His death has brought into her midst both her sister, Claire, who wants to take Catherine back to New York with her, and Hal, a former student of Catherine's father who hopes to find some hint of Robert's genius among his incoherent scribblings. The passion that Hal feels for math both moves and angers Catherine, who, in her exhaustion, is torn between missing her father and resenting the great sacrifices she made for him. For Catherine has inherited at least a part of her father's brilliance -- and perhaps some of his instability as well. As she and Hal become attracted to each other, they push at the edges of each other's knowledge, considering not only the unpredictability of genius but also the human instinct toward love and trust.

    There is the very questionable theme in these days of the relationship between masters and servants, which this play tends to undermine.' Lord Cromer, who banned performances of Miss Julie from the English stage in October 1925It's Midsummer's Eve in the kitchen of a nobleman's house and his haughty daughter Julie flirts and plays with Jean, her father's manservant. But it's a dangerous game and once she has been seduced by him he holds the upper hand.Miss Julie, Strindberg's mighty play on power, sex and class is presented here in a coruscating version by Frank McGuinness.

    E. Hinton and Thirteen Reasons Why by Jay Asher will find much to love in Paul Zindel's books.The old, converted vegetable shop where Tillie lives is more like a madhouse than a home. Tillie's mother is bitter and cruel, yet desperate for her daughters' love. Her sister suffers epileptic fits and sneaks cigarettes every chance she gets.But despite the chaos, Tillie struggles to keep her dreams alive. Tillie—keeper of rabbits, dreamer of atoms, true believer in life, hope, and the effect of gamma rays on man-in-the-moon marigolds...Paul Zindel’s work is bestselling, critically acclaimed, and passionately embraced by generations of readers.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    A nubile young actress wrestles with an aging Hollywood star for the affections of a renowned novelist. And everyone discovers just how disappointing love, art, and growing up can be. In this irreverent, contemporary, and very funny remix of Chekhov’s The Seagull, Aaron Posner stages a timeless battle between young and old, past and present, in search of the true meaning of it all. Original songs composed by James Sugg draw the famously subtextual inner thoughts of Chekhov’s characters explicitly to the surface. STUPID FUCKING BIRD will tickle, tantalize, and incite you to consider how art, love, and revolution fuel your own pursuit of happiness.

    The New York production featured knockout performances by Sarah Jessica Parker and Amy Sedaris. Ben Brantley, in the "New York Times" wrote "clearly, Mr. Lindsay-Abaire hasn't lost his playfully wicked eye, equally appalled and affectionate . . . his style both embraces and spoofs the All-American appetite for spiritual lift, sitcom perkiness, and slimy tabloid prurience." A firm believer in destiny-and inspired by a Marilyn Monroe movie-Cass leaves her husband and boards a bus to Niagara Falls, where she hopes to meet the unknown man she believes herself fated to end up with. Along the way toward the inevitable climax on the brink of the waterfall, she checks items off her list of "things to do in life," and takes the audience on an often moving, always hilarious journey.

    "You Got Older" is a tender and darkly comic new play about family, illness, and cowboys - and how to remain standing when everything you know comes crashing down around you.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    The Civil War is over and throughout the south, slaves are being freed, soldiers are returning home and in Jewish homes, the annual celebration of Passover is being celebrated. Into the chaos of war-torn Richmond comes Caleb DeLeon, a young Confederate officer who has been severely wounded. He finds his family's home in ruins and abandoned, save for two former slaves, Simon and John, who wait in the empty house for the family's return. As the three

    Amy is curled up on the locker room floor. DRY LAND is a play about abortion, female friendship, and resiliency, and what happens in one high school locker room after everybody’s left.

    It follows one couple's forty year journey from initial burst of romance to full bloom of love and through stages of smoking, drinking, affection and paranoia. The play follows their idealistic teenage years in the 1960s to their marriage and family and ultimate divorce, which dissolves their marriage but leaves them free from acrimony. Their children, however, bitterly rail against their parents' irresponsibility and their relaxed, laissez-faire attitude.This play by Olivier award-winning writer Mike Bartlett questions whether the baby boomer generation is to blame for the debt-ridden and adrift generation of their children, now adults but far from stable and settled.

