Armour maintains a strong narrative thread with illuminating commentary in his lively, vigorous retelling of stories from Egyptian mythology, including those of the sun god Ra, the tragic death and rebirth of Osiris with the help of Isis, the near-burlesque of Horus' battle with the evil Seth, and the 'gods of the intellect' Thoth and Maat. Now with an updated bibliography and glossary as well as new charts showing the gods at a glance and ancient Egyptian chronology in brief, this book is sure to inform and enchant a new generation of readers.

    This account begins with the creation legends of Heliopolis, Memphis, and Hermopolis and illustrates the intellectual struggles of the Egyptians to explain the beginning of the world. The myths that follow range from stories about the gods--the murder of Osiris and vengeance of Horus, Isis and the seven scorpions, Sakhmet and the virtual slaughter of mankind--to fables such as the Shipwrecked Sailor and the Enchanted Island. Through these delightful and often amusing tales, we can appreciate more fully the beliefs and imagination of the ancient Egyptians.

    These are the pictures of the dead: family portraits, mementos of the treasured, now unrecognizable, and others. The roots of Halloween lie in the ancient pre-Christian Celtic festival of Samhain, a feast to mark the death of the old year and the birth of the new. It was believed that on this night the veil separating the worlds of the living and the dead grew thin and ruptured, allowing spirits to pass through and walk unseen but not unheard amongst men. The advent of Christianity saw the pagan festival subsumed in All Souls' Day, when across Europe the dead were mourned and venerated. Children and the poor, often masked or in outlandish costume, wandered the night begging "soul cakes" in exchange for prayers, and fires burned to keep malevolent phantoms at bay. From Europe, the haunted tradition would quickly take root and flourish in the fertile soil of the New World. Feeding hungrily on fresh lore, consuming half-remembered tales of its own shadowy origins and rituals, Halloween was reborn in America. The pumpkin supplanted the carved turnip; costumes grew ever stranger, and celebrants both rural and urban seized gleefully on the festival's intoxicating, lawless spirit. For one wild night, the dead stared into the faces of the living, and the living, ghoulishly masked and clad in tattered backwoods baroque, stared back.

    This is followed by a chronological survey of the royal family from c. 3100 BC to the last Cleopatra. For each dynasty, or significant part of a dynasty, the authors provide an historical overview of the period, a summary listing of the kings, and a discussion of their families’ relationships.This superb biographical history of ancient Egypt is handsomely illustrated with hundreds of photographs, line drawings, and genealogical trees.

    Yet codes affect virtually every area of our lives, providing security, protecting identity, and enabling us to connect via the Internet across global boundaries. This lavishly illustrated encyclopedia surveys the history and development of code making and code breaking in all areas of culture and society-from hieroglyphs and runes to DNA, the Zodiac Killer, The Da Vinci Code, graffiti, and beyond. Beginning with the first codes, including those found in the natural world and among ancient peoples, the book casts a wide net, exploring secret societies, codes of war, codes of the underworld, commerce, human behavior, and civilization itself. Editor Paul Lunde and an extraordinary group of specialists have compiled the most comprehensive and complete collection of codes available. Visually stunning and packed with fascinating details, The Book of Codes tells the complete story of codes at a time when they have become fundamentally important to our lives.

    The Orion Mystery, published in 1994, introduced the world to a highly original, and now internationally famous, star-correlation theory about the Giza pyramids in Egypt, and sent a huge shock wave of controversy throughout the scientific community, the effects of which are still felt today.The Egypt Code not only develops this pyramid-stars correlation, but also reveals an amazing “Grand Unified Plan,” which involves the wonderful temple of Upper Egypt.The Egypt Code is unlike any other book before it and covers the whole of Egypt’s ancient civilization in a manner never before attempted.Much has been written as to how the Egyptians might have aligned their monuments with such high precision, but the question that has always remained unanswered is why—why did the ancients put so much emphasis on astronomical alignments? And what could be the function, practical or symbolic, behind these mysterious alignments?

    Yet they are an oddity. They are considered wholesome, conservative, and friendly on one hand, and clannish, weird, and self-righteous on the other.Mormonism: A Very Short Introduction explains who Mormons are: what they believe and how they live their lives. Written by Richard Lyman Bushman, an eminent historian and practicing Mormon, this compact, informative volume ranges from the history of the Church of Jesus Christ of Latter-day Saints tothe contentious issues of contemporary Mormonism. Bushman argues that Joseph Smith still serves as the Mormons' Moses. Their everyday religious lives are still rooted in his conceptions of true Christianity. They seek revelation to solve life's problems just as he did. They believe the authority toseal families together for eternity was restored through him. They understand their lives as part of a spiritual journey that started in a council in heaven before the world began just as he taught. Bushman's account also describes the tensions and sorrows of Mormon life. How are Mormons to holdon to their children in a world of declining moral standards and rampant disbelief? How do rational, educated Mormons stand up to criticisms of their faith? How do single Mormons fare in a church that emphasizes family life? The book also examines polygamy, the various Mormon scriptures, and therenegade fundamentalists who tarnish the LDS image when in fact they're not members.In a time when Mormons such as Mitt Romney and Harry Reid are playing prominent roles in American society, this engaging introduction enables readers to judge for themselves how Mormon teachings shape the character of believers.About the Series: Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchantand provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, theseries will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy andaffordable guide that will likely prove indispensable.

