A cozy fire, complete silence. It would be perfect, if not for the fact that decades earlier, at this very house, two people were murdered in cold blood and a girl disappeared without a trace.As the storm worsens, Wylie finds herself trapped inside the house, haunted by the secrets contained within its walls—haunted by secrets of her own. Then she discovers a small child in the snow just outside. After bringing the child inside for warmth and safety, she begins to search for answers. But soon it becomes clear that the farmhouse isn’t as isolated as she thought, and someone is willing to do anything to find them.

    Grueling hours are standard at elite law firms like Young & Crane, but they’d be easier to swallow if Lizzie was there voluntarily. Until recently, she’d been a happily underpaid federal prosecutor. That job and her brilliant, devoted husband Sam—she had everything she’d ever wanted. And then, suddenly, it all fell apart. No. That’s a lie. It wasn’t sudden, was it? Long ago the cracks in Lizzie’s marriage had started to show. She was just good at averting her eyes. The last thing Lizzie needs right now is a call from an inmate at Rikers asking for help—even if Zach Grayson is an old friend. But Zach is desperate: his wife, Amanda, has been found dead at the bottom of the stairs in their Brooklyn brownstone. And Zach’s the primary suspect. As Lizzie is drawn into the dark heart of idyllic Park Slope, she learns that Zach and Amanda weren’t what they seemed—and that their friends, a close-knit group of fellow parents at the exclusive Brooklyn Country Day school, might be protecting troubling secrets of their own. In the end, she’s left wondering not only whether her own marriage can be saved, but what it means to have a good marriage in the first place.Big Little Lies meets Presumed Innocent in this riveting novel from the New York Times bestselling author of Reconstructing Amelia, in which a woman’s brutal murder reveals the perilous compromises some couples make—and the secrets they keep—in order to stay together.

    It's a cruel mistake; her son left for college a year ago, and Kelly has never felt so alone. The receptionist quickly apologizes: there's another mother in town named Kelly Medina, and she must have gotten their numbers switched.But Kelly can't stop thinking about the woman who shares her name. Lives in her same town. Has a son she can still hold, and her whole life ahead of her. She can't help looking for her: at the grocery store, at the gym, on social media. When Kelly just happens to bump into the single mother outside that pediatrician's office, it's simple curiosity getting the better of her.Their unlikely friendship brings Kelly a renewed sense of purpose, taking care of this young woman and her adorable baby boy. But that friendship quickly turns to obsession, and when one Kelly disappears, well, the other one may know why.

    What would you do if one was your daughter? When eight-year-old Grace goes missing from a sweetshop on the way home from school, her mother Emma is plunged into a nightmare. Her family rallies around, but as the police hunt begins, cracks begin to emerge.What are the secret emails sent between Emma’s husband and her sister? Why does her mother take so long to join the search? And is Emma really as innocent as she seems?Meanwhile, ageing widow Maggie Taylor sees Grace’s picture in the newspaper. It’s a photograph that jolts her from the pain of her existence into a spiralling obsession with another girl – the first girl who disappeared…

    Her family was shattered, but managed to stick together, hoping against hope that Julie is still alive. And then one night: the doorbell rings. A young woman who appears to be Julie is finally, miraculously, home safe. The family is ecstatic—but Anna, Julie’s mother, has whispers of doubts.  She hates to face them. She cannot avoid them. When she is contacted by a former detective turned private eye, she begins a torturous search for the truth about the woman she desperately hopes is her daughter.

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?

    She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents--her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer. Together with her sister, Evie, Lex intends to turn the House of Horrors into a force for good. But first she must come to terms with her siblings - and with the childhood they shared.

    A girl is missing. Five years old, taken from outside her school. She has vanished, traceless. The police are at a loss; her parents are beyond grief. Their daughter is lost forever, perhaps dead, perhaps enslaved. But the biggest mystery is yet to come: one week after she was abducted, their daughter is returned. She has no memory of where she has been. And this, for her mother, is just the beginning of the nightmare.

