It was also the first to introduce a full democracy. Between those events, and in the century that followed the franchise, the movements and the conflicts of human history have been played out more intensively and more rapidly in New Zealand than anywhere else on Earth. This title tells that story in all its colour and drama. The narrative that emerges is an inclusive one about men and women, Maori and Pakeha. It shows that British motives in colonizing New Zealand were essentially humane; and that Maori, far from being passive victims of a "fatal impact", coped heroically with colonization and survived by selectively accepting and adapting what Western technology and culture had to offer. The latter part of the book reveals how an insulated and dependent British colony transformed itself into an independent nation, open to and competing with technological and cultural influences sweeping the globe.

    She has a big heart. A heart that is kind, brave, patient, and hardworking. A heart that usually ends up getting hurt. If not broken…

    Our narrator doesn't know where she stands with Ilana, her not-quite-girlfriend. She has a complex history with her best friend, Ashi. She's haunted by the spectre of her emotionally abusive ex-boyfriend. And her period's now weeks late.Attraction is a meditative novel of connection, inheritance and the stories we tell ourselves. In lyrical fragments, Porter explores what it means to be and to belong, to create and to destroy.

    This chase was to apprehend or kill the notorious Whitacre brothers and he was getting close. They were just a few hours ahead of him now after more than a week and a half of tracking. He was the best at what he did and had never even felt the bite of a bullet and didn’t expect this to be any different. But it wasn’t the Whitacre brothers that would cause the enormous shift in his life. That would come two days later.

    Luca Baldi, a young shepherd, is catapulted into the violent world of mercenary warfare when he is forced to flee his native Sicily. He falls in with the Almogavars – ruthless mercenaries from the Catalonia region of Spain who have just finished butchering the French during a 20-year war on the island. He and they take ship to Constantinople when they are hired by the Byzantine emperor, whose empire is disintegrating in the face of remorseless Muslim advances. Alone and marooned amid danger and violence and surrounded by enemy forces, Luca must master the Almogavar way of war to survive. Plunged into the brutal world of Medieval warfare when the mercenaries take the fight to the emperor’s many enemies, can Luca live through fighting impossible odds as he battles to preserve a crumbling empire that has stood for a thousand years? ‘The Black Sheep’ is the first volume in the Catalan Chronicles, a Medieval saga set in the early 14th century. Maps of the Byzantine Empire and western Anatolia at this time can be found on the maps page of my website: www.peterdarman.com

    As a member of the Nolan sisters, Coleen Nolan was born into the spotlight and has stayed there ever since. She has now become one of the nation's favourite TV presenters and is used to newspapers and magazines claiming to have the inside story of her private life. In No Regrets Coleen finally reveals the truth of what really happened during the last few rollercoaster years, truly the worst of her life. Whilst it's certainly been a traumatic time for the whole family, Coleen is a survivor. First and foremost, she is a mum and is determined to hold her family together. The Nolans finally put aside their infamous feud to rally round their beloved sister Bernie, who tragically lost her fight with cancer on the 4th of July last year, aged just 52. In this memoir, Coleen movingly describes her struggle to deal with the emotional scars that come from losing someone so close and the effect it has had on her own life. In this incredibly candid memoir, Coleen writes with raw honesty about her family troubles, her career highs and lows, and her struggle with her body image. In recent years, Coleen has found herself in both a plastic surgeon's office looking at a £20,000 bill to 'fix her face' and at a breast cancer clinic asking for the removal of her healthy breasts to avoid becoming the fourth sister in the family to be struck down by cancer. Wonderfully warm and moving, and brilliantly funny and honest, No Regrets will take you from laughter to tears and back again as you share in Coleen's very personal journey.

    

    The historical body of evidence that remains from the Salem witch trials of 1692 touched the hands, mind, and imagination of poet Nicole Cooley, compelling her to seek entry to an inaccessible past of lies. The Afflicted Girls, so named after the young women who claimed to be victims of witchcraft, spans the centuries to give voice to those both audible and silent on history's pages--accusers and accused of several kinds: wife and husband, servant and master, congregant and minister, and, not least, bewitched and witch. Piercing, enchanting, Cooley's poems form a remarkable narrative, one that displays the enormous cultural power the Salem witch trials retain in twenty-first-century America.

