Space Struck explores the wonders and cruelties occurring within the realms of nature, science, and religion, with the acuity of a sage, the deftness of a hunter, and a hilarious sensibility for the absurd. The universe is seen as an endless arrow “. . . and it asks only one question: How dare you?”The poems are physically and psychologically tied to the animal world, replete with ivory-billed woodpeckers, pelicans, and constellations-as-organisms. They are also devastatingly human, well anchored in emotion and self-awareness, like art framed in a glass that also holds one’s reflection. Silky and gruesome, the poems of Space Struck pulse like starlight.

    Covering an array of experiences - the joy and excitement of first love, the agony of lost love and betrayal, the sometimes-fraught relationship between sexuality and spirituality, addiction and suicide, childhood games and laughter - She Called Me Woman sheds light on how Nigerian queer women, despite their differences, attempt to build a life together in a climate of fear.Through first-hand accounts, She Called Me Woman challenges us to rethink what it means to be a Nigerian ‘woman’, negotiating relationships, money, sexuality and freedom, identifying outside the gender binary, and the difficulties of achieving hopes and dreams under the constraints of societal expectations and legal terrorism. These beautifully told stories of resistance and resilience reveal the realities of a community that refuses to be invisible any longer.

    But despite her public accomplishments, Mallory is no stranger to battling unhealthy attachments to performance and success. Now​, in her unforgettable debut book, Mallory invites readers to see how her surprising journey--from achievement and accolades to devastating, never-before-shared lows--guided her and led her to a deeply fulfilling life.In Living Fully, Mallory shares her personal story of overcoming the unhealthy and damaging patterns in her life and shows readers how to trade this for something completely new and more rewarding. What she discovered was there had always been a different life available to her, one that she had not yet seen. Now she encourages readers to resist a "just fine" existence and to step into a life they never dared to imagine before. Through inspiring stories and practical advice​ Mallory encourages readers to:- stop returning to a "just getting by" mentality- shift perspective so blessings don't become burdens- remember that life's curveballs don't have to knock you off your feet- identify your passions and get back to your truest self- slow down and enjoy the extraordinary in the everyday moments- quiet the voice of fear- get clear on the life you want"I wrote this to be your wake-up call, the thing that turns the lights on in your life and propels you to make real change, once and for all, " Mallory says. "I want you to wake up and stay awake."​For anyone hungry for a richer life, or tired of coasting through life in a "cruise control" mindset, Living Fully is the ultimate invitation to embrace abundance and joy--and not look back!

    HULL is lyrical, layered, history-ridden, experimental, textured, grounded in prose poems, adorned, ecstatic, and emotionally investigative.

    . . is among the bravest of us, the most outraged. She feels for all. She is the universal poet.”—Alice Walker“Always urgent, inspiring, and demanding, Jordan’s work has left its indelible mark everywhere from Essence to The Norton Anthology of Poetry, and from theater stages to the floors of the United Nations and the United States Congress.”—BOMBDirected by Desire is the definitive overview of the poetry of June Jordan, considered one of the most lyrically gifted poets of the late twentieth century. Directed by Desire gathers the finest work from Jordan’s 10 volumes, as well as 70 new, never-before-published poems that she wrote while dying of breast cancer. Throughout over 600 pages readers will find intimate lyricism, elegance, fury, meditative solos, and dazzling vernacular riffs.As Adrienne Rich writes in her introduction, June Jordan “wanted her readers, listeners, students, to feel their own latent power—of the word, the deed, of their own beauty and intrinsic value. . . . She believed, and nourished the belief, that genuine, up-from-the-bottom revolution must include art, laughter, sensual pleasure, and the widest possible human referentiality.”From These PoemsThese poems they are things that I do in the dark reaching for you whoever you are and are you ready?June Jordan taught at the University of California Berkeley for many years and founded Poetry for the People. Her 28 books include poetry, essays, fiction, and children’s books. She was a regular columnist for The Progressive and a prolific writer whose articles appeared in The Village Voice, The New York Times, Ms. Magazine, and The Nation. Her numerous awards include a PEN West Freedom to Write Award and a lifetime achievement award from the National Black Writers Conference. After her death from breast cancer in 2002, a school in the San Francisco School District was renamed in her honor.

    This anthology breaks up the myth of hip-hop as a boys’ club, and asserts the truth that the cypher is a feminine form.

