His JOURNEY describes a mission to Wales undertaken in 1188 by Baldwin, Archbishop of Canterbury, with Gerald as his companion. THE DESCRIPTION provides a picture of the day-to-day existence of ordinary Welshmen of the time. Both offer a wealth of fascinating first-hand historical detail.

    Starting from Plato’s fateful division of the world into spirit and matter, her analysis of how patriarchal Western philosophy and religion have used language and science to bolster their power over both women and nature is brilliant and persuasive, coming alive in poetic prose.Griffin draws on an astonishing range of sources—from timbering manuals to medical texts to Scripture and classical literature—in showing how destructive has been the impulse to disembody the human soul, and how the long separated might once more be rejoined. Poet Adrienne Rich calls Woman and Nature “perhaps the most extraordinary nonfiction work to have merged from the matrix of contemporary female consciousness—a fusion of patriarchal science, ecology, female history and feminism, written by a poet who has created a new form for her vision. ...The book has the impact of a great film or a fresco; yet it is intimately personal, touching to the quick of woman’s experience.”

    This classic of Japanese literature invites you to take your choice if you dare.In Ghostly Japan collects twelve ghostly stories from Lafcadio Hearn, deathless images of ghosts and goblins, touches of folklore and superstition, salted with traditions of the nation. While some of these stories contain nightmare imagery worthy of a midnight creature feature, others are not ghostly or ghastly at all. "Bits of Poetry" offers an engaging study on verse, and "Japanese Buddhist Proverbs" explains the meaning of several aphorisms based on Japanese cultural references.Whether you're looking to spot the demons that walk among us, or simply to enjoy the prose of a legendary craftsman, In Ghostly Japan affords countless delights. Stories include:"Fragment" about a young pilgrim who encounters a mountain of skulls"Ingwa-banashi" about a dying wife who bequeaths a rival a sinister legacy"A Passional Karma" about a spectral beauty who returns for her handsome samurai lover

    Kreeft Taking his cue from the new literary genre invented by C. S. Lewis in Screwtape Letters, Peter Kreeft has gathered together fifteen spicy letters from Satan's agents below that allow the reader to spy into Hell's inter-office communication. Now that it is becoming more and more obvious that we are at war--not only cultural but spiritual war--it is also more necessary to understand our diabolical enemy and his strategy. Combining satire, humor and devilish insights, these fifteen letters from Snakebite to his trainee, Braintwister, provide a complete Satanic strategy for corrupting American society, public and private morality, and the Church. Focusing especially on the critical areas of sex, media, liturgy, theology and religious education, these letters reveal the inroads that Screwtape's satanic American counterparts of the 90s have made into subverting our modern culture. The Koran says: "Before shooting the arrow of truth, dip it in honey." This genre of devilish correspondence allows serious this-worldly social criticism to take the form of witty other-worldly letters. Table of Contents: Introduction On Spiritual Warfare On the Primacy of the Mind Sex and the Media How to Shoot Chastity in the Head On Abortion Is Going to Church Really Important? What Has the Lowerarchy Done to the Liturgy? On Liturgical Music On Liturgical Language How to Sabotage Worship On Catholic Education On Elitism and Egalitarianism in Catholic Education On What They Learn in Theology Class On Disintegration and Integration in Theology Appendix: Rethinking 199-: A Revisionist View Acknowledgement

    In addition to its importance to the history of ideas, this 1795 essay remains relevant to our own time.Beginning with a political analysis of contemporary society — in particular, the French Revolution and its failure to implement universal freedom — Schiller observes that people cannot transcend their circumstances without education. He conceives of art as the vehicle of education, one that can liberate individuals from the constraints and excesses of either pure nature or pure mind. Through aesthetic experience, he asserts, people can reconcile the inner antagonism between sense and intellect, nature and reason.Schiller’s proposal of art as fundamental to the development of society and the individual is an enduringly influential concept, and this volume offers his philosophy’s clearest, most vital expression.

    Written by four major saints, the greatest exponents of this poetic form, between the tenth and twelfth centuries, they are passionate lyrical expressions of the search for an unpredictable and spontaneous spiritual vision of 'now'. Here, yogic and tantric symbols, riddles and enigmas subvert the language of ordinary experience, as references to night and day, sex and family relationships take on new mystical meanings. These intense poems of personal devotion to a single deity also question traditional belief systems, customs, superstitions, image worship and even moral strictures, in verse that speaks to all men and women regardless of class and caste.

