It was an order the young lieutenant protested vehemently, but the commanders at the Tactical Command Center disregarded his objections. Uthlaut split his platoon into two serials, with serial one traveling northwest to Manah and serial two towing a broken Humvee north toward the Khost highway. By nightfall, Uthlaut and his radio operator were seriously wounded, and an Afghan militia soldier and a U.S. soldier were dead. The American soldier was my son, Pat Tillman. The Tillman family was originally informed that Pat, who had given up a professional football career to serve his country, had been shot in the head while getting out of a vehicle. At his memorial service twelve days later, they were told that he was killed while running up a hill in pursuit of the enemy. He was awarded a Silver Star for his courageous actions. A month and two days after his death, the family learned that Pat had been shot three times in the head by his own troops in a "friendly fire" incident. Seven months after Pat's death, the Tillmans requested an investigation. Boots on the Ground by Dusk is a chronicle of their efforts to ascertain the true circumstances of Pat's death and the reasons why the Army gave the family and the public a false story. Woven into the account are valuable and respectful memories of Pat Tillman as a son, brother, husband, friend, and teammate, in the hope that the reader will better comprehend what is really lost when our sons and daughters are killed or maimed in war. In the course of three and a half years, there have been six investigations, several inquiries, and two Congressional hearings. The Tillmans are still awaiting an outcome.

    Here he shares the secrets of his transformation in a uniquely creative, yet no-nonsense regimen—enlivened with humor and sheer force of personality—that will inspire readers to enjoy working out as never before, while building a body they never thought possible. The book offers four levels of fitness, from Bronze to Platinum, including:- a 4-week beginner's program that takes inches off the waist and boosts energy-a 5-week program for intermediates that increases strength while maintaining muscular and cardiovascular endurance- an advanced 9-week program that turns the body into a muscle-building and fat-burning machine—complete with 6-pack abs and as much energy as LL Cool J- the hardcore 3-week fat-torching program LL used for the "Control Myself" video—a new level in ripped-to-the-bone fitness and sex appeal- a special 4-week "Diamond" program for women seeking to shape up fast for summer or an upcoming event- meal plans and recipes that fuel workouts while burning fat with food

    Mountains provide a natural refuge for those who want to elude authority, and their remoteness has allowed archaic practices to persist well into our globalized era. As Judith Matloff shows, the result is a combustible mix we in the lowlands cannot afford to ignore. Traveling to conflict zones across the world, she introduces us to Albanian teenagers involved in ancient blood feuds; Mexican peasants hunting down violent poppy growers; and Jihadists who have resisted the Russian military for decades. At every stop, Matloff reminds us that the drugs, terrorism, and instability cascading down the mountainside affect us all. A work of political travel writing in the vein of Ryszard Kapuscinski and Robert Kaplan, No Friends but the Mountains is an indelible portrait of the conflicts that have unexpectedly shaped our world.

    A politically charged coroner's inquest failed to determine a definitive cause of death, and the following civil action continued to expose sordid details of the couple's lives. More than half a century later, the story was all but forgotten when local resident Diane McLellan spied an old photograph at a yard sale and became obsessed with solving the mystery. Her enthusiastic sleuthing captured the attention of Southern Pines resident and journalist Steve Bouser, who takes readers back to those blustery winter days so long ago in the search to reveal what really happened to Elva Statler Davidson.

    Joining the trio is a childhood friend and former Marine whose past service in Iraq adds an unexpected and sometimes unwelcome viewpoint, both to the people they come across and perhaps even themselves.As the crew works their way through Turkey, Iraq, and Syria, Glidden observes the reporters as they ask civilians, refugees, and officials, “Who are you?” Everyone has a story to tell: the Iranian blogger, the United Nations refugee administrator, a taxi driver, the Iraqi refugee deported from the US, the Iraqis seeking refuge in Syria, and even the American Marine.Glidden (How to Understand Israel in 60 Days or Less) records all that she encounters with a sympathetic and searching eye. Painted in her trademark soft, muted watercolors and written with a self-effacing humor, Rolling Blackouts cements Glidden’s place as one of today’s most original nonfiction voices.

