Part 3: Armored Force Warhosts -- Yoon Ha Lee Suits -- James Sutter Mission. Suit. Self. -- Jake Kerr In Loco -- Carlos Orsi Part 4: Aftermath War Dog -- Mike Barretta Coming Home -- Janine Spendlove Where We Would End a War -- F. Brett Cox Black Butterfly -- T.C. McCarthy Always the Stars and the Void Between -- Nerine Dorman Enemy States -- Karin Lowachee War 3.01 -- Keith Brooke Cover art by Galen Dara.

    Butler.We are a people who do not forget.Survivors from a flooded kingdom struggle alone on an ark. Resources are scant, and ravenous beasts circle. Their fangs are sharp.Among the refugees is Iraxi: ostracized, despised, and a commoner who refused a prince, she’s pregnant with a child that might be more than human. Her fate may be darker and more powerful than she can imagine.Zin E. Rocklyn’s extraordinary debut is a lush, gothic fantasy about the prices we pay and the vengeance we seek.

    What begins as a botched experiment will change her life—and the world—forever…Over two decades later, all across the planet, “flash” technology allows individuals the ability to transfer their consciousness into other bodies for specified periods, paid, registered and legal. Society has been utterly transformed by the process, from travel to warfare to entertainment; “Be anyone with Anyone” the tagline of the company offering this ultimate out-of-body experience. But beyond the reach of the law and government regulators is a sordid black market called the darkshare, where desperate “vessels” anonymously rent out their bodies, no questions asked for any purpose - sex, drugs, crime... or worse.Anyone masterfully interweaves the present-day story of the discovery and development of the flash with the gritty tale of one woman’s crusade to put an end to the darkness it has brought to the world twenty-five years after its creation. Like Blade Runner crossed with Get Out, Charles Soule’s thought-provoking work of speculative fiction takes us to a world where identity, morality, and technology collide.

    Where tinkerers and dreamers craft and re-craft a world of automatons, clockworks, calculating machines, and other marvels that never were. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, utopian revolutionaries, and intrepid orphans solve crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships.

    In the forest there is not a big gap between the two."A Datin recalls her romance with an orang bunian. A teenage pontianak struggles to balance homework, bossy aunties, first love, and eating people. An earth spirit gets entangled in protracted negotiations with an annoying landlord, and Chang E spins off into outer space, the ultimate metaphor for the Chinese diaspora.Straddling the worlds of the mundane and the magical, Spirits Abroad collects ten science fiction and fantasy stories with a distinctively Malaysian sensibility.

    2030. John McDean executive produces "Vigilance," a reality game show designed to make sure American citizens stay alert to foreign and domestic threats. Shooters are introduced into a "game environment," and the survivors get a cash prize.The TV audience is not the only one that's watching though, and McDean soon finds out what it's like to be on the other side of the camera.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Beagle, Elizabeth Bear, Jay Lake, Ian McDonald, Sarah Monette, Garth Nix, and Patrick Rothfuss.

    In "Selected Stories," thirteen of Sturgeon's very best tales have been gathered into one collection: Here are stories of love and darkness, transcendence and obsession, alien contact and human interaction. In the devastating wake of a nuclear holocaust, an actress performs her swan song before a small audience of survivors. A machine is possessed and intent upon destruction. Humankind's place in the vast cosmos is explored, as is the strange humanity of evil. In the author's acclaimed story "The Man Who Lost the Sea," a life is reconstructed in bizarre shattered fragments. And in "Slow Sculpture," Sturgeon's award-winning classic, a breast cancer patient surrenders to a healer's most unorthodox methods. Lyrical, often witty, frequently provocative, and always surprising, "Selected Stories" covers a wide range of human and inhuman emotion and experience, deftly traversing the borders between science fiction, dark fantasy, and horror. This ebook features an illustrated biography of Theodore Sturgeon including rare images and never-before-seen documents from the University of Kansas's Kenneth Spencer Research Library and the author's estate, among other sources.

    In his singular universe, televisions talk (and sometimes sing), animals live in small apartments where their nephews visit from the sea, and men and women and boys and girls fall down wells and fly through space and find love on Ferris wheels. In a voice full of fable, myth, and dream, Stories for Nighttime and Some for the Day draws us into a world of delightfully wicked recognitions, and introduces us to a writer of uncommon talent and imagination.Contains 40 stories, including "The Duck," "The Man and the Moose," and "Death and the Fruits of the Tree," as heard on NPR's This American Life, "The Book," as heard on Selected Shorts, and "The TV," as found in The New Yorker.A selection of the Barnes & Noble Discover Great New Writers Program and the Starbucks Coffee Bookish Reading Club.Winner of the 2011 Nobbie Award for Best Book of the Year."This guy can write!" –Ray Bradbury, author of Fahrenheit 451

    A Phoenix First Must Burn will take you on a journey from folktales retold to futuristic societies and everything in between. Filled with stories of love and betrayal, strength and resistance, this collection contains an array of complex and true-to-life characters in which you cannot help but see yourself reflected. Witches and scientists, sisters and lovers, priestesses and rebels: the heroines of A Phoenix First Must Burn shine brightly. You will never forget them.Authors include Elizabeth Acevedo, Amerie, Dhonielle Clayton, Jalissa Corrie, Somaiya Daud, Charlotte Davis, Alaya Dawn Johnson, Justina Ireland, Danny Lore, L.L. McKinney, Danielle Paige, Rebecca Roanhorse, Karen Strong, Ashley Woodfolk, and Ibi Zoboi.

    Over two dozen authors, ranging from NYT-bestsellers and award winners to debut writers, chose a tired trope or cliche to challenge and surprise readers through their work.Read stories inspired by tropes such as the Chainmaille Bikini, Love at First Sight, Damsels in Distress, Yellow Peril, The Black Man Dies First, The Villain Had a Crappy Childhood, The Singularity Will Cause the Apocalypse, and many more...then discover what these tropes mean to each author to find out what inspired them.Join Maurice Broaddus, Adam Troy-Castro, Delilah S. Dawson, Shanna Germain, Sara M. Harvey, John Hornor Jacobs, Rahul Kanakia, Alethea Kontis, Valya Dudycz Lupescu, Haralmbi Markov, Sunil Patel, Kat Richardson, Nisi Shawl, Ferrett Steinmetz, Anton Strout, Michael Underwood, Alyssa Wong and many other authors as they take well-worn tropes and cliches and flip them upside down.

    Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy? As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured.  And, to her horror, compared to the other bodies strewn about, she’s the lucky one.So, of course, then she gets laid off.With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks.Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing.  And with social media and viral videos, she can control that appearance.It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world.A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.

    At a deluxe medical spa on a nameless Caribbean island, a middle-aged woman hopes to revitalize her fading youth with grotesque rejuvenating therapies that combine cutting-edge medical technologies with holistic approaches and the pseudo-religious dogma of Zen-infused self-help. And in a rinky-dink mill town, an adolescent girl is unexpectedly inspired by the ravings and miraculous levitation of her fundamentalist friend’s weird grandmother. These are only a few of the scenarios readers encounter in Julia Elliott’s debut collection, The Wilds. In these genre-bending stories, teetering between the ridiculous and the sublime, Elliott’s language-driven fiction uses outlandish tropes to capture poignant moments in her humble characters’ lives. Without abandoning the tenets of classic storytelling, Elliott revels in lush lyricism, dark humor, and experimental play.