Caldwell has an unsparing knack for looking within and reporting back what's really there, rather than what she'd like you to see.

    He shares his passion for books, which began with ordering through The Weekly Reader in grade school. Interwoven throughout is an historical account of the bookseller's trade--from the great Alexandria library with an estimated one million papyrus scrolls to Sylvia Beach's famous Paris bookstore, Shakespeare and Company, which led to the effort to publish and sell James Joyce's Ulysses during the 1920s.

    It provides crucial texts for the appreciation of America literature, women's experience in the ninteenth century, and literature in general.

    While maintaining that “the letters record the daily life of an ordinary scientist doing ordinary work,” Dyson nonetheless has worked with many of the twentieth century’s most renowned physicists, mathematicians, and intellectuals, so that Maker of Patterns presents not only his personal story but chronicles through firsthand accounts an exciting era of twentieth-century science.Though begun in the dark year of 1941 when Hitler’s armies had already conquered much of Europe, Dyson’s letters to his parents, written at Trinity College, Cambridge, often burst with the curiosity of a precocious seventeen-year-old. Pursuing mathematics and physics with a cast of legendary professors, Dyson thrived in Cambridge’s intellectual ferment, working on, for example, the theory of partitions or reading about Kurt Gödel’s hypotheses, while still finding time for billiards and mountain climbing. After graduating and serving with the Royal Air Force’s Bomber Command operational research section, whose job it was “to demolish German cities and kill as many German civilians as possible,” Dyson visited a war-torn Germany, hoping through his experience to create a “tolerably peaceful world.”Juxtaposing descriptions of scientific breakthroughs with concerns for mankind’s future, Dyson’s postwar letters reflect the quandaries faced by an entire scientific generation that was dealing with the aftereffects of nuclear detonations and concentration camp killings. Arriving in America in 1947 to study with Cornell’s Hans Bethe, Dyson continued to send weekly missives to England that were never technical but written with grace and candor, creating a portrait of a generation that was eager, as Einstein once stated, to solve “deep mysteries that Nature intend[ed] to keep for herself.”We meet, among others, scientists like Richard Feynman, who took Dyson across country on Route 66, Robert Oppenheimer, Eugene Wigner, Niels Bohr, James Watson, and a young Stephen Hawking; and we encounter intellectuals and leaders, among them Reinhold Niebuhr, George Kennan, Arthur C. Clarke, as well as Martin Luther King, Jr.The “patterns of comparable beauty in the dance of electrons jumping around atoms” invariably replicate themselves in this autobiography told through letters, one that combines accounts of wanton arms development with the not-inconsiderable demands of raising six children. As we once again attempt to guide society toward a more hopeful future, these letters, with their reenactment of what, at first, seems like a distant past, reveal invaluable truths about human nature.

    Willa Cather, wanting to be judged on her work alone, clearly forbade the publication of her letters in her will. But now, more than sixty-five years after her death, with her literary reputation as secure as a reputation can be, the letters have become available for publication. The 566 letters collected here, nearly 20 percent of the total, range from the funny (and mostly misspelled) reports of life in Red Cloud in the 1880s that Cather wrote as a teenager, through those from her college years at the University of Nebraska, her time as a journalist in Pittsburgh and New York, and during her growing eminence as a novelist. Postcards and letters describe her many travels around the United States and abroad, and they record her last years in the 1940s, when the loss of loved ones and the disasters of World War II brought her near to despair. Written to family and close friends and to such luminaries as Sarah Orne Jewett, Robert Frost, Yehudi Menuhin, Sinclair Lewis, and the president of Czechoslovakia, Thomas Masaryk, they reveal her in her daily life as a woman and writer passionately interested in people, literature, and the arts in general. The voice heard in these letters is one we already know from her fiction: confident, elegant, detailed, openhearted, concerned with profound ideas, but also at times funny, sentimental, and sarcastic. Unfiltered as only intimate communication can be, they are also full of small fibs, emotional outbursts, inconsistencies, and the joys and sorrows of the moment. The Selected Letters is a deep pleasure to read and to ponder, sure to appeal to those with a special devotion to Cather as well as to those just making her acquaintance.