    As a youth, the young Indian Siddhartha meets the Buddha but isn’t content with the disciple’s role. He must work out his own destiny—a torturous road on which he experiences a love affair with the beautiful courtesan Kamala, the temptation of success and riches, the heartache of struggling with his own son, and finally, renunciation and self-knowledge.The name “Siddhartha” is often given to the Buddha himself—perhaps a clue to Hesse’s aims contrasting the traditional legendary figure with his own conception.This new edition of the classic Siddhartha includes The Dhammapada (“Path of Virtue”), the 423 verses attributed to the Buddha himself, which forms the essence of the ethics of Buddhist philosophy.

    it was the first major Persian romance, written between 1050 and 1055 in rhyming couplets. This remarkable work has now been superbly translated into heroic couplets (the closest metrical equivalent of the Persian) by the poet and scholar Dick Davis.

    The world veda literally means Knowledge. The root is vid, ‘to Know’ The Vedas are thus texts that provide Knowledge.There are four Vedas, known as the Rig Veda, the Yajur Veda, the Sama Veda and the Atharva Veda. Many years ago, the Vedas were referred to as trayi or three. There must have been some point of time when there were only three Vedas. These are acknowledged to have been the Rig Vedas, the yajur Veda and the Sama Veda. The Atharva Veda is believed to have a later addition to the sacred canon.The world trayi is also interpreted in a different sense. Although the interpretation does seem to be slightly artificial, it is following. The three paths to salvation are believed to be those of jnana (Knowledge), bhakti (devotion) and karma (action). Since the Vedas teach these three paths to salvation, they are referred to as trayi. The Rig Veda is identified with the path of knowledge, the yajur Veda with the path of action, and the Sama Veda with the path of devotion.Each of the Vedas has two parts, a samhita and the brahmanas. The samhita part consists of mantras or incantations. These were hymns that were used in sacrifies. But these mantras are difficult to interpret without commentaries. This is what the brahmanas set out to do. They explain the hymns and indicate how these are to be used in sacrifices. The brahmanas also have detailed descriptions of sacrifices and how they are to be conducted. The samhita and the brahmanas are often known as karma kanda, that is, the part of the Vedas that deals with rituals.In addition Vedic literature also includes jnana kanda. This is the part that deals with supreme knowledge. Included in jnana kanda are the aranyakas and the Upanishads. These are identified with various Vedas.We can therefore have a narrow definition of a Veda as well as a broad one. The narrow definition would take the word Veda to mean the samhita alone. The broad definition would include, in addition associated brahmanas, aranyakas and Upanishads. By the word Veda, we will mean the samhita alone.When were the Vedas composed and who composed them? Strictly speaking, there is no answer to these questions. The Vedas were revealed; they were shrutis. They were not written down or composed. They were communicated by the supreme godhead or the divine essence (brahman) to the ancient seers (rishis). These rishis did not compose the Vedas; they merely obtained this divine knowledge through their extraordinary powers. In this sense, the Vedas are apourusheya, that is, not the handiwork of men. Their authorship cannot be ascribed to any human author.In the Hindu conception of time, time is divided into four eras. These are known as satya yuga, treat yuga, dvapara yuga and kali yuga. As one moves from satya yuga towards kali yuga, the power of righteousness diminishes and evil starts to rear its ugly head. To bring men back to the righteous path, the sacred knowledge that is in the Vedas must be disseminated amongst them. But the Vedas are abstract and esoteric, often difficult for ordinary mortals to comprehend. To make the dissemination and assimilation easier, the Vedas must be conveniently partitioned and divided into various groups. A person who thus divides (vyasa) the Vedas has the title of Vedavyasa or Vyasadeva conferred on him.In every dvapara yuga, such a Vedavyasa is born to perform this sacred task, The Vedavyasa born in the dvapara yuga tha immediately preceded the present kali, yuga, was Krishna Dvaipayana Vedavyasa. It is he who is credited with having divided the original unified Vedas into the four segments of the Rig Veda, the yajur Veda, the Sama Veda and the Atharva Veda. Krishna Dvaipayana Vedavyasa did not compose the Vedas, he merely recapitulated what was already known. Incidentally, Krishna Dvaipayana Vedavyasa is also credited with the composition of the great epic, the Mahabharata.Just as it is impossible to determine who composed the Vedas, it is also impossible to determine when they were composed. Widely different dates have been suggested by scholars. Tilak suggested a date of around 6000 B.C., while Jacobi’s date was around 4500 B.C. Most scholars would agree that the Vedas were compiled some time between 4000 B.C. and 1000 B. C. and that it is impossible to narrow down the range further. The earliest of the Vedas is clearly the Rig Veda. This reached a stage of final compilation between 1000 B. C. and 900 B. C.

