Scene 2: Hollywood creates Jean Harlow.Scene 3: Her legend lives forever.At last, the story of how Hollywood shaped a myth and determined a young woman's reality. A town, a remarkable town, became the backdrop for one of Hollywood's most incredible stories, a life rife with glamour, pleasure, power, and--in the end--utter sorrow. Her story lives in the pages and breathtaking pictures of Harlow in Hollywood. When Jean Harlow became the Blonde Bombshell, it was all Hollywood's doing. She was the first big-screen sex symbol, the Platinum Blonde, the mold for every famous fair-haired superstar who would emulate her.

    Based on the popular blog, Mad Men Unbuttoned “nails the 1960s and the ad industry during this fascinating era,” and is “a good, fast, joyful read.” (Nina DiSesa, Chairman, McCann New York).

    Mankiewicz and Orson Welles --Notes on the shooting script / prepared by Gary Carey --RKO cutting continuity of the Orson Welles production, Citizen Kane.

    The movie takes a team of scientists and explorers on a thrilling journey that will test their physical and mental limits and strand them on a distant world, where they will discover the answers to our most profound questions and to life's ultimate mystery.With an introduction by Scott himself, this lavish book will be the only publication to accompany Prometheus. Stunning production art and behind the scenes photos will grant the reader a window on the process of creating this astounding new epic.

    From his early days as a taxi dancer in New York City to his near apotheosis as the ultimate Hollywood heartthrob, Rudolph Valentino (often to his distress) occupied a space squarely at the center of controversy. In this thoughtful retelling of Valentino' s short and tragic life–the first fully documented biography of the star–Emily W. Leider looks at the Great Lover' s life and legacy, and explores the events and issues that made him emblematic of the Jazz Age. Valentino's androgynous sexuality was a lightning rod for fiery and contradictory impulses that ran the gamut from swooning adoration to lashing resentment. He was reviled in the press for being too feminine for a man; yet he also brought to the screen the alluring, savage lover who embodied women's darker, forbidden sexual fantasies.In tandem, Leider explores notions of the outsider in American culture as represented by Valentino's experience as an immigrant who became a celebrity. As the silver screen's first dark-skinned romantic hero, Valentino helped to redefine and broaden American masculine ideals, ultimately coming to represent a graceful masculinity that trumped the deeply ingrained status quo of how a man could look and act.

    A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s.Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.

    This analysis is written by Richard Corliss, editor of Film Comment. It features a brief production history and a detailed filmography.

    Recognized as the greatest British comic since Charlie Chaplin, Sellers was the grand master of fifty-five films - from Dr. Strangelove, to Being There and the Pink Panther hits. But shadowing his phenomenal career was a history of increasingly bizarre behavior involving psychotic violence, compulsive promiscuity, drug abuse and humiliating self-destructive obsessions with people including Princess Margaret, Sophia Loren, Liza Minnelli and each of his four wives (Ann Hayes, Britt Ekland, Miranda Quarry and Lynne Frederick). He alternately showered his wives and children with gifts and then threatened to kill them. Sellers' fluidity as an actor made for a terrifying madness that grew like a slow metastasizing cancer throughout his adult life. The story of Peter Sellers concludes with his premature death at the age of 54, "sick at heart and alone in those sunless hotel rooms, " so recoiled from intimacy that no one really knew him anymore.

    Reel Spirituality successfully heightens readers' sensitivity to the theological truths and statements about the human condition expressed through modern cinema. This second edition cites 200 new movies and encourages readers to ponder movie themes that permeate our culture as well as motion pictures that have demonstrated power to shape our perceptions of everything from relationships and careers to good and evil. Reel Spirituality is the perfect catalyst for dialogue and discipleship among moviegoers, church-based study groups, and religious film and arts groups. The second edition cites an additional 200 movies and includes new film photos.

    Cinema Studies. Second, Revised Edition. Offered here in Spring 2005, this new edition has new text added based on the new availability of Yasujiro Ozu's extand works. "I felt inspired to improve the description of The Only Son and deepen my thoughts about Ozu in general," write Nathaniel Dorsky in the new preface. He has been making and exhibiting films within the avant-garde tradition since 1964.For film to have a devotional quality both absolute and relative time must be active and present not only present but functioning simultaneously and invigorating one another. Transformative film rests in the present and respects the delicate details of its own unfolding."

    The Japanese family in dissolution figures in every one of his fifty-three films. In his later pictures, the whole world exists in one family, the characters are family members rather than members of a society, and the ends of the earth seem no more distant than the outside of the house.

    Wonder Woman: The Art & Making of the Film celebrates the creation of this groundbreaking movie, taking fans on a voyage of discovery through the world of Wonder Woman. Showcasing the earliest concept art, set and costume designs, sketches and storyboards, the book delves deep into the filmmaking process, from creating the stunning island of Themyscira to the war-torn trenches and towns of First World War Europe.This official companion explores the Amazons rigorous training regimens, their weaponry, armor, Themysciran culture, and the amazing women themselves. With exclusive insights from cast and crew, including director Patty Jenkins, production designer Aline Bonetto, and Diana herself, Gal Gadot, this volume is the ultimate guide to the past, present, and future of one of the most iconic heroes in the world Wonder Woman.WONDER WOMAN and all related characters and elements (c) and TM DC Comics and Warner Bros. Entertainment. (s16)

    

    On stage, a good vaudeville routine could last years as it was performed on tour across the country. On radio, a year's vaudeville material might be fodder for one week's broadcast. Bob Hope used new material not only for his weekly radio series, but also for the several live charity appearances he made each week.Organized by the stages of his life, accompanied by black-and-white photographs, this book gives readers a chance to enjoy the very best of Hope's jokes, from his early years in vaudeville, his top-rated radio show in the '30s and '40s, his legendary television appearances, and much more.

    This comprehensive, chronological film guide summarizes the 101 most important horror movies ever produced, from the 1922 silent classic Nosferatu to the low-budget, 1999 Sundance Film Festival hit, The Blair Witch Project. General editor Stephen Jay Schneider presents film summaries, reviews from a wide array of critics, cast and credit lists, and film production notes. The book's 200 illustrations include unforgettable still shots from the movies as well as iconic film posters. Horror film buffs who open this book will renew their chilling memories of Hitchcock thrillers like Psycho and The Birds, revisit Dr. Frankenstein's castle with Boris Karloff, haunt the sewers of Paris with Lon Chaney's Phantom of the Opera, and recall Anthony Hopkins' most chilling role in The Silence of the Lambs. 101 Horror Movies is international in scope, and covers films from Japan, Russia, Italy, Germany, France, and Australia. Fans of horror movies will want to see all 101 films before they die--and they'll also want to own this entertaining and informative book.