      A Christmas Hope   “Very much recommended . . . a wonderful story.”—Historical Novel Review   Claudine Burroughs dreads the holiday season. She feels she has nothing in common with her circle of wealthy, status-minded friends, and the only time she’s remotely happy is when she is volunteering at a women’s clinic, a job her husband strongly disapproves of. When Claudine meets a charming poet at a Yuletide gala, her spirits are finally lifted—until he is accused of killing a fellow guest. Believing in his innocence, Claudine vows to do her utmost to help. But it seems that hypocritical London society would rather send an innocent man to the gallows than expose the shocking truth about one of their own.   A New York Christmas   “A perfect present for [Anne Perry’s] readers.”—RT Book Reviews   Jemima Pitt, the daughter of Thomas Pitt, head of Britain’s Special Branch, is crossing the Atlantic for the first time. Her companion, Delphinia Cardew, is to marry in a grand Manhattan affair that will join together two fabulously wealthy families. But a shadow darkens the occasion: Missing from the festivities is Delphinia’s disgraced mother—and the groom’s charismatic brother has asked Jemima to help him find her and forestall the scandal that will surely follow if the prodigal parent turns up at the wedding. From Hell’s Kitchen to Fifth Avenue, from the Lower East Side to Central Park, Jemima trudges through snowy streets, asking questions but getting few answers—and never suspecting that she is walking into mortal danger.From the Trade Paperback edition.

    

    It is a conduit for self-love to return back into your life and heal you through intuitive alignment. This book is a collection of intention-based poetry and prose that will align you with your own self-healing superpowers. By intuitively resonating with the nurturing qualities of the feminine psyche, you will be able to recalibrate your mind, body and soul back into a nourishing state of wholeness, from which even the deepest wounds can be healed. This book was created as a conduit for your own journey back to self-love - and allows you to hold space for the darkness, those peaty, blackened soils that provide the most richness for personal growth. Through this book, you will engage in the emotions that do not only bear witness your pain - but show you a way through them, and to the other side. This collection will nurture, allow & gently restore your intuitive healing abilities through the emotions that connect with subtle, yet infallible, feminine energy. "Sez articulates the words of our feminine soul by creating poetic pieces that nourish, align and leave you feeling deeply inspired by all shades of life. This is the work of an emotional alchemist and has the power to truly change your life." Conscious Living, dk ★★★★★ "My favourite podcast guest yet! Deep, raw & profound." Tayo Rockson, As told by Nomads.

    One of the Bloomsbury set, Katherine Mansfield’s relationship with John Middleton Murry and her struggle to write the “new kind of fiction” of the time is the subject of this novel, an appealing portrait of a writer and her celebrated circle.

    The wonderful writings in Thalia Field's long-awaited new book Point and Line deny categorization, they are "nicheless." Perhaps describable as "epic poetries," these riveting pieces represent a confluence of genres in which Thalia Field has been involved over the course of her career: fiction, theater, and poetry. Written from a constructivist, post-genre sensibility, they elude classification, and present the author's concern with clarity in a world that resists it. For instance, in "Hours" and "Setting, the Table," Field uses indeterminate performance techniques to emphasize the categorical/conceptual nature of thought. Other pieces use generative schemes, portraits of mental shapes, which create meaning out of noise. Visually, each chapter is captivating, showing the author's need for shapes and colors in her work, her fascination with the contours of speech.

    this impressive debut has established Hera Lindsay Bird as a good girl………with many beneficial thoughts and feelings………with themes as varied as snow and tears, the poems in this collection shine with the fantastic cream of who she is………juxtaposing many classical and modern breezesBird turns her prescient eye on love and loss, and what emerges is like a helicopter in fog………or a bejewelled Christmas sleigh, gliding triumphantly through the contemporary aesthetic desert………this is at once an intelligent and compelling fantasy of tenderness………heartbreaking and charged with trees………without once sacrificing the forest………Whether you are masturbating luxuriously in your parent’s sleepout………………or pushing a pork roast home in a vintage pram………this is the book for you………………………heroically and compulsively stupid………………………………………………………………………………whipping you once again into medieval sunlight.

    Whether her subject is oysters, high heels, a pork chop, a beloved dog, or a wife's return to health, Bass pulls us in with exquisite immediacy. Her lush and precisely observed descriptions allow us to feel the sheer primal pleasure of being alive in our own "succulent skin," the pleasure of the gifts of hunger, desire, touch. In this book, joy meets regret, devotion meets dependence, and most importantly, the poet so in love with life and living begins to look for the point where the price of aging overwhelms the rewards of staying alive. Bass is relentless in her advocacy for the little pleasures all around her. Her gaze is both expansive and hyperfocused, celebrating (and eulogizing) each gift as it is given and taken, while also taking stock of the larger arc. She draws the lines between generations, both remembering her parents' lives and deaths and watching her own children grow into the space that she will leave behind. Indigo shows us the beauty of this cycle, while also documenting the deeply human urge to resist change and hang on to the life we have, even as it attempts to slip away.