Falling in love with his roommate was certainly not on the agenda, but fear and shame force him to hide his love and true self.Back home, weighed down by the expectations of their wealthy and powerful family, the love of Oto's twin sister wavers and, as their world begins to crumble around them, Oto must make drastic choices that will alter the family's lives for ever.Richly imagined with art, proverbs and folk tales, this moving and modern novel follows Oto through life at home and at boarding school in Nigeria, through the heartbreak of living as a boy despite their profound belief they are a girl, and through a hunger for freedom that only a new life in the United States can offer.An Ordinary Wonder is a powerful coming-of-age story that explores complex desires as well as challenges of family, identity, gender and culture, and what it means to feel whole.

    Misty's work life is thriving & she has found Mr. Right at last. Although Reesy's trying to be happy for her friend, she is troubled by this intrusion into the one friendship that has always come first for both women. Nonetheless, Reesy's dreams of a dance career have become reality & she is also seeing a man who might be a keeper. Unfortunately, her self-destructive tendencies threaten to destroy her, until true love & friendship save the day.

    For an enslaved mother, daughter, and grandmother, Montpelier plantation in Virginia is a living hell- and the proprietor, at least initially, is none other than President James Madison. A Long Way from Home opens during Madison's lifetime, when Susie and her daughter Clara serve the First Couple as house slaves. Yet even this regime seems civilized compared to the havoc unleashed by Madison's brutal stepson. As Clara fends off (and ultimately succumbs to) the sexual advances of one master after another, the author conjures up the entire world of the "peculiar institution."It is Susie's granddaughter and namesake, Susan, who first leaves Montpelier. Not, of course, voluntarily: she is sold to a family living in Richmond. Chained in the back of a departing wagon, she "clenched her teeth and stared at the sky. How dare the day be so clear, so beautiful, on this, the worst day of her life." But as the Civil War erupts, Susan ponders the possibility of a more joyous liberation. As Briscoe makes clear, the prospect elicited a complex blend of emotions from many slaves- Susan, for example, has been lulled into considering herself a part (if a diminished part) of her white master's family. A Long Way from Home does occasionally fall back on the pat formulas of the television miniseries, and Briscoe doesn't manage to quite ignite Susan's conflicted feelings about bondage and freedom. But Susan's postwar travails do convey the reality that Reconstruction was not only a political process but also a painfully personal one. --Katherine Anderson

    She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle's, estimation, but she's also the brightest. Rozelle--beautiful, charismatic, and light-skinned--exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at "the farmhouse" on the edge of town, where Rozelle beds local men for money.But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school. She has a chance to change her life, but can she break from Rozelle's grasp without ruinous--even fatal--consequences?

    She is obsessed with the Get Happies, the quintessential 1960s Californian band, helmed by its resident genius, B—-. Why did the band stop making music? Why did they never release their rumored album, Summer Fun?Gala writes letters to B—- that shed light not only on the Get Happies, but paint an extraordinary portrait of Gala. The parallel narratives of B—- and Gala form a dialogue about creation–of music, identity, self, culture, and counterculture.Summer Fun is an epic and magical work of trans literature that marks Thornton as one of our most exciting and original novelists.

    This pioneering novel found a way beyond the bondage of Blackness in American life to a new meaning in truth and beauty. Emma Lou Brown's dark complexion is a source of sorrow and humiliation -- not only to herself, but to her lighter-skinned family and friends and to the white community of Boise, Idaho, her home-town. As a young woman, Emma travels to New York's Harlem, hoping to find a safe haven in the Black Mecca of the 1920s. Wallace Thurman re-creates this legendary time and place in rich detail, describing Emma's visits to nightclubs and dance halls and house-rent parties, her sex life and her catastrophic love affairs, her dreams and her disillusions -- and the momentous decision she makes in order to survive. A lost classic of Black American literature, The Blacker the Berry...is a compelling portrait of the destructive depth of racial bias in this country. A new introduction by Shirlee Taylor Haizlip, author of The Sweeter the Juice, highlights the timelessness of the issues of race and skin color in America.

    Originally published in 1934, it was praised by Carl Sandburg as "a bold and beautiful book, many a page priceless and unforgettable."

    She knows what thrills, angers, and motivates them, and she shares the secrets that spill out from under hair dryers with heartbreaking and often hilarious candor. At Blessings, Patricia Brown's Los Angeles salon, we listen in on the dish and the drama and get real with the four unforgettable women who work there. Pat is the owner and matriarch of the salon, and she presides over Blessings with a kind but commanding air-- preventing fiery arguments, smoothing over conflicts, and lending a sympathetic ear to those who need it. But she may never get a chance to be a mother of her own children. After discovering she is infertile, she embarks on a mission to adopt a child, but learns that the process is filled with more anguish than she expected.Zuma is Blessings' star stylist, and she knows it. This brash diva is a self-described superwoman committed to making her dream of being both a businesswoman and a mom come true. She's got so much confidence that she has vowed to get artificially inseminated if she doesn't find Mr. Right soon-- and she secretly hopes that this will eradicate the indescribable sorrow lingering from the abortion she had years ago.Faye, another stylist, can't quite forget the memory of her late husband. Lonely and overweight, she turns to food to dull the pain of raising her two children alone. Her daughter has grown up into an explosive young woman, and her little boy is learning the hard way how to survive in the world without a dad. But companionship and support will come along when she's least expecting it.Sandy, the manicurist, is still searching for her own fulfillment and can't be bothered with the needs of her two small kids. Though she makes no apologies for her highly neglectful mothering, she ultimately makes a mother's biggest sacrifice.Written with Jackson's trademark skill and sass, "Blessings" paints a deeply moving picture of female struggle and triumph. As Pat, Zuma, Faye, and Sandy laugh, weep, argue, and console each other, Jackson reveals the priceless, inextricable bond between motherhood and sisterhood, and shows why she's become a beloved chronicler of the hearts and minds of women.

    Coworkers at a cultural journal, they soon become good friends. Jack even introduces Will to the woman he will marry. But their friendship is complicated: Jack is also in love with Will. Troubled by his subversive longings, Jack sees a psychiatrist and dates a few women, while also pursuing short-lived liaisons with other men. But in the two decades of their friendship, from the first stirrings of gay liberation through the catastrophe of AIDS, Jack remains devoted to Will. And as Will embraces his heterosexual sensuality, nearly destroying his marriage, the two men share a newfound libertinism in a city that is itself embracing its freedom. Moving among beautifully delineated characters in a variety of social milieus, Edmund White brings narrative daring and an exquisite sense of life's submerged drama to this masterful exploration of friendship, sexuality, and sensibility during a watershed moment in history.

    Sandy’s mother, Annjee, works as a housekeeper for a rich white family, while his father traverses the country in search of work. Not Without Laughter is a moving examination of growing up in a racially divided society. A rich and important work, Hughes deftly echoes the Black American experience with this novel.

    Brown.From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

    Saenz's epic tale brings to light amazing revelations about the wonders of love, family, friends, and compassion.

    . . . It’s not hyperbole to suggest that We Disappear is the eeriest Kansas-set story since Truman Capote’s In Cold Blood." — Chicago Sun-TimesA dark and compelling novel of addiction, obsession, love, and family from the acclaimed author of  Mysterious Skin The body of a teenage boy is discovered in a Kansas field. The murder haunts Donna—a recent widow battling cancer—calling forth troubling details from long-suppressed memories of her past. Hoping to discover more about "disappeared" people, she turns to her son, Scott, who is fighting demons of his own. Addicted to methamphetamines and sleeping pills, Scott is barely holding on—though the chance to help his mother in her strange and desperate search holds out a slim promise of some small salvation.But what he finds is a boy named Otis handcuffed in a secret basement room, and the questions that arise seem too disturbing even to contemplate. With his mother's health rapidly deteriorating, Scott must surrender to his own obsession, and unravel Otis's unsettling connections to other missing teens . . . and, ultimately, to himself.

    That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

    But when Kaede-san decides to penalize Rintarou's unsatisfactory progress with some unusual punishment, Rintarou figures out that what he's feeling is love. But what abut Kaede? Does he love Rintarou or is he just a perverted sadist?June Manga proudly presents the first volume of the popular manga by Yuu Moegi in her English language debut!