    In a brilliant piece of reverse engineering based on twenty years of research, Dunn reveals that the Great Pyramid of Giza was actually a large acoustical device! By its size and dimensions, this crystal edifice created a harmonic resonance with the Earth and converted Earth's vibrational energies to microwave radiation. The author shows how the pyramid's numerous chambers and passageways were positioned with the deliberate precision to maximize its acoustical qualities. This may be the same technology discovered by Nikola Tesla and the solution to our own clean energy needs.

    Robins' book, gracefully written and copiously illustrated, cuts through the obscurity of the ages to show us what the archaeological riches of Egypt really say about how these women lived, both in the public eye and within the family.The art and written records of the time present a fascinating puzzle. But how often has the evidence been interpreted, consciously or otherwise, from a male viewpoint? Robins conducts us through these sources with an archaeologist's relish, stripping away layer after interpretive layer to expose the reality beneath. Here we see the everyday lives of women in the economic, legal, or domestic sphere, from the Early Dynastic Period almost 5,000 years ago to the conquest of Alexander in 332 B.C. Within this kingdom ruled and run by men, women could still wield influence indirectly--and in some cases directly, when a woman took the position of king. The exceptional few who assumed real power appear here in colorful detail, alongside their more traditional counterparts. Robins examines the queens' reputed divinity and takes a frank look at the practice of incest within Egypt's dynasties. She shows us the special role of women in religious rites and offices, and assesses their depiction in Egyptian art as it portrays their position in society.By drawing women back into the picture we have of ancient Egypt, this book opens a whole new perspective on one of world history's most exotic and familiar cultures.

    It speaks eloquently of empowerment and possibility, and resonates loudly to this day.Also included in this omnibus edition are White Man, Listen!, a stirring collection of Wright's essays on race, politics, and other essential social concerns ("Deserves to be read with utmost seriousness"-New York Times), and The Color Curtain, an indispensable work urging the removal of the color barrier. It remains one of the key commentaries on the question of race in the modern era. ("Truth-telling will perhaps always be unpopular and suspect, but in The Color Curtain, as in all his later nonfiction, Wright did not hesitate to tell the truth as he saw it."--Amritjit  Singh, Ohio University)

    Here are the outrageous memoirs of an American original whose life was every bit as outlandish as his movies. Photographs. Filmography.

    These records of other nations lend chapters 10 and 11 of Genesis a degree of accuracy that sets them apart from all other historical documents of the ancient world. In a book which is the fruit of more than 25 years of research, he traces the development of the creation / evolution controversy that raged in the ancient world, and explodes many of the myths and errors of 'modernist' biblical critics. This book shows how European history can be traced right back to the flood and the descendants of Japheth, through contemporary accounts and a table of nations.

    This new edition, with an extensive amount of fresh material, will prove irresistible to all fans of the most popular TV series of all time. Illustrations.

    Analysis of the Chinese language suggests the ancient Chinese knew of the God of Abraham.

    He read deeply in the French revolutionary philosophers. From Rousseau he evolved the idea that imagination divorced from reason produces monsters, but that coupled with reason "it is the mother of the arts and the source of their wonders." In Spain he saw a country that had abandoned reason, and he peopled Los Caprichos with the grotesque monsters that result from such an action. Plate after plate shows witches, asses, devils, and other strange creatures, many of which are caricatures of members of the society against which Goya was fighting. The plates were first published in 1799. There are still in existence, however, six extremely rare sets of artist's proofs, considered by most who have managed to see them as infinitely superior to the work actually published. Now, for the first time, this edition reproduces one of these sets of 80 prints, together with the "Prado" manuscript, a commentary on the plates. In addition, this collection contains supplementary material to the Los Caprichos series, inlcuding a never-before-published study for Caprichos 10; three unique proofs of plates probably intended for publication with the others; a preliminary drawing for plate I, a self-portrait of Goya (which appears as the frontispiece to this volume); and a unique proof of "Woman in Prison" which may represent an earlier version of Caprichos 32.