    A trusted anesthesiologist, Dr. Roxanne Roth, is healing from the loss of her fiancé by consuming her time with work. It doesn’t hurt that her new love interest, Dr. Justin Kirkland, spends almost as much time at the hospital as she does.Entranced in the throes and complications of new love, Roxanne looks forward to work every day. Her time at the hospital would almost be cathartic if not for Dr. D.K. Webb, a neurosurgeon, who is quickly amassing a pile of complaints – and bodies. Despite trying to avoid Webb, Roxanne finds herself working alongside the doctor during a routine, low-risk surgery. Fueled by cocaine and ego, Webb intentionally sabotages the case, leading to the patient dying on the operating table.Roxanne’s tenuous grip on recovery is shattered with her patient’s death, quickly replaced by anger and a drive for justice. Now Roxanne will do anything to protect her patients from the killer on the other side of the sterile surgical field—before he can silence her as well.In this gripping, sinister medical thriller, Dr. Shira Shiloah will leave readers wondering about the potential evil lurking behind every surgical mask.

    There she connects with his history as well as her own, learns about her aunt’s long-term secret relationship, and reflects on the trans women she left behind. She also brushes up against some local trans mysteries and gets advice from departed loved ones with a lot to say.

    Compiled by her sister after the poet's death and originally published in 1956, this is the definitive edition of Millay, right up through her last poem, Mine the Harvest.

    How do we reckon our past without being ravaged by it? How do we use people, their bodies, to express ourselves? Danger is everywhere in these poems, but never overwhelms them; the poet is always an anchor on the other side. And his story carries us relentlessly along.

    Written between the ages of sixteen and eighteen, with examinations of anxiety, death, first loves, and first lusts, Graffiti extends a hand to those undergoing the trials and uncertainty of teenagehood, and assures them they're not alone.

    Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

    Whether her subject is oysters, high heels, a pork chop, a beloved dog, or a wife's return to health, Bass pulls us in with exquisite immediacy. Her lush and precisely observed descriptions allow us to feel the sheer primal pleasure of being alive in our own "succulent skin," the pleasure of the gifts of hunger, desire, touch. In this book, joy meets regret, devotion meets dependence, and most importantly, the poet so in love with life and living begins to look for the point where the price of aging overwhelms the rewards of staying alive. Bass is relentless in her advocacy for the little pleasures all around her. Her gaze is both expansive and hyperfocused, celebrating (and eulogizing) each gift as it is given and taken, while also taking stock of the larger arc. She draws the lines between generations, both remembering her parents' lives and deaths and watching her own children grow into the space that she will leave behind. Indigo shows us the beauty of this cycle, while also documenting the deeply human urge to resist change and hang on to the life we have, even as it attempts to slip away.

    These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. Provocateur and poet, she continually rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization. A crow watches over a deer addicted to road salt; Lake Ontario floods Toronto to remake the world while texting "ARE THEY GETTING IT?"; lovers visit the last remaining corner of the boreal forest; three comrades guerrilla-tap maples in an upper middle-class neighbourhood; and Kwe gets her firearms license in rural Ontario. Blending elements of Nishnaabeg storytelling, science fiction, contemporary realism, and the lyric voice, This Accident of Being Lost burns with a quiet intensity, like a campfire in your backyard, challenging you to reconsider the world you thought you knew.

    Editors Danielle Barnhart and Iris Mahan have drawn on their profound knowledge of the poetry scene to put together an extraordinary list of poets taking a feminist stance against the new authority. What began as an informal collaboration of like-minded poets—to be released as a handbound chapbook—has grown into something far more substantial and ambitious: a fully fledged anthology of women’s resistance, with a portion of proceeds supporting Planned Parenthood and the Center for Reproductive Rights.Representing the complexity and diversity of contemporary womanhood and bolstering the fight against racism, sexism, and violence, this collection unites powerful new writers, performers, and activists with established poets. Contributors include Elizabeth Acevedo, Sandra Beasley, Jericho Brown, Mahogany L. Browne, Danielle Chapman, Tyehimba Jess, Kimberly Johnson, Jacqueline Jones LaMon, Maureen N. McLane, Joyce Peseroff, Mary Ruefle, Trish Salah, Patricia Smith, Anne Waldman, and Rachel Zucker.