Eliza Jekyll, daughter of the infamous Dr. Henry Jekyll—pursues a dangerous murderer in an alternate Victorian London.In an electrified Victorian London, Dr. Eliza Jekyll is a crime scene investigator, hunting killers with newfangled technological gadgets. She will need every advantage available to catch a terrifying new psychopath splattering London with blood. Hidden in the grimy shadows, the fiendish murderer preys on beautiful women, drugging them before slicing off their limbs. Finding the “Slicer” can make Eliza’s career . . . or unmask her darkest secret. Like her father, she has a hidden second self that emerges when she drinks his forbidden magical elixir. Just a few sips, and a seductive and impulsive Lizzie Hyde is unleashed.The members of the Royal Society do not trust Eliza, and they send their enforcer, the mercurial Captain Lafayette, to prove she’s a dangerous sorceress. The careful doctor knows that one wrong step can make her prey to the clever Lafayette, a man who harbors an evil curse of his own. No matter how much she craves the elixir, she must resist.But as the Slicer case draws her into London’s luminous magical underworld, Eliza will need the potion’s power to help her . . . even if it might attract the attentions of Lafayette. .Even if it means setting the wild Lizzie free. . . .

    He recruits his unwanted protégé Thomas Clarady to do the tiresome legwork. The son of a privateer, Clarady will do anything to climb the Elizabethan social ladder. Bacon's powerful uncle Lord Burghley suspects Catholic conspirators of the crime, but other motives quickly emerge. Rival barristers contend for the murdered man's legal honors and wealthy clients. Highly-placed courtiers are implicated as the investigation reaches from Whitehall to the London streets. Bacon does the thinking; Clarady does the fencing. Everyone has something up his pinked and padded sleeve. Even the brilliant Francis Bacon is at a loss — and in danger — until he sees through the disguises of the season of Misrule.

    His ex-fiancee is deader than a door nail and everyone thinks he dun did it. His house is haunted. His mother is running an illegal gambling ring. His dog likes to bite people too much. And he's got to find out who really did it before the sheriff throws him in jail...again.

    In Full Dark House, Christopher Fowler tells the story of both their first and last case--and how along the way the unlikely pair of crime fighters changed the face of detection.A present-day bombing rips through London and claims the life of eighty-year-old detective Arthur Bryant. For his partner John May, it means the end of a partnership that lasted over half-a-century and an eerie echo back to the Blitz of World War II when they first met. Desperately searching for clues to the killer's identity, May finds his old friend's notes of their very first case and becomes convinced that the past has returned...with a killing vengeance.It begins when a dancer in a risque new production of Orpheus in Hell is found without her feet. Suddenly, the young detectives are plunged in a bizarre gothic mystery that will push them to their limits--and beyond. For in a city shaken by war, a faceless killer is stalking London's theaters, creating his own kind of sinister drama. And it will take Arthur Bryant's unorthodox techniques and John May's dogged police work to catch a criminal whose ability to escape detection seems almost supernatural--a murderer who even decades later seems to have claimed the life of one of them...and is ready to claim the other.Filled with startling twists, unforgettable characters, and a mystery that will keep you guessing, Full Dark House is a witty, heartbreaking, and all-too-human thriller about the hunt for an inhuman killer.

    With the exception of his chosen career, too sordid for his blue-blooded family to condone, his life has been safe and predictable. But then he meets Detective Sergeant Kate Wakefield — beautiful, willful, and nearly half his age. When Hetheridge saves the outspoken, impetuous young detective from getting the sack, siding with her against Scotland Yard's powerful male hierarchy, his cold, elegantly balanced world spins out of control. Summoned to London's fashionable Belgravia to investigate the brutal murder of a financier, Hetheridge must catch the killer while coping with his growing attraction to Kate, the reappearance of an old flame, and the secret that emerges from his own past.

    She needs to quit her job, leave her horrendous boss and New York City, and walk away from the fast life. Making good on her childhood promise to herself, she decides to walk away from it all, and to relive a beloved childhood vacation in the quaint English seaside town of Wilfordshire.Wilfordshire is exactly as Lacey remembers it, with its ageless architecture, cobblestone streets, and with nature at its doorstep. Lacey doesn’t want to go back home—and spontaneously, she decides to stay, and to give her childhood dream a try: she will open her own antique shop.Lacey finally feels that her life is taking a step in the right direction—until her new star customer turns up dead.As the newcomer in town, all eyes are on Lacey, and it’s up to her to clear her own name.With a business to run, a next-door neighbor turned nemesis, a flirty baker across the street, and a crime to solve – is this new life all that Lacey thought it would be?

    Harry Reese is an insurance investigator who never takes life too seriously. Which, given his current pecuniary crisis, is all for the best. In July 1900, he is sent to Buffalo to look into a fire that's destroyed a grain elevator. But when Harry uncovers a smuggling operation, the case morphs into something more sinister. Trains and steamships feature prominently as he crosses into Canada and back, accompanied by a political boss's stooge and a curious young woman who seems to be conducting an investigation of her own. It's a byzantine odyssey, during which Harry can never be sure of anyone's loyalties, least of all those who've hired him.