    It all started at the school fair…Charlotte was supposed to be looking after the children, and she swears she was. She only took her eyes off of them for one second. But when her three kids are all safe and sound at the school fair, and Alice, her best friend Harriet’s daughter, is nowhere to be found, Charlotte panics. Frantically searching everywhere, Charlotte knows she must find the courage to tell Harriet that her beloved only child is missing. And admit that she has only herself to blame.Harriet, devastated by this unthinkable, unbearable loss, can no longer bring herself to speak to Charlotte again, much less trust her. Now more isolated than ever and struggling to keep her marriage afloat, Harriet believes nothing and no one. But as the police bear down on both women trying to piece together the puzzle of what happened to this little girl, dark secrets begin to surface—and Harriet discovers that confiding in Charlotte again may be the only thing that will reunite her with her daughter....This breathless and fast-paced debut—perfect for fans of Big Little Lies and The Couple Next Door—takes you on a chilling journey that will keep you guessing until the very last page.

    That's all it takes.She stabbed little Robbie Harris. To change a life -She's living under a new name.For ever.She's reformed. So they say . . . Joanna is going to regret the day she ever said a word.

    You will assume you know the anatomy of this tangled love triangle.Assume nothing. Twisted and deliciously chilling, Greer Hendricks and Sarah Pekkanen's The Wife Between Us exposes the secret complexities of an enviable marriage - and the dangerous truths we ignore in the name of love.Read between the lies.

    But Maria Weston is dead. Isn't she? 1989. When Louise first notices the new girl who has mysteriously transferred late into their senior year, Maria seems to be everything the girls Louise hangs out with aren't. Authentic. Funny. Brash. Within just a few days, Maria and Louise are on their way to becoming fast friends.2016. Louise receives a heart-stopping email: Maria Weston wants to be friends on Facebook. Long-buried memories quickly rise to the surface: those first days of their budding friendship; cruel decisions made and dark secrets kept; the night that would change all their lives forever.Louise has always known that if the truth ever came out, she could stand to lose everything. Her job. Her son. Her freedom. Maria's sudden reappearance threatens it all, and forces Louise to reconnect with everyone she'd severed ties with to escape the past. But as she tries to piece together exactly what happened that night, Louise discovers there's more to the story than she ever knew. To keep her secret, Louise must first uncover the whole truth, before what's known to Maria - or whoever's pretending to be her - is known to all.

    . . ?Andrea knows everything about her mother, Laura. She knows she’s spent her whole life in the small beachside town of Belle Isle; she knows she’s never wanted anything more than to live a quiet life as a pillar of the community; she knows she’s never kept a secret in her life. Because we all know our mothers, don’t we?But all that changes when a trip to the mall explodes into violence and Andrea suddenly sees a completely different side to Laura. Because it turns out that before Laura was Laura, she was someone completely different. For nearly thirty years she’s been hiding from her previous identity, lying low in the hope that no one would ever find her. But now she’s been exposed, and nothing will ever be the same again.The police want answers and Laura’s innocence is on the line, but she won’t speak to anyone, including her own daughter. Andrea is on a desperate journey following the breadcrumb trail of her mother’s past. And if she can’t uncover the secrets hidden there, there may be no future for either one of them. . . .

    Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism.Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father’s book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father’s death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?

    Some girl dies. It's not much to go on, but the specifics don't concern Marissa. Whatever the script is, her job is the same. She'll spend her days in the editing room, doing what she does best: turning pictures into stories.But she soon discovers that on this set, nothing is as it's supposed to be--or as it seems. There are rumors of accidents and indiscretions, of burgeoning scandals and perilous schemes. Half the crew has been fired. The other half wants to quit. Even the actors have figured out something is wrong. And no one seems to know what happened to the editor she was hired to replace.Then she meets the intrepid and incorrigible teenage girls who are determined to solve the real-life murder that is the movie's central subject, and before long, Marissa is drawn into the investigation herself.The only problem is, the killer may still be on the loose. And he might not be finished.