In his first novel since The Mysteries of Pittsburgh, Chabon presents a hilarious and heartbreaking work—the story of the friendship between the "wonder boys"—Grady, an aging writer who has lost his way, and Crabtree, whose relentless debauchery is capsizing his career.

    Now, with his third and most ambitious novel, Aciman delivers an elegant and powerful tale of the wages of assimilation—a moving story of an immigrant’s remembered youth and the nearly forgotten costs and sacrifices of becoming an American.It’s the fall of 1977, and amid the lovely, leafy streets of Cambridge a young Harvard graduate student, a Jew from Egypt, longs more than anything to become an assimilated American and a professor of literature. He spends his days in a pleasant blur of seventeenth-century fiction, but when he meets a brash, charismatic Arab cab driver in a Harvard Square café, everything changes.Nicknamed Kalashnikov—Kalaj for short—for his machine-gun vitriol, the cab driver roars into the student’s life with his denunciations of the American obsession with "all things jumbo and ersatz"—Twinkies, monster television sets, all-you-can-eat buffets—and his outrageous declarations on love and the art of seduction. The student finds it hard to resist his new friend’s magnetism, and before long he begins to neglect his studies and live a double life: one in the rarified world of Harvard, the other as an exile with Kalaj on the streets of Cambridge. Together they carouse the bars and cafés around Harvard Square, trade intimate accounts of their love affairs, argue about the American dream, and skinny-dip in Walden Pond. But as final exams loom and Kalaj has his license revoked and is threatened with deportation, the student faces the decision of his life: whether to cling to his dream of New World assimilation or risk it all to defend his Old World friend.Harvard Square is a sexually charged and deeply American novel of identity and aspiration at odds. It is also an unforgettable, moving portrait of an unlikely friendship from one of the finest stylists of our time.

    With school over and the locked world of their fathers before them, they rush towards the climax of their youth: a magical weekend in Manchester, the epicentre of everything that inspires them in working-class Britain. There, against the greatest soundtrack ever recorded, a vow is made: to go at life differently. Thirty years on, half a life away, the phone rings. Tully has news.Mayflies is a memorial to youth's euphorias and to everyday tragedy. A tender goodbye to an old union, it discovers the joy and the costs of love.

    'Linked' doesn’t begin to describe the complex web Silber has woven…Beautiful, intricate and wise."—New York Times Book ReviewWhen is it wise to be a fool for something? What makes people want to be better than they are? From New York to India to Paris, from the Catholic Worker movement to Occupy Wall Street, the characters in Joan Silber's dazzling new story cycle tackle this question head-on.Vera, the shy, anarchist daughter of missionary parents, leaves her family for love and activism in New York. A generation later, her own doubting daughter insists on the truth of being of two minds, even in marriage. The adulterous son of a Florida hotel owner steals money from his family and departs for Paris, where he takes up with a young woman and finds himself outsmarted in turn. Fools ponders the circle of winners and losers, dupers and duped, and the price we pay for our beliefs.Fools is a luminous, intelligent, and rewarding work of fiction from the author for whom the Boston Globe said, "No other writer can make a few small decisions ripple across the globe, and across time, with more subtlety and power."

    But when she receives a call from the coroner, asking her to identify her lover's body, her bright dreams all turn to black. As Josie struggles to understand Michael's death and to hold onto the world they shared, she is both attracted to and repelled by his pianist mother, Meredith, who blames Josie for her son's torment. Soon the two women are drawn into a twisted relationship that reflects equal parts distrust and blind need.With the luxurious prose and fever pitch intensity that are her hallmarks, Janet Fitch weaves a spellbinding tale of love, betrayal, and the possibility of transcendence.

    A lyrical and timeless fable of the small country village of Greenwillow and its unforgettable inhabitants, and of the poignant romance between young Gideon Briggs who lives in the shadow of a family curse and is determined never to marry, and Dorrie, the orphan girl he loves.

    In the chaos of his first days and weeks of the war, as Mask and his company move from Schofield Barracks to the beaches of Oahu, then to a remote mountain pass, a struggle over the pistol dominates this novella's action, providing the pathos and savagery of the story.

