With Joy, Love and a Little Trepidation, Courtney, Sienna and Rachel Invite You to the Most Emotional Wedding of the Year… Their Mother's Courtney ~ The Misfit ~ As the awkward one, Courtney Watson may not be as together as her sisters, but she excels at one thing—keeping secrets, including her white-hot affair with a sexy music producer. Planning Mom's wedding exposes her startling hidden life, changing her family's view of her—and how she views herself—forever. Sienna ~ The Free Spirit ~ When Sienna's boyfriend proposes—in front of her mom and sisters, for crying out loud—he takes her by surprise. She already has two broken engagements under her belt. Should she say “I do” even if she's not sure she does? Rachel ~ The Cynic ~ Rachel thought love would last forever…right up until her divorce. As Mom's wedding day draws near and her ex begs for a second chance, she's forced to acknowledge some uncomfortable truths about why her marriage failed, and decide if she'll let pride stand in the way of her own happily-ever-after. A must-read for anyone who has survived the wedding of a sister, a mother, a daughter—as told by the master storyteller of the genre.

    Luring the reader down labyrinthine tunnels of myth, history, and magic, The Deptford Trilogy provides an exhilarating antidote to a world from where "the fear and dread and splendour of wonder have been banished."

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.

    Books tell you what to believe.Books explain the world around you.What if a book had been written to explain a world constructed for you?What if that world suddenly fell apart?Calamity Leek needs a new book, but she's going to have to write it herself.

    A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark.

    Short-listed twice for the Booker Prize and the winner of a record four Miles Franklin Literary Awards for Best Australian Novel, he has a gift for language virtually unrivaled among writers in English. His work is both tough and tender, primordial and new - always revealing the raw, instinctual drives that lure us together and rend us apart. In The Shepherd's Hut, Winton crafts the story of Jaxie Clackton, a brutalized rural youth who flees from the scene of his father's violent death and strikes out for the vast wilds of Western Australia. All he carries with him is a rifle and a waterjug. All he wants is peace and freedom. But surviving in the harsh saltlands alone is a savage business. And once he discovers he's not alone out there, all Jaxie's plans go awry. He meets a fellow exile, the ruined priest Fintan MacGillis, a man he's never certain he can trust, but on whom his life will soon depend. The Shepherd's Hut is a thrilling tale of unlikely friendship and yearning, at once brutal and lyrical, from one of our finest storytellers.

    In this visionary tale, human society slips into violent reverse as once-peaceful residents, driven by primal urges, re-create a world ruled by the laws of the jungle.

    Upstairs, 14-year-old Mae had fallen into one of her trances, often a result of feeling too closely attuned to her mother’s dark moods. After Marianne is unwillingly admitted to a mental hospital, Edie and Mae are forced to move from their childhood home in Louisiana to New York to live with their estranged father, Dennis, a former civil rights activist and literary figure on the other side of success.The girls, grieving and homesick, are at first wary of their father’s affection, but soon Mae and Edie’s close relationship begins to fall apart—Edie remains fiercely loyal to Marianne, convinced that Dennis is responsible for her mother’s downfall, while Mae, suffocated by her striking resemblances to her mother, feels pulled toward their father. The girls move in increasingly opposing and destructive directions as they struggle to cope with outsized pain, and as the history of Dennis and Marianne’s romantic past clicks into focus, the family fractures further.Moving through a selection of first-person accounts and written with a sinister sense of humor, The Deeper the Water the Uglier the Fish powerfully captures the quiet torment of two sisters craving the attention of a parent they can’t, and shouldn’t, have to themselves. In this captivating debut, Katya Apekina disquietingly crooks the lines between fact and fantasy, between escape and freedom, and between love and obsession.

    On long, quiet shifts, she and her colleagues, clad in their different shades of blue, care for sick babies, handling their exquisitely frangible bodies, carefully calibrating the mysterious machines that keep them alive. Laura may be burned out. Her hands have been raw from washing as long as she can remember. When she sleeps, she dreams of water; when she wakes, she finds herself lying next to a man who doesn't love her any more. And there is a strange figure dancing in the corner of her vision, always just beyond her reach. Dark yet luminous, sensual yet chilling, ringing with strange music and laced with dread, Rest and Be Thankful is an unforgettable novel that confirms Emma Glass as a visionary new voice.

    A reclusive young widower and political apostate, Salgado goes on the run after he is persuaded to blow up the pipelines of a sluicing operation sucking the local groundwater dry. Meanwhile, Evan Hatch, a London-based flack for an "issues-management" PR firm, is dying from leukemia. Hoping to find a donor, he tracks down his long-lost brother in Mexico (from where he had been adopted at birth) while en route to the WTO meeting in Seattle. Chano, desperately needing to cross the border, finds his brother (Evan) first, and steals his passport. In the third narrative strand, Chano’s young son, Daniel, himself given up for adoption in Costa Rica, is also looking for his father. Traveling to Mexico, he is forced to flee when the police take him hostage hoping to force his father turn himself in. Squirreling himself away on a freighter, he is rescued by a UK refugee organization whose activists fly to Seattle with him to participate in the protest hoping to reunite him with his father, who, masquerading as Evan, is about to give a speech to the European Roundtable of Industrialists…

    The novel centres upon the hapless members of a love triangle united by their sexual obsessions and by their fascination with Catherine Tekakwitha, the 17th-century Mohawk saint. By turns vulgar, rhapsodic, and viciously witty, Beautiful Losers explores each character’s attainment of a state of self-abandonment, in which the sensualist cannot be distinguished from the saint.

    1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .

    She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.

    Poor yet resilient, he lives in the shadows with his Aunt Libby and Uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixedblood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle, or if he fits with the people on the other side of the tracks.For ten years, he and his family have lived a life of late-night exits and close calls—always on the move across the South to stay one step ahead of the law. But the time is drawing near when Darren and Libby will know if their nephew is like them or not. And the close calls they’ve been running from for so long are catching up fast, now. Everything is about to change.A compelling and fascinating journey, Mongrels alternates between past and present to create an unforgettable portrait of a boy trying to understand his family and his place in a complex and unforgiving world. A smart and innovative story—funny, bloody, raw, and real—told in a rhythmic voice full of heart, Mongrels is a deeply moving, sometimes grisly novel that illuminates the challenges and tender joys of a life beyond the ordinary in a bold and imaginative new way.