Alexis refuses to admit that her lies are the reason her son is fatherless. Silvia loves her man and will stop at nothing to prove her love . . . nothing . . . So murder is an option.All of these women have one thing in common: They believe that Monica is the problem, and they want her out of the way.Why Her? is a novel about cruel, low self-esteem wenches who never understood the number one rule of love: Love thyself first. Because of that, they will make Monica’s life miserable. Will Monica be able to survive the drama? Or will she give up and let them win?

    His Nobel Lecture offers a powerful defense of poetry as "the ship and the anchor" of our spirit within an ocean of violent, divisive world politics.

    Not just another literary school, it was an artistic and social revolution. William S. Burroughs proclaimed that the Beat writers were “real architects of change. There is no doubt that we’re living in a freer America as a result of the Beat literary movement, which is an important part of the larger picture of cultural and political change in this country during the last forty years, when a four-letter word couldn’t appear on the printed page and minority rights were ridiculous.” Anne Waldman, a renowned poet and longtime friend of many of these writers, has gathered in this volume a range of the best and most exemplary writings of the Beat poets and novelists. Selections from the Beat classics appear, as well as more recent prose and poetry demonstrating the continued vitality of the Beat experiment. Included are short biographies of the contributors, an extensive bibliography of Beat literature, and a unique guide to “Beat places” around the world—from Kerouac’s hometown of Lowell, Massachusetts, where his novel Dr. Sax takes place, to Tangier, where Burroughs wrote parts of Naked Lunch.

    Each novel will transport you across oceans and back in time. A Greater World takes you to the beautiful Blue Mountains of Australia in the 1920s. Kurinji Flowers to the tea plantations of Southern India in the 1930s and 40s - the last years of British colonial rule. Letters from a Patchwork Quilt to the ugly industrial north of Victorian England and to St Louis, Missouri. None of the characters went where they had to go by choice, and all faced life–changing challenges. Can love make the difference? Will it stand the course? Warning – once you start reading you will be up all night.

    He was hugely irreverent and always completely honest—with himself, with his colleagues, and with nature.No Ordinary Genius traces Feynman's remarkable adventures inside and outside science, in words and more than one-hundred photographs, many of them supplied by his family and close friends. The words are often his own and those of family, friends, and colleagues such as his sister, Joan Feynman; his children, Carl and Michelle; Freeman Dyson; Hans Bethe; Daniel Hillis; Marvin Minsky; and John Archibald Wheeler. The book gives vivid insight into the mind of a great creative scientist at work and at play, and it challenges the popular myth of the scientist as a cold reductionist dedicated to stripping romance and mystery from the natural world. Feynman's wonderfully infectious enthusiasm shines through in his photographs and in his tales.

    The collection includes newspaper articles, reviews, lectures and essays, and covers 40 years of Joyce's life. These pieces also clarify and illuminate the transformations in Joyce's fiction, from Dubliners and A Portrait of the Artist as a Young Man to the first drafts of Ulysses. Gathering together more than fifty essays, several of which have never been available in an English edition, this is the most complete and the most helpfully annotated collection.

    Losing her young son to a tragic accident had nearly driven her to the point of madness and now she was on the verge of losing her husband too. In a last ditch effort to save their marriage, she decided to book a romantic cabin vacation for just the two of them up in the mountains of North Carolina. She thought she had experienced the worst life could throw at her. Little did she know that the wilderness had in something else in store for her, when she finds herself left alone and fighting for her life.

    Hart, and produced by Richard Barton Lewis. It has been called an up-to-date reworking of the Oliver Twist story by Charles Dickens.

    In a busted marriage, he learned how to be a survivor. And in Washington, he learned how to make big money, consulting with the U.S. government on weapons. Then he got a message from home. Someone had come after his old man -- and turned Barry Rivers into the deadliest enemy of all...Now Rivers is back behind the wheel of a midnight blue Kenworth -- a hard-swearing, hard-driving, tightly-packed blonde named Kate and his dog named "Dog" by his side. With a few good trucking friends. Rivers has the fire-power to take on an army. He'll need it. Because a contract to haul Sale Secure Transport has plunged him into a world of betrayal, corruption, and violence that is killing everyone around him. And the only way to stop a coming war is to start one first -- behind the barrel of an uzi.

    However, with Pandora on her side, who is going to win if they argue with them?Whether it is possible or not, plenty try. How much of what Katie does is due to her recent heartache? In the end, the enemy steps up their efforts to bring down these sisters in heart and deed. Do they finally have the answer?  Others need legal documents, these two women have a Sacred Pact. The World is in Good Hands... Ok, one set of good hands, one set of mischievous hands.

    The Beats helped make literature a democracy. All one needed, they believed, was passion and a love of the written word. The names of Jack Kerouac, Allen Ginsberg, Neal Cassady, and William Burroughs and their friends are well known to the reading public at large, and on its face the beat movement appears to have been an exclusively male phenomenon. But the Beat movement's publicity did not necessarily reflect the reality of its literature and spirit. This singular book is devoted to contributions of women to the body and spirit of the Beat revolution.The women included in this anthology run the gamut from