As you probably already know, not many women are exactly thrilled to see Captain Jack Sparrow again. This time though, Jack gets more than a couple slaps in the face when she forces him aboard the ship of the formidable pirate Blackbeard (Ian McShane). Jack finds himself on an unexpected, doomed adventure to the Fountain of Youth in which he doesn't know who to fear more: Blackbeard or the woman from his past.

    fogIt's been awhile since Doc Sportello has seen his ex-girlfriend, Shasta Fay. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dodgy dentists.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .hang on. . .what

    and pluck up the courage to speak to his laundromat crush Penny. With exclusive new material from Joss and the production team, new photos, sheet music and more, this official book is a must for fans!

    18 vocal selections from the Broadway classic, including: Gary, Indiana * Goodnight, My Someone * Marian the Librarian * Pick-A-Little, Talk-A-Little/Goodnight Ladies * Seventy Six Trombones * Till There Was You * The Wells Fargo Wagon * Ya Got Trouble * and more.

    Marigold provides an Introduction in which he reflects on his graduation from low-budget independent cinema to a big-budget studio picture, while nevertheless continuing to explore unsettling, often unglamorous human stories with his particular blend of human empathy and an unblinking eye for the details of existence.

    President of Delta Gamma sorority, she's aced her major--sociopolitical jewellery design--and is on the verge of becoming Mrs. Warner Huntington III. Too bad Warner, bound for Stanford Law, dumps her with the explanation he needs a more "serious" woman at his side. Faced with this unexpected reversal of fortune, Woods doesn't get depressed, she gets busy.Thanks to a creative application video and a demand for "diversity" at Stanford Law, Elle gets admitted. Soon she's packing her convertible--as well as her pet Chihuahua "Underdog"--and heading north, determined to win back her man. Smart, fast, and funny, Legally Blonde proves how much fun blondes really can have!

    or surviving high school?Maggie Silver has never minded her unusual life. Cracking safes for the world's premier spy organization and traveling the world with her insanely cool parents definitely beat high school and the accompanying cliques, bad lunches, and frustratingly simple locker combinations. (If it's three digits, why bother locking it at all?)But when Maggie and her parents are sent to New York City for her first solo assignment, her world is transformed. Suddenly, she's attending a private school with hundreds of "mean girl" wannabes, trying to avoid the temptation to hack the school's elementary security system, and working to befriend the aggravatingly cute son of a potential national security threat... all while trying not to blow her cover.

    Complete vocal score to the classic with all 14 songs, including: Getting to Know You * Hello, Young Lovers * I Whistle a Happy Tune * Shall We Dance? * Something Wonderful * We Kiss in a Shadow * and more.

    Fleabag: The Scriptures includes new writing from Phoebe Waller-Bridge alongside the filming scripts and the never-before-seen stage directions from the award-winning series.

    No one does.The first time Philip Digby shows up on Zoe Webster’s doorstep, he’s rude and he treats her like a book he’s already read and knows the ending to.But before she knows it, Zoe’s allowed Digby—annoying, brilliant, and somehow…attractive? Digby—to drag her into a series of hilarious, dangerous, and only vaguely legal schemes all related to the kidnapping of a local teenage girl. A kidnapping that might be connected to the tragic disappearance of his little sister eight years ago. When it comes to Digby, Zoe just can’t say no.But is Digby a hero? Or is his manic quest an indication of a desperate attempt to repair his broken family and exorcize his own obsessive-compulsive tendencies? And does she really care anyway?This is a contemporary debut with razor-sharp dialogue, ridiculously funny action, and a dynamic duo you won’t soon forget.

    In the play, Martin—a hugely successful architect who has just turned fifty—leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters.The playwright himself describes it this way: “Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and how they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid."

    As a rank amateur who just thinks he can help, this Ames alter ego quickly becomes embroiled in the search for a missing NYU coed. He moves from one scrape to the next, all while trying to escape a life of periodic alcoholism, dead-end relationships, writer’s block, and hours of Internet backgammon. Bored to Death was originally published in McSweeney’s Issue 24 and is the centerpiece of Ames’s collection of essays and fiction, The Double Life Is Twice as Good. Bored to Death Artwork © 2009 Home Box Office, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Office, Inc.

    In this world of ours……the first to die are those without guts.A portion of humanity has obtained special abilities, and two groups emerge in conflict. On the side of justice are "heroes." On the side of villainy are "monsters." For Chiaki, however, all that matters is finding work to support his younger brothers. But when a simple train ride to his latest interview takes a perverse turn, his sense of right leads him down an unexpected and uncomfortable path! From the mind of Prison School creator Akira Hiramoto comes a raw new story of a man caught between good and evil, lies and truth—and light and shadow!"

    Set in the 1880s at the dawn of the age of electricity and based on the bizarre historical fact that doctors used vibrators to treat 'hysterical' women (and some men), the play centers on a doctor and his wife and how his new therapy affects their entire household. In a seemingly perfect, well-to-do Victorian home, proper gentleman and scientist Dr. Givings has innocently invented an extraordinary new device for treating "hysteria" in women (and occasionally men): the vibrator. Adjacent to the doctor's laboratory, his young and energetic wife tries to tend to their newborn daughter-and wonders exactly what is going on in the next room. When a new "hysterical" patient and her husband bring a wet nurse and their own complicated relationship into the doctor's home, Dr. and Mrs. Givings must examine the nature of their own marriage, and what it truly means to love someone.This laugh out loud, provocative and touching play premiered at Berkely Rep and subsequently marked Sarah Ruhl's Broadway debut opening at the Lyceum Theatre on November 19th, 2009.

    Based by Noel Coward upon his 1936 short play 'Still Life', the screenplay conjures up the drab, emotionally restrained world of post-war Britain better than almost any other literary text. It was nominated for an Oscar at the 1947 Academy Awards. Brief Encounter is perhaps the most moving and fully realized of all David Lean's films. This volume contains a specially commissioned introduction by Coward's biographer, Sheridan Morley.