This unabashed sequence speaks directly from Hirsch’s heart to our own, without sentimentality. From its opening lines—“The funeral director opened the coffin / And there he was alone / From the waist up”—Hirsch’s account is poignantly direct and open to the strange vicissitudes and tricks of grief. In propulsive three-line stanzas, he tells the story of how a once unstoppable child, who suffered from various developmental disorders, turned into an irreverent young adult, funny, rebellious, impulsive. Hirsch mixes his tale of Gabriel with the stories of other poets through the centuries who have also lost children, and expresses his feelings through theirs. His landmark poem enters the broad stream of human grief and raises in us the strange hope, even consolation, that we find in the writer’s act of witnessing and transformation. It will be read and reread.

    The blithe, boisterous son of the last great Puritan minister, he seemed destined to be overshadowed by his brilliant siblings—especially his sister, Harriet Beecher Stowe, who penned the century’s bestselling book Uncle Tom’s Cabin. But when pushed into the ministry, the charismatic Beecher found international fame by shedding his father’s Old Testament–style fire-and-brimstone theology and instead preaching a New Testament–based gospel of unconditional love and healing, becoming one of the founding fathers of modern American Christianity. By the 1850s, his spectacular sermons at Plymouth Church in Brooklyn Heights had made him New York’s number one tourist attraction, so wildly popular that the ferries from Manhattan to Brooklyn were dubbed “Beecher Boats.” Beecher inserted himself into nearly every important drama of the era—among them the antislavery and women’s suffrage movements, the rise of the entertainment industry and tabloid press, and controversies ranging from Darwinian evolution to presidential politics. He was notorious for his irreverent humor and melodramatic gestures, such as auctioning slaves to freedom in his pulpit and shipping rifles—nicknamed “Beecher’s Bibles”—to the antislavery resistance fighters in Kansas. Thinkers such as Emerson, Thoreau, Whitman, and Twain befriended—and sometimes parodied—him.And then it all fell apart. In 1872 Beecher was accused by feminist firebrand Victoria Woodhull of adultery with one of his most pious parishioners. Suddenly the “Gospel of Love” seemed to rationalize a life of lust. The cuckolded husband brought charges of “criminal conversation” in a salacious trial that became the most widely covered event of the century, garnering more newspaper headlines than the entire Civil War. Beecher survived, but his reputation and his causes—from women’s rights to progressive evangelicalism—suffered devastating setbacks that echo to this day.Featuring the page-turning suspense of a novel and dramatic new historical evidence, Debby Applegate has written the definitive biography of this captivating, mercurial, and sometimes infuriating figure. In our own time, when religion and politics are again colliding and adultery in high places still commands headlines, Beecher’s story sheds new light on the culture and conflicts of contemporary America.

    “Lichtenberg figures” are fern-like electrical patterns that can appear on (and quickly fade from) the bodies of people struck by lightning. Throughout this playful and elegiac debut—with its flashes of autobiography, intellection, comedy, and critique—the vocabulary of academic theory collides with American slang and the idiom of the Old Testament meets the jargon of the Internet to display an eclectic sensibility. Ben Lerner, the youngest poet ever published by Copper Canyon Press, is co-founder of No: a journal of the arts. He earned an MFA from Brown University and is currently a Fulbright scholar in Spain.

    Book annotation not available for this title.

    From the boy who speaks only in "Kung Fu" dialogue to the guy who visits a lesbian bar and sees his mother, this often funny and always thoughtful book of poems offers fresh, surprisingly frank meditations on the credentials for contemporary manhood.

    Since the First Crusade, there has always been a George Mills, who--despite his best efforts--is unable to improve his position in life or that of his descendants. Instead, all the George Millses are forced to accept their lot as true blue-collar workers, serving important personages in a series of odd jobs ranging from horse talker in a salt mine to working as a furniture mover in contemporary St. Louis. But the latest in the long line of George Millses may also be the last, as he obsesses about his family's history and determines that he will be the one to break this doomed cycle of servitude.

    a grave, attentive holding of a light” by the contest judge, the distinguished poet W. S. Merwin. The poems are set above and below the Cave Country of south central Kentucky, where McCombs lives and which is home to thousands of caves. The book is framed by two sonnet sequences, the first about a slave guide and explorer at Mammoth Cave in the mid-1800s and the second about McCombs’s experiences as a guide and park ranger there in the 1990s. Other poems deal with Mammoth Cave’s four- thousand-year human history and the thrills of crawling into tight, rarely visited passageways to see what lies beyond. Often the poems search for oblique angles into personal experience, and the caves and the landscape they create form a personal geology.

    There he is drawn into the unruly world of the Carmodys, a sprawling, prosperous Irish family teeming with passion and riddled with secrets. The story of this entanglement is a beautifully rendered tale of grace and renewal, of friendship and longing, of loneliness and spiritual aridity giving way to hope.

    Jackson Bate delves deep into the character that formed Johnson's awesome intellect and fueled his prodigious output. The first great modern biography of Johnson, it confirms that his statements and judgments on literature, politics, religion, behavior - on all human experience - are as relevant in our age as when they were first uttered. This new edition brings a modern classic back into print and includes a new preface from the author.

    The title of this book is taken from Henry Miller's "Into the Night Life" and expresses the way Lawrence Ferlinghetti felt about these poems when he wrote them during a short period in the 1950's—as if they were, taken together, a kind of Coney Island of the mind—a kind of circus of the soul.

    This million-copy Pulitzer Prize-winning classic details the journey of Jaimie and his father from Kentucky to gold-rush California.

    Whether meditating upon a button, the role of habit in our lives, or the elusive nature of our relationship to sleep, Hirshfield brings each subject into a surprising and magnified existence.

    Written between the ages of sixteen and eighteen, with examinations of anxiety, death, first loves, and first lusts, Graffiti extends a hand to those undergoing the trials and uncertainty of teenagehood, and assures them they're not alone.

    Winner of the Pulitzer Prize and the National Book AwardBased on hitherto unexamined sources: interviews with ex-slaves, diaries and accounts by former slaveholders, this "rich and admirably written book" (Eugene Genovese, The New York Times Book Review) aims to show how, during the Civil War and after Emancipation, blacks and whites interacted in ways that dramatized not only their mutual dependency, but the ambiguities and tensions that had always been latent in "the peculiar institution."

    The poems are written in clear, straightforward free verse. Here is an example of his style from "The Chinese Checker Players": "When I was six years old/I played Chinese checkers/with a woman/who was ninety-three years old."Recurrent themes in the book include love, sex, loss & loneliness. Incorporated throughout are an intriguing mix of pop & 'high' culture references: Jefferson Airplane, Ophelia, the New York Yankees, John Donne etc. The book often has an earthy flavor. He writes about such topics as his own penis or the smell of a fart. Some particularly memorable poems include the following:"All Watched Over by Machines of Loving Grace," a sci-fi vision of a "cybernetic meadow"; the open-ended "Karma Repair Kit: Items 1-4"; "Discovery," a joyful poem about sexual intimacy; the surreal "The Pumpkin Tide"; the funny, haiku-like "November 3"; & "A Good-Talking Candle," which invites readers into altered states of perception. Altho most of the poems are very short, there is one longer poem: the 9-part, 9-page "the Galilee Hitch-hiker," which chronicles the surreal adventures of Baudelaire — among other experiences, he opens an unconventional hamburger stand in San Francisco. If you only know Brautigan from his weird & wonderful novels, read this collection.-Michael Mazza (edited)