    When I'm there, sitting with those folks, listening and talking, he said to Coles, I'm part of that life, and I'm near it in my head, too.... Back here, sitting near this typewriter--its different. I'm a writer. I'm a doctor living in Rutherford who is describing 'a world elsewhere.' Williams captured the great difficulty in documentary writing--the gulf that separates the reality of the subject from the point of view of the observer . Now, in this thought-provoking volume, the renowned child psychiatrist Robert Coles, author of the Pulitzer Prize-winning Children in Crisis series, offers a penetrating look into the nature of documentary work. Utilizing the documentaries of writers, photographers, and others, Coles shows how their prose and pictures are influenced by the observer's frame of reference: their social and educational background, personal morals, and political beliefs. He discusses literary documentaries: James Agee's searching portrait of Depression-era tenant farmers, Let Us Now Praise Famous Men, and George Orwell's passionate description of England's coal-miners, The Road to Wigan Pier. Like many documentarians, Coles argues, Agee and Orwell did not try to be objective, but instead showered unadulterated praise on the noble poor and vituperative contempt on the more privileged classes (including themselves) for exploiting these workers. Documentary photographs could be equally revealing about the observer. Coles analyzes how famous photographers such as Walker Evans and Dorthea Lange edited and cropped their pictures to produce a desired effect. Even the shield of the camera could not hide the presence of the photographer. Coles also illuminates his points through his personal portraits of William Carlos Williams; Robert Moses, one of the leaders of the Student Non-Violent Coordinating Committee during the 1960s; Erik H. Erikson, biographer of Mahatma Gandhi and Martin Luther; and others. Documentary work, Coles concludes, is more a narrative constructed by the observer than a true slice of reality. With the growth in popularity of films such as Ken Burns's The Civil War and the controversial basketball documentary Hoop Dreams, the question of what is real in documentary work is more pressing than ever. Through revealing discussions with documentarians and insightful analysis of their work, complemented by dramatic black-and-white photographs from Lange and Evans, Doing Documentary Work will provoke the reader into reconsidering how fine the line is between truth and fiction. It is an invaluable resource for students of the documentary and anyone interested in this important genre.

    One afternoon, just blocks from his home, Coyle found two curious yellow containers containing $1.2 million in unmarked money from a casino. They had just fallen off the back of an armored truck. Even before news of the missing money exploded across the headlines, Detective Pat Laurenzi was working around the clock to track it down. Joey Coyle, meanwhile, was off on a bungling misadventure, sharing his windfall with everyone from his girlfriend to total strangers to the two neighborhood kids who were with him when he found it. Loaded with intrigue and suspense, Finders Keepers is the remarkable tale of an ordinary man faced with an extraordinary moral dilemma, and the fascinating reactions of the family, friends, and neighbors to whom he turns.

    Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it." —Annie LeibovitzAnnie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras.

    (Continued from National Geographic's "Battlefield Afghanistan")This is undoubtedly the most honest and raw account of an Officer's thoughts and actions during combat that has ever been written. After publishing this book, Donny O'Malley's job options are now reduced to low level sales and day labor construction. It is still unclear how he ever made it out of the Marines without court martial.Senior officer's will slam him, military historians will be shocked, and all civilians will be 100% certain he's psychotic.Fortunately, the book is written for the opposite of those mentioned above. It’s written for Enlisted guys.Officers who are brave enough to read will either cry themselves to sleep, jerk themselves off to Donny's picture, or will ask their buddies to write them up for an award with V for having the moral courage to finish the book."My moto boner is still raging strong and I read this book three days ago. I'm certain that my dick is going to explode, and I really don't care, because this book was that fucking good."-Marine I served with."858-555-5555- Hey bro that's my wife's phone number. You can fuck her whenever you want, just wear a condom and try not to blow anywhere near the face. I understand mistakes happen, but do your best. Thanks for writing the book, I really needed that." -Marine I never served with"Just wanted to say that your book is cracking me up. I think the people on the subway think I'm nuts because I can't stop uncontrollably laughing. I think I crack up because I know your jabroni ass and know that the shit you write about that is going on in your head is true, no bullshit. You are completely fucked up, in the good way. If people were to question if you were making this up I could say that it's no bullshit because I spent enough time with you to know that you beat off 10 times a day. I slept above you on ship and heard you beating dick all the time. Fuck it, what man doesn't beat off constantly?It's raw and honest. Like you said, as professional as all of us try to be (officers especially) deep down we are fuckin animals, neanderthals who just love pussy and talking about sucking dick, in a gay way, and when we get the chance, killing bad guys. Anyone who denies that, other than maybe the Col, is a fuckin liar.......PS-your description of Major Dyce is spot on... fuckin moron. Someone should have blew him up." -Lieutenant I served with.A message from the author-This book is a reach-around to all enlisted, and a FUCK YOU to every Officer who has ever written a politically correct, full-of-shit, “I’m a great leader,” book about combat. Every single one of those fucking jerkoffs wrote a book for civilians that not a single enlisted guy ever gave two-shits about. The truth is that Marines love killing more than they love pussy; they fantasize about mowing down insurgents with a 240 on post while 70 virgins take turns blowing them.This is who we are, and I’m sick and tired of nerdy ass book writers hiding our reality from the public.