    Having “caught hold of some loose line in her that would attach itself to stray wildness” and never let go, he’s loved her for some eighty years: through their marriages to other people, through the mysterious early death of Birdie’s womanizing husband, Earl, and through all the poisonous accusations against Birdie by Earl’s no-good relatives. All during Mercury’s evolution from a sleepy backwater to a small city, Finus (reporter, radio host, and obit writer) has aimed to have the last word on its inhabitants, from obsequious undertaker Parnell Grimes to Euple Scarbrough, local encyclopedia of useless knowledge, and Vish, a real oldtime medicine woman. But ever loyal to Birdie, Finus won’t rush to unravel the mystery of her husband’s untimely passing—not until Birdie herself has entered Mercury’s heaven.A gorgeous portrayal of lifelong friendship, restless passion, marital discord accommodation, aging and remembrance, death and afterlife, The Heaven of Mercury is inscribed in prose so eerily fine it is one of life’s true pleasures.

    Roiling with love and torment, lunacy and desire, hilarity and tenderness, Geronimo Rex is the bildungsroman of an unlikely hero. Reared in gloomy Dream of Pines, Louisiana, whose pines have long since yielded to paper mills, Harry Monroe is ready to take on the world. Inspired by the great Geronimo's heroic rampage through the Old West, Harry puts on knee boots and a scarf and voyages out into the swamp of adolescence in the South of the 1950s and '60s. Along the way he is attacked by an unruly peacock; discovers women, rock 'n' roll, and jazz; and stalks a pervert white supremacist who fancies himself the next Henry Miller.

    But anyway he (Thurber, that is) here continues the study, fooling no one by putting it in the form of fables. People who already know everything there is to know about people shouldn't bother reading this book. Others need it badly.

    Introduced simply as the boy on the bench, the titular character of Malcolm is a Candide-like figure who is picked up by the most famous astrologer of his period and introduced to a series of increasingly absurd characters and bizarre situations in the most prodigiously funny book to streak across these heavy-hanging times (Dorothy Parker)."

    Among them: a middle-aged Aeschylus taking his place at Marathon, still vying for parental approval. A maddeningly indefatigable Victorian explorer hauling his expedition, whaleboat and all, through the Great Australian Desert in midsummer. The first woman in space and her cosmonaut lover, caught in the star-crossed orbits of their joint mission. Two Texas high school football players at the top of their food chain, soliciting their fathers’ attention by leveling everything before them on the field. And the rational and compassionate chief executioner of Paris, whose occupation, during the height of the Terror, eats away at all he holds dear.Brimming with irony, compassion, and withering humor, these eleven stories are at once eerily pertinent and dazzlingly exotic, and they showcase the work of a protean, prodigiously gifted writer at the height of his form. Reading Jim Shepard, according to Michael Chabon, “is like encountering our national literature in microcosm.”

    When Atticus travels south to recover Scott's body, he is puzzled by what he finds there and begins to suspect murder. Illuminating those often obscure chambers of the human heart, Atticus is the story of a father's steadfast and almost unfathomable love for his son, a mystery that Ron Hansen's fiction explores with a passion and intensity no reader will be able to resist.

    It is the story of Kate, despised by her mother, bound to her father by ties stronger and darker than blood. It is the story of her attempted escapes−in detached sexual encounters, at a Southern college populated by spoiled and perverse beauties, and in a doomed marriage to a man who cannot understand what she is running from. Witty, erotic, searing acute, STATE OF GRACE bears the inimitable stamp of one of our fines and most provocative writers.

    As was well known at the time, Richter had spent several years in the Southwest, where he collected the material for his first successful book, Early Americans and Other Stories, but by 1933, he had returned to live in his hometown, Pine Grove, Pennsylvania. John Donner, the main protagonist in The Waters of Kronos, traces a similar route from west to east, although he finds that his family home and native town have been submerged under the deep waters of a lake formed by the construction of a hydroelectric dam. As Richter narrates his alter ego's efforts to salvage his past, he moves beyond "semi-autobiography" to offer what are widely recognized as his most haunting reflections upon the power of family history, the fragility of human memory, and art's role in structuring the communal ethos. David McCullough, a fellow Pulitzer Prize winner, met and befriended Richter in the 1960s and has called him "an American master," praising The Waters of Kronos as "his most beautiful book."