    A story of sibling love that explores subjects closely linked to science: faith and reason, certainty and uncertainty, the pursuit of excellence and scientists’ constant struggle to balance their research ambitions with family life.

    

    It is 1937 in Brooklyn during the heart of the Depression. Fifteen-year-old Eugene Jerome lives in Brighton Beach with his family. He is witty, perceptive, obsessed with sex, and forever fantasizing his baseball-diamond triumphs as star pitcher for the New York Yankees. As our guide through his "memoirs," Eugene takes us through a series of trenchant observations and insights that show his family meeting life's challenges with pride, spirit, and a marvelous sense of humor. But as World War II looms ever closer, Eugene sees his own innocence slipping away as the first important era of his life ends—and a new one begins.This semiautobiographical classic was adapted into a film by Simon’s longterm professional partner, Gene Saks, who directed, among many others, Biloxi Blues, The Odd Couple, Broadway Bound, and Lost in Yonkers.

    With each penetration they gain a sense of sexual maturity. Then later decide, their sweet pea is like treasure and should be discovered with gentle anticipation. By time they realize what it’s really worth, their sexual juices have been ran dry. Get well acquainted with the main character Erin, of “Like mother, Like Trick”, as she unfolds her truth of her mother’s expectations of a woman’s Hustle. Erin, a young girl, recently graduated out of high school is given 2 choices by her biological mother, Nicole Grey. Either hustle to make it, or die thinking about it. Erin referred to her mother as “Lady” She felt no neutering connection to her mother. They were more like sisters sharing the same dwelling space. Lady explained to Erin, “The fastest way to money is through your Pussy. Every man wants some, and will pay great money for it. You better know what it’s worth and use for the better good!” Lady would explain to Erin confusing the concepts of self worth. Erin was taught Lady’s value of sex at a very young age. Middle school lunch spent in the faculty parking lot for 100-dollar blowjobs. High school study hall spent in the Embassy suits for lunch rush pussy, for her clients working on corporate exchange Blvd. Lady exposed Erin to a very lavish lifestyle, and instilled in her the importance of money over everything, including morals and self- respect. Lady insisted that Erin help with the bills as well as feed clothe and finance her own dues from the money Erin received from clients. That was her way of teaching Erin Value of a dollar. By Erin’s freshman year of high school, she had known very well what she was into. She had maintained a very big clientele, and had become a very known and skillful trick expert. Erin felt she mastered her craft, and it still didn’t fulfill her desires. She hated her hustle and absolutely fell disgusted with the thought of engaging in sexual intercourse for income,. She needed a way out. Quick,, fast, and in a hurry. She needed help and knew that there was only one person that could help her. Erin gained the respect of her mother’s current boyfriend Kahlief. In Kahlief’s eyes, Erin was ambitious determined. He could sense through body language, she hated what she was doing. Often times Kalief would introduce Erin to his well known friends in the modeling industry, photographers and agents all over the city, but those small gigs wouldn’t last too long. Well aware of what was taking place with his girlfriend and her daughter. He didn’t give a damn. He was more obsessed with the fact that, to his old hood, his bitch was the baddest; she had bread, and was upgrading his finances on a regular. And to top it off Lady didn’t give a damn what anybody had to say.Erin became very close to Kahlief. When this Double trick Empire was at its best, He knew more than anybody, she was in search for something worth much more. Something not even the highest paying customer could finance. Something that would make her stop this lifestyle and come from up under Lady’s dirty schemes and diversions. She was looking for Love. Real love, that best friend love, that I’m “sorry ladies, I have to be in by 9” love. She was determined to find it. Get involved with this twisted tale as Erin finally finds Mr. Right and falls in love with a man who has everything but only wants to be with her. Just when Erin decides she doesn’t have to resort to her sexual encounters for money, she is soon devastated as she finds Lady lying lifeless in a pool of blood