It was premiered in Saint Petersburg’s Alexandrinsky Theatre on November 1, 1871, as a benefice for actor Fyodor Burdin.

    Journey is Robert and Suzanne Massie's memoir of raising their hemophiliac son in the 1950's, and the significant differences they found between the American and French healthcare systems.

    Offering a record of one of the pivotal events of World War II, as told through the personal accounts of the German and Soviet soldiers who fought in it, this book features photographs from the Battle of Stalingrad, from both sides of the front.

    Contents: Rasputin; The Cellar Preacher; Before the High Priests; The Fateful Idyll of Tsarskoe Selo; The Friend; The Penitential Journey of the Great Sinner; In the Holy of Holies; The Revolt Against the Holy Devil; The Murderer with the Guitar; The Death Ship; Bibliography; Index.

    Jones offers a probing look at the epochal changes sweeping the media, changes which are eroding the core news that has been the essential food supply of our democracy. At a time of dazzling technological innovation, Jones says that what stands to be lost is the fact-based reporting that serves as a watchdog over government, holds the powerful accountable, and gives citizens what they need. In a tumultuous new media era, with cutthroat competition and panic over profits, the commitment of the traditional news media to serious news is fading. Indeed, as digital technology shatters the old economic model, the news media is making a painful passage that is taking a toll on journalistic values and standards. Journalistic objectivity and ethics are under assault, as is the bastion of the First Amendment. Jones characterizes himself not as a pessimist about news, but a realist. The breathtaking possibilities that the web offers are undeniable, but at what cost? Pundits and talk show hosts have persuaded Americans that the crisis in news is bias and partisanship. Not so, says Jones. The real crisis is the erosion of the iron core of news, something that hurts Republicans and Democrats alike.Losing the News depicts an unsettling situation in which the American birthright of fact-based, reported news is in danger. But it is also a call to arms to fight to keep the core of news intact.Praise for the hardcover: Thoughtful.--New York Times Book ReviewAn impassioned call to action to preserve the best of traditional newspaper journalism.--The San Francisco ChronicleMust reading for all Americans who care about our country's present and future. Analysis, commentary, scholarship and excellent writing, with a strong, easy-to-follow narrative about why you should care, makes this a candidate for one of the best books of the year.--Dan Rather

    Valentina Ivanova is the darling of St. Petersburg's elite aristocracy-until her romance with a Danish engineer creates a terrible scandal and her parents push her into a loveless engagement with a Russian count. Meanwhile, Russia itself is bound for rebellion. With the Tsar and the Duma at each other's throats, and the Bolsheviks drawing their battle lines, the elegance and opulence of Tsarist rule are in their last days. And Valentina will be forced to make a choice that will change not only her own life, but the lives of those around her forever...

    It is suitable for anyone who has ever missed a tube-stop while reading "Cold Mountain" or Captain Corelli's "Manddin"; those wanting something to tide them over until the next Sebastian Faulks; lastminute.com-ers in search of a book that will have them secretly hoping for a delayed flight...Sixteen-year-old Marta has always longed to follow her father and lead armies into battle. Instead, she finds herself leading her fellow girl-guides on a camping trip on the border between Poland and Germany on the very day in September 1939 that the Nazis invade. Immediately the girls are spirited across their Polish motherland to take refuge in a remote nunnery, but their safety is soon under threat...So begins a perilous adventure across thousands of miles - from the logging camps of frozen Siberia to the British field hospitals of Persia - during which Marta is forced to draw on reserves of courage she didn't think she had and make choices she never imagined she'd face, as her heart is torn between a fiery young Polish patriot and a charismatic Iranian doctor.

    They included the Tsar’s mother, the Dowager Empress Marie, and his sister, the Grand Duchess Xenia, Prince Felix Youssupov, the murderer of Rasputin and a man once mooted as a future leader of Russia, and Grand Duke Nicholas, former Commander-in-Chief of the Russian Armies.As the ship prepared to set sail, a British sloop carrying 170 White Russian soldiers drew up alongside. The soldiers stood on deck and sang the Russian National Anthem. It was the last time the anthem was sung to members of the Imperial Family within Russian territory for over 70 years. The Dowager Empress stood on deck alone. Nobody dared to approach her.The Russian Court at Sea vividly recreates this unlikely voyage, with its bizarre assortment of warring characters and its priceless cargo of treasures, including rolled-up Rembrandts and Faberge eggs. It is a story, by turns exotic, comic and doomed, of an extraordinary group of people caught up in an extraordinary moment in history when their lives were in every way at sea.

    Here, over more than a thousand years, the history and destiny of Russia have unfolded. In a sweeping narrative, one of the English-speaking world's leading historians of Russia follows this story from the first emergence of the Slavs in the historical record in the sixth century C.E. to the Russians' persistent appearances in today's headlines. Hosking's is a monumental story of competing legacies, of an enormous power uneasily balanced between the ideas and realities of Asian empire, European culture, and Byzantine religion; of a constantly shifting identity, from Kievan Rus to Muscovy to Russian Empire to Soviet Union to Russian Federation, and of Tsars and leaders struggling to articulate that identity over the centuries.With particular attention to non-Russian regions and ethnic groups and to Russia's relations with neighboring polities, Hosking lays out the links between political, economic, social, and cultural phenomena that have made Russia what it is--a world at once familiar and mysterious to Western observers. In a clear and engaging style, he conducts us through the Mongol invasions, the rise of autocracy, the reigns of Ivan the Terrible and Peter the Great, the battle against Napoleon, the emancipation of the serfs, the Crimean War, the Bolshevik Revolution, Stalin's reign of terror, the two World Wars, the end of the USSR, to today's war against Chechnya. Hosking's history is shot through with the understanding that becoming an empire has prevented Russia from becoming a nation and has perpetuated archaic personal forms of power. This book is the most penetrating and comprehensive account yet of what such a legacy has meant--to Russia, and to the world.

    Yet as her intimacy with the charismatic inventor, Nikita Slavkin, deepens, she's inspired by his belief in a future free of bourgeois clutter, alight with creativity and sleek as a machine.In 1917, revolution sweeps away the Moscow Gerty knew. The middle classes - and their governesses - are fleeing the country, but she stays, throwing herself into an experiment in communal living led by Slavkin. In the white-washed modernist rooms of the commune the members may be cold and hungry, but their overwhelming feeling is of exhilaration. They abolish private property and hand over everything, even their clothes, to the collective; they swear celibacy for the cause.Yet the chaos and violence of the outside world cannot be withstood for ever. Nikita Slavkin's sudden disappearance inspires the Soviet cult of the Vanishing Futurist, the scientist who sacrificed himself for the Communist ideal. Gerty, alone and vulnerable, must now discover where that ideal will ultimately lead.Strikingly vivid, this debut novel by award-winning writer Charlotte Hobson pierces the heart with a story of fleeting, but infinite possibility.

    His poetry, influenced by Whitman and Verhaeren and strangely akin to modern rock poetry in its erotic thrust, bluesy complaints and cries of pain, not to mention its sardonic humour, is at once aggressive, mocking and tender, and often fantastic or grotesque. Pro Eto - That's What is a long love poem detailing the pain and suffering inflicted on the poet by his lover and her final rejection of him. But as well as being an agonising parable of separation and betrayal, it is also a political work, highly critical of Lenin's reforms of Soviet Socialism. The publication of That's What is something of a landmark for not only is this the first time that this seminal work has appeared in its entirety in translation, but it is illustrated with the 11 inspired photomontages that Alexander Rodchenko designed to interleave and illuminate the text, illustrations which inaugurate a world of new possibilities in combining verbal and visual forms of expression and which are reproduced in colour (as originally conceived) for the first time.

    There’s a good side, which gets the job done. There’s often also a downside that makes them hard to understand or difficult to work for. It’s precisely that they are impatient, stubborn, opinionated, unsatisfied, and domineering that makes them successful.”   When Bob Lutz retired from General Motors in 2010, after an unparalleled forty-seven-year career in the auto industry, he was one of the most respected leaders in American business. He had survived all kinds of managers over those decades: tough and timid, analytical and irrational, charismatic and antisocial, and some who seemed to shift frequently among all those traits.  His experiences made him an expert on leadership, every bit as much as he was an expert on cars and trucks.   Now Lutz is revealing the leaders—good, bad, and ugly—who made the strongest impression on him throughout his career.  Icons and Idiots is a collection of shocking and often hilarious true stories and the lessons Lutz drew from them. From enduring the sadism of a Marine Corps drill instructor, to working with a washed-up alcoholic, to taking over the reins from a convicted felon, he reflects on the complexities of all-too-human leaders. No textbook or business school course can fully capture their idiosyncrasies, foibles and weaknesses – which can make or break companies in the real world.   Lutz shows that we can learn just as much from the most stubborn, stupid, and corrupt leaders as we can from the inspiring geniuses. He offers fascinating profiles of icons and idiots such as...Eberhard von Kuenheim. The famed CEO of BMW was an aristocrat-cum-street fighter who ruled with secrecy, fear, and deft maneuvering. Harold A. “Red” Poling: A Ford CEO and the ultimate bean counter. If it couldn’t be quantified, he didn’t want to know about it. Lee Iacocca: The legendary Chrysler CEO appeared to be brillant and bold, but was often vulnerable and insecure behind the scenes. G. Richard “Rick” Wagoner: The perfect peacetime CEO whose superior intelligence couldn’t save GM from steep decline and a government bailout. As Lutz writes:We’ll examine bosses who were profane, insensitive, totally politically incorrect, and who “appropriated” insignificant items from hotels or the company. We’ll visit the mind of a leader who did little but sit in his office. We’ll look at another boss who could analyze a highly complex profit-and-loss statement or a balance sheet at a glance, yet who, at times, failed to grasp the simplest financial mechanisms—how things actually worked in practice to create the numbers in the real world.   The result is a powerful and entertaining guide for any aspiring leader.

    With astonishing and clarifying new details, he recounts the scary series of the close encounters that tested the limits of ordinary humans and powerful leaders alike. Ambinder explains how political leadership ultimately triumphed over misunderstandings, helping the two countries maintain a fragile peace.Ambinder provides a comprehensive and chilling account of the nuclear command and control process, from intelligence warnings to the composition of the nuclear codes themselves. And he affords glimpses into the secret world of a preemptive electronic attack that scared the Soviet Union into action. Ambinder’s account reads like a thriller, recounting the spy-versus-spy games that kept both countries—and the world—in check.From geopolitics in Moscow and Washington, to sweat-caked soldiers fighting in the trenches of the Cold War, to high-stakes war games across NATO and the Warsaw Pact, The Brink serves as the definitive intelligence, nuclear, and national security history of one of the most precarious times in recent memory.

     Here, from award-winning historian Ian Grey, is its dramatic story - from the establishment of the first ruling dynasty by a Viking prince to the invasions of Attila the Hun and Genghis Khan to the rise of the tsars, whose domination of their country stretched nearly four centuries until the violent overthrow of Nicholas II in 1918.

    But they’re single-minded and very, very hungry. On land, they take the form of bosses, businesspeople, colleagues, family, and sociopathic neighbors. In the world of former governor of New Mexico and US ambassador to the United Nations Bill Richardson, they have taken the form of the most powerful people in the world. He’s engaged in high-stakes, face-to-face negotiations with Castro, Saddam, the Taliban, two generations of North Korean leadership, and many more of the world’s most infamous dictators—and done it so well he was known as the "Undersecretary of Thugs" while with the Clinton administration. Now the 5-time Nobel Peace Prize nominee tells these stories—from Washington, DC, to the Middle East to Pyongyang—in all their intense and sometimes absurd glory.How to Sweet-Talk a Shark is a rare, candid, and entertaining glimpse into an insider’s world of high-stakes negotiation – showing Richardson’s successes and failures in some of the world’s least friendly places. Meanwhile, readers get frank lessons in the art of negotiation: how to prepare, how to size up your opponent, how to understand the nature of power in a standoff, how to give up only what is necessary while getting what you want, and many other strategies Richardson has mastered through at-the-table experience – and from working with other master negotiators like Presidents Obama and Clinton, and Nelson Mandela. These are takeawayas that anyone can use to negotiate with the power brokers, dealmakers, and, yes, the hungry sharks in their own lives.