    Basho (1644–1694)—who elevated the haiku to an art form of utter simplicity and intense spiritual beauty—is best known in the West as the author of Narrow Road to the Interior, a travel diary of linked prose and haiku that recounts his journey through the far northern provinces of Japan. This volume includes a masterful translation of this celebrated work along with three other less well-known but important works by Basho: Travelogue of Weather-Beaten Bones, The Knapsack Notebook, and Sarashina Travelogue. There is also a selection of over two hundred fifty of Basho's finest haiku. In addition, the translator has provided an introduction detailing Basho's life and work and an essay on the art of haiku.

    In Bakhtin's view, the spirit of laughter and irreverence prevailing at carnival time is the dominant quality of Rabelais's art. The work of both Rabelais and Bakhtin springs from an age of revolution, and each reflects a particularly open sense of the literary text. For both, carnival, with its emphasis on the earthly and the grotesque, signified the symbolic destruction of authority and official culture and the assertion of popular renewal. Bakhtin evokes carnival as a special, creative life form, with its own space and time.Written in the Soviet Union in the 1930s at the height of the Stalin era but published there for the first time only in 1965, Bakhtin's book is both a major contribution to the poetics of the novel and a subtle condemnation of the degeneration of the Russian revolution into Stalinist orthodoxy. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.

    In this tapestry of poetic and religious scholarship, Graves explores the stories behind the earliest of European deities—the White Goddess of Birth, Love, and Death—who was worshipped under countless titles. He also uncovers the obscure and mysterious power of "pure poetry" and its peculiar and mythic language.

    Capturing its brilliantly compact poetry and finely wrought, purposeful prose, Alter renews the Old Testament as a source of literary power and spiritual inspiration. From the family frictions of Genesis and King David’s flawed humanity to the serene wisdom of Psalms and Job’s incendiary questioning of God’s ways, these magnificent works of world literature resonate with a startling immediacy. Featuring Alter’s generous commentary, which quietly alerts readers to the literary and historical dimensions of the text, this is the definitive edition of the Hebrew Bible.

    Barraged by the constant advisements and bickerings of Aunt Penelope and Uncle Deva, who live with their nephew in the shimmering Void, Mr g proceeds to create time, space, and matter. Then come stars, planets, animate matter, consciousness, and, finally, intelligent beings with moral dilemmas. Mr g is all powerful but not all knowing and does much of his invention by trial and error.Even the best-laid plans can go awry, and Mr g discovers that with his creation of space and time come some unforeseen consequences—especially in the form of the mysterious Belhor, a clever and devious rival. An intellectual equal to Mr g, Belhor delights in provoking him: Belhor demands an explanation for the inexplicable, requests that the newly created intelligent creatures not be subject to rational laws, and maintains the necessity of evil. As Mr g watches his favorite universe grow into maturity, he begins to understand how the act of creation can change himself, the Creator.With echoes of Calvino, Rushdie, and Saramago, combining science, theology, and moral philosophy, Mr g is a stunningly imaginative work that celebrates the tragic and joyous nature of existence on the grandest possible scale.

    It is written around 200BC by the great Hindu Scholar Pandit Vishnu Sharma. Panchatantra means "the five books". It is a "Nitishastra" which means book of wise conduct in life. The book is written in the form of simple stories and each story has a moral and philosophical theme which has stood the test of time in modern age of atomic fear and madness. It guides us to attain success in life by understanding human nature. Panchatantra is commonly available in an abridged form written for children. Here is the complete translation of the book as written by Vishnu Sharma.