Patiently and politely, he asks the animals he comes across, one by one, whether they have seen it. Each animal says no, some more elaborately than others. But just as the bear begins to despond, a deer comes by and asks a simple question that sparks the bear’s memory and renews his search with a vengeance. Told completely in dialogue, this delicious take on the classic repetitive tale plays out in sly illustrations laced with visual humor—and winks at the reader with a wry irreverence that will have kids of all ages thrilled to be in on the joke.

    A magical red book without any words. When you turn the pages you’ll experience a new kind of adventure through the power of story.Winning a Caldecott Honor for its illustrations of rare detail and surprise, The Red Book crosses oceans and continents to deliver one girl into a new world of possibility, where a friend she’s never met is waiting. And as with the best of books, at the conclusion of the story, the journey is not over.

    . . . Illustrator Feodor Rojankovsky somehow manages to combine quaintness with sophistication and his doughty frog, the coy mouse . . . and others make charming company.”--The New York Times Book Review

    From a highly-respected picture book author/illustrator comes a lyrical evocation of Philippe Petit's 1974 tightrope walk between the World Trade Center towers.

    But then Nana makes him a special cape to help him be brave, and soon the everyday sights, sounds, and smells of the city are not scary—but wonderful. The succinct text is paired with watercolor illustrations that capture all the vitality, energy, and beauty of the city.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    Along the way, she encounters ravenous bears, obnoxious goats, and even hordes of aliens! But nothing stops grandma from accomplishing her goal--knitting sweaters for her many grandchildren to keep them warm and toasty for the coming winter.

    Perfect entertainment for bath time or for bedtime, the joyful music and hilarious rhyming tale will provide hours of fun for young readers.

    Beautiful watercolors.

     It is there. It is everywhere. All the world is right where you are. Now. Following a circle of family and friends through the course of a day from morning till night, this book affirms the importance of all things great and small in our world, from the tiniest shell on the beach, to warm family connections, to the widest sunset sky

    When the plant grows taller and sprouts leaves, some young beetles arrive to gander, and soon—with the help of a pill bug named Icky—they wrangle a ladder and build a tree fort. But this is the wild world, after all, and something horrible is waiting to swoop down—booby voobeck!—only to be carried off in turn. Su! With exquisitely detailed illustrations and tragicomic flair, Carson Ellis invites readers to imagine the dramatic possibilities to be found in even the humblest backyard. Su!

    . . . The droll illustrations, with tones blended to luminescent shading, are complete and humorous themselves.' -- Association of Library Service to Children, ALA.

    But sometimes things work out best when they don't go exactly as planned.   This Caldecott Honor-winning book is a moving and hilarious celebration of young boys, childhood friendships, and the power of the imagination, where Marla Frazee captures the very essence of summer vacation and what it means to be a kid.

    He was a farmboy and a kid with chickenpox and a soldier and, most of all, an artist. In this captivating new picture book, readers follow Grandpa Green's great-grandson into a garden he created, a fantastic world where memories are handed down in the fanciful shapes of topiary trees and imagination recreates things forgotten.In his most enigmatic and beautiful work to date, Lane Smith explores aging, memory, and the bonds of family history and love; by turns touching and whimsical, it's a stunning picture book that parents and grandparents will be sharing with children for years to come.This title has Common Core connections.Grandpa Green is a Publishers Weekly Best Children's Picture Books title for 2011. One of School Library Journal's Best Picture Books of 2011.

    Thankfully, the bestselling duo of author Laura Numeroff and illustrator Felicia Bond -- creators of If You Take a Mouse to the Movies and If You Give a Mouse a Cookie -- have teamed up to show us the hijinks a whiskered school guest could cause.Starting with asking for your lunchbox, this critter is set for mischief. The feisty mouse asks for a snack for later (cookies of course), a notebook, and pencils, and wants "to share your backpack, too." After he arrives at school, the pushy classmate tries his hand (make that paw) at math and writing on the blackboard, afterward whipping up a messy, pink science experiment and building a "little mouse house" from blocks. The schooltime antics don't stop there, but a busy mouse tends to get hungry after so much playtime. Naturally his snack is in the lunchbox, which is stored "in a safe place" with his new picture book inside.Following the whimsical style of their previous books, Numeroff and Bond have done it again. Their high-adrenaline mouse will have readers cheering while their eyes comb the illustrations for extra nibbles of fun. Although the book's main human character looks positively exhausted at the end, we can only holler for more of the little guy with the huge school spirit. Matt Warner