    Thompson. In letters to a Who's Who of luminaries from Norman Mailer to Charles Kuralt, Tom Wolfe to Lyndon Johnson, William Styron to Joan Baez—not to mention his mother, the NRA, and a chain of newspaper editors—Thompson vividly catches the tenor of the times in 1960s America and channels it all through his own razor-sharp perspective. Passionate in their admiration, merciless in their scorn, and never anything less than fascinating, the dispatches of The Proud Highway offer an unprecedented and penetrating gaze into the evolution of the most outrageous raconteur/provocateur ever to assault a typewriter.

    They are planning a wedding and have bought a new home. The last thing the two of them need right now is a new cat.But their recently purchased house seems to come complete with a stray orange feline--a cat with a vibrant personality and a talent for mousing. So Shawn soon finds himself with a regular companion. Little does he realize that this cat will shortly become more important to him than he can possibly imagine.As Shawn's personal life begins to shift in ways he never saw coming, Kitty remains a constant source of stability and comfort. Shawn gave Kitty a home, and now Kitty gives Shawn the love he needs to heal.A touching and inspiring story of heartfelt companionship, The Kitty offers an uplifting perspective on what it means to find true friendship in this world. Anyone who has ever shared a meaningful connection with a pet will fall head over heels in love with Kitty and Shawn.As Shawn discovers, sometimes we don't even realize we need to be rescued--until we are.

    This book is the story of Volpe's years leading up to those at the Met, from his first job as a stagehand at the Morosco Theater to the odd jobs he picked up moonlighting: setting up a searchlight or laying down a red carpet for a movie premiere, changing titles on the marquees at the Astor, Victor, and Paramount theaters. It is his Met years--from apprentice carpenter to general manager--that give us a story about New York and the business of culture. Volpe looks at the Met today, an institution full of vast egos and complicated politics, as well as its glittering past--the old Met at Thirty-ninth and Broadway, and the political and artistic intrigues that exploded around its move to Lincoln Center. With stunning candor, he writes about the general managers he worked under, including Rudolf Bing and Anthony Bliss; his own embattled rise to the top; the maneuverings of the blue-chip board; his bad-cop, good-cop collaboration with the conductor James Levine; and his masterful approach to making a family of such highly charged artist-stars as Luciano Pavarotti, Placido Domingo, Teresa Stratas, and Renee Fleming, and such visionary directors as Franco Zeffirelli, Robert Wilson, and Julie Taymor.

    Recently published for the first time in France, letters written by Simone de Beauvoir to one of the world's most acclaimed philosophers shed light on their relationship and her obsessive need to communicate with him.

    Medill personally influenced the political tide that transformed America during the midnineteenth century by fostering the Republican Party, engineering the election of Abraham Lincoln and serving as a catalyst for the outbreak of the Civil War. The dynasty he established, filled with colorful characters, went on to take American journalism by storm. His grandson, Colonel Robert R. McCormick, personified Chicago, as well as its great newspaper, the Chicago Tribune, throughout much of the twentieth century. Robert’s cousin, Joseph Medill Patterson, started the New York Daily News, and Joe’s sister, Cissy Patterson, was the innovative editor of the Washington Times-Herald. In the fourth generation, Alicia Patterson founded Long Island’s Newsday, the most stunning journalistic accomplishment of post–World War II America. Printer’s ink raged in the veins of the Medills, the McCormicks and the Pattersons throughout a century, and their legacy prevailed for another five decades—always in the forefront of events, shaping the intellectual and social pulse of America. At the same time, the dark side of the intellectual stardom driving the dynasty was a destructive compulsion that left clan members crippled by their personal demons of chronic depression, alcoholism, drug abuse and even madness and suicide. Rife with authentic conversations and riveting quotes, The Magnificent Medills is the premiere cultural history of America’s first media empire. This dynamic family and their brilliance, eccentricities and ultimate self-destruction are explored in a sweeping narrative that interweaves the family’s personal activities and public achievements against a larger historical background. Authoritative, compelling and thoroughly engaging, The Magnificent Medills brings the pages of history that the Medills wrote vividly to life.