    Now many years later, the killer seems to be back. And this time he's after Matt. When Matt Ballard was starting out his career, three boys were murdered in the same area, the remote and bleak Gibbet Fen. When the main suspect was killed in a hit-and-run, the killings stopped. But Matt was not satisfied that the real murderer had been caught. Over twenty-five years later, Matt gets a photo in an unmarked envelope. It's of the Gibbet Fen crime scene. And the picture was taken before the murder took place. More photos arrive, relating to the historic murders, as well as intimate pictures of Matt's very secret private life. Then another murder happens, with some of the hallmarks of the old case. Has the killer returned, or is this just a sick copycat determined to ruin Matt's life and reputation?

    A child is found wandering in an ancient woodland, her hands covered in blood. But it is not her own.Unwilling, or unable, to speak, the only person she seems to trust is the young officer who rescued her, Detective Sergeant Lucy Black. Soon afterwards, DS Black is baffled to find herself suddenly moved from a high-profile case involving the kidnapping of another girl, a prominent businessman's teenage daughter. Black's problems are not only professional: she's caring for her increasingly unstable father, and trying to avoid conflict with her frosty mother - who also happens to be the Assistant Chief Constable. As she struggles to identify the unclaimed child, Black begins to realise that her case and the kidnapping may be linked by events that occurred during the grimmest days of the country's recent history - events that also defined her own troubled childhood.Little Girl Lost is a devastating crime thriller about corruption, greed and vengeance, and a father's love for his daughter.

    A must-read thriller…” – Southern Editor ReviewsA life no girl should endure. A father no daughter could love. A twist no one would predict.From USA Today best-selling author Pamela Crane comes a terrifying tale of small-town secrets and murder.Ari Wilburn’s life ended long ago—the day she watched her little sister die in a tragic accident and did nothing to stop it. Crippled with self-blame and resented by her parents, she stumbles through life … and onto an unexpected clue that casts doubt on whether the death was accidental.Now a psychological wreck, Ari joins a suicide support group where she meets Tina, a sex-enslaved escapee who finds her long-lost father dead. Suicide, police ruled it. But Tina suspects foul play. As a bond develops between the women in their shared loss, they’re dragged into playing a dangerous game with a killer. A serial killer with a deadly message.Faced with a murderous wake-up call and two possibly linked deaths, Ari’s investigation puts her next on the killer’s list. But she’s never been one to back down from a fight. Needing closure, Ari must face her demons and the killer behind them … or lose everything she loves.“If Dexter and Gone Girl had a love child, this would be it.” – reader review

    Especially since her father, the late police detective, was killed in the line of duty. But when an elderly Jewish man approaches Aimée with a top-secret decoding job on behalf of a woman in his synagogue, Aimée unwittingly takes on more than she is expecting. She drops off her findings at her client’s house in the Marais, Paris’s historic Jewish quarter, and finds the woman strangled, a swastika carved on her forehead. With the help of her partner, René, Aimée sets out to solve this horrendous murder, but finds herself in an increasingly dangerous web of ancient secrets and buried war crimes.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    His day to day consists of decomposing dead bodies and removing murderers from the general public. But, when two women’s bodies are found under similar circumstances, it quickly turns into more than your average case. The killer is clearly looking to make a name for himself, and his plans for these women go far beyond death. When the media runs with the story, the killer’s moment in the spotlight arrives. It’s up to Lieutenant Kane to bring the man the press has dubbed the ‘Psycho Surgeon’ to justice. Yet, being the lead on the case has its drawbacks—like becoming the focus of the killer yourself. As Lieutenant Kane closes in on his suspect, he soon realizes that the case has become far more personal than he could have ever imagined.

    He's working a routine case, complete with hours of tedious surveillance, when he sees something that shakes him to the core. There, with the subject, is a little blond girl wearing a pink top and denim shorts—the same outfit worn by Tracy Turner, a six-year-old abducted the day before. When the police are skeptical of Ballard's report—and with his history, who can blame them?—it's the beginning of the most important case of his life.

    Accepting a job at a debt collection agency seems a step toward a more tranquil life. But as she follows up on a routine loan to Romana Laszlo, a pregnant Hungarian refugee who's recently come off the train from London, Mirabelle's instincts for spotting deception are stirred when the woman is reported dead, along with her unborn child. After encountering a social-climbing doctor with a sudden influx of wealth and Romana's sister, who seems far from bereaved and doesn't sound Hungarian, Mirabelle decides to dig deeper into the suspicious circumstances surrounding the death. Aided by her feisty sidekick—a fellow office worker named Vesta Churchill ("no relation to Winston," as she explains)—Mirabelle unravels a web of evil that stretches from the Brighton beachfront to the darkest corners of Europe. Putting her own life at risk, she must navigate a lethal labyrinth of lies and danger to expose the truth.