    Her passion for forgotten and neglected buildings became a plea for preservation. Gone is a unique pairing of modern photographs and historical novella. Foote offers a heartbreaking look at one man's loss as Union troops burn his home in the last days of the Civil War. Dickerson shares fascinating and haunting photographs, shining a poignant light on the buildings which survived Sherman's burning rampage across the Confederacy, only to fall victim to neglect, apathy and poverty. GONE is a powerfully moving volume that will change how you see the forgotten buildings that hide in obscurity across the Southern landscape.

    Those who knew him well would never have imagined that, as a young man, he’d be adrift with few prospects and plotting to rob a bank. But he did, committing five armed bank robberies before being apprehended. Serving ten years in federal prison, Shon feared his life was over. He wasn’t sure if he could survive a cell block, but he was determined to try. Hopwood pumped-up in the prison gym to defend himself and earned respect on the basketball court. He reconnected with the girl of his dreams from high school through letters and prison visits; and, crucially, he talked his way into a job in the prison law library. Hopwood slowly taught himself criminal law and began to help fellow inmates rather than himself. He wrote one petition to the Supreme Court, which was chosen to be heard from over 7,000 other petitions submitted by the greater legal community that year. The Justices voted 9-0 in favor of Hopwood’s petition when the case was finally heard. What might have been considered luck by some, was dispelled when a second petition from him was selected to be heard by the Supreme Court. He didn’t grasp it yet, but Shon’s legal work was the start of a new life. Shon works on policy reform, and he is a cofounder of PrisonProfessors.com. He strives to improve outcomes of America’s prison system, and he tells his amazing story in Law Man.

    A guide to the Nikon D3100 camera provides information on the camera's scene modes, composition, focus, lighting, and composition to take successful portraits and sports and landscape photographs.

    Army Counterintelligence, Jennifer Dunham spent fourteen months in Eastern Afghanistan. Charged with conducting in-depth interviews of local men applying for jobs on a U.S. military base, she gained a unique insight into their culture, perceptions and ways of thinking. Through the course of interviewing over 500 Pashtun-Afghan men, Jennifer witnessed the heartbreak of war, the still-apparent control of the Taliban and effects of decades-long oppression on the local population. There is no goat provides revelations about the Pashtun-Afghan culture like no other book. The personal stories present the reader with an understanding of the day-to-day challenges and dangers many Afghans face. The book explores the Afghans’ views on crucial topics including politics, corruption, the role of Afghan women and Osama bin Laden. The first-hand accounts contained within the pages of there is no goat present exclusive visions into the minds of Afghan men.

    This new town, known as the Jungle, is the home of thousands of refugees, mainly from the Middle East and Africa, all hoping, somehow, to get to the UK. Into this squalid shantytown of shipping containers and tents, full of rats and trash and devoid of toilets and safety, the artist Kate Evans brought a sketchbook and an open mind. Combining the techniques of eyewitness reportage with the medium of comic-book storytelling, Evans has produced this unforgettable book, filled with poignant images by turns shocking, angering, wry, and heartbreaking.Weaving into the story hostile comments about the migrants from nativist politicians and Internet trolls, Threads addresses one of the most pressing issues of modern times making a compelling case, through intimate evidence, for compassionate treatment of refugees and the free movement of peoples. Evans s creativity and passion as an artist, activist, and mother shine through.

    Following the death of his mother, photographer Phillip Toledano was shocked to learn of the extent of his father's severe memory loss. He started a blog on which he posted photographs and accompanying reflections on his father's changing state. Through sometimes sad, often funny, and always loving observations, we follow Toledano as he learns to reconcile the elderly man living in a twilight of half memories with the ambitious and handsome young man he occasionally still glimpses. Days With My Father is an honest and moving reflection about coming to terms with an aging parent.