    When "Don't Dream It's Over" and "Something So Strong" exploded in the US charts, worldwide success looked inevitable. Critics compared them musically to the Beatles and fans adored them for their warmth and humour on stage. Four brilliant albums later, their roller-coaster ride of achievements and disappointments came to an end on the steps of the Sydney Opera House, in front of one of the largest audiences in Australian history. The dream was over, the band broken up, their enormous promise only partly fulfilled. In this definitive account, New Zealand journalist Chris Bourke has written the true story of Crowded House. With unparalleled access to all band members, their families, friends, musical collaborators, managers, and record company personanel, he has captured their essence. It is a unique tale of musical chemistry, family bonds and the personal costs of pursuing an artistic vision. From the manic energy of the recording studio to the machinations of the record industry, this riveting account is a book for every Crowded House fan.

    "Your hair matters far, far less than you think," is the wry advice that begins the letter bestselling mystery writer Lisa Scottoline pens to her twenty-year old self. And Maya Angelou, leaving home at seventeen with a newborn baby in her arms, assures herself she will succeed on her own, even if she does return home every now and then.These remarkable women are joined by Madeleine Albright, Queen Noor of Jordan, Cokie Roberts, Naomi Wolf, Eileen Fisher, Jane Kaczmarek, Olympia Dukakis, Macy Gray, and many others. Their letters contain rare glimpses into the personal lives of extraordinary women and powerful wisdom that readers will treasure.Wisdom from What I Know Now"Don't let anybody raise you. You've been raised." -Maya Angelou"Try more things. Cross more lines." -Breena Clarke"Learn how to celebrate." -Olympia Dukakis"You don't have to be afraid of living alone." -Eileen Fisher"Please yourself first...everything else follows." -Macy Gray"Don't be so quick to dismiss another human being." -Barbara Boxer"Work should not be work." -Mary Matalin"You can leave the work world--and come back on your own terms." -Cokie Roberts"Laundry will wait very patiently." -Nora Roberts"Your hair matters far, far less than you think" -Lisa Scottoline"Speak the truth but ride a fast horse." -Kitty Kelley

    His humor and short fiction appear in various publications throughout the Southeast.

    . . and I don’t believe it’s true. . . . I have the impression that thinking is a form of feeling and that feeling is a form of thinking.”Susan Sontag, one of the most internationally renowned and controversial intellectuals of the latter half of the twentieth century, still provokes. In 1978 Jonathan Cott, a founding contributing editor of Rolling Stone magazine, interviewed Sontag first in Paris and later in New York. Only a third of their twelve hours of discussion ever made it to print. Now, more than three decades later, Yale University Press is proud to publish the entire transcript of Sontag’s remarkable conversation, accompanied by Cott’s preface and recollections. Sontag’s musings and observations reveal the passionate engagement and breadth of her critical intelligence and curiosities at a moment when she was at the peak of her powers. Nearly a decade after her death, these hours of conversation offer a revelatory and indispensable look at the self-described "besotted aesthete" and "obsessed moralist."“I really believe in history, and that’s something people don’t believe in anymore. I know that what we do and think is a historical creation. . . .We were given a vocabulary that came into existence at a particular moment. So when I go to a Patti Smith concert, I enjoy, participate, appreciate, and am tuned in better because I’ve read Nietzsche.”“There’s no incompatibility between observing the world and being tuned into this electronic, multimedia, multi-tracked, McLuhanite world and enjoying what can be enjoyed. I love rock and roll. Rock and roll changed my life. . . .You know, to tell you the truth, I think rock and roll is the reason I got divorced. I think it was Bill Haley and the Comets and Chuck Berry that made me decide that I had to get a divorce and leave the academic world and start a new life.”

    He just never had the money. Until he realised he could do it on the world’s most expensive luxury cruise.Mischievous and entertaining, this is the first book to be written about a new phenomenon – the strange and unreported world of small luxury cruise ships, so exclusive that if you need to ask how much they cost, you probably can't afford them. So don’t act like the Cruise Queen Bee who, when she received her invitation to the Captain’s table, wrote back giving her apologies and explaining, ‘I cannot accept your invitation as, on principle, I never eat with the staff.’ Buy the book and take your place as Hugh serves up tales that are clear-sighted about the rich and observant of the new world opening up on our horizons, powered by a supercharged 32,000 ton luxury liner, a microcosm of 21st-century life, with its superb engineering that almost, but not quite, overcomes all the indignities the natural world can throw at it.Hugh’s previous books have been acclaimed on both sides of the Atlantic – ‘Everywhere Thomson goes, he finds good stories to tell’ New York Times Book Review – and this new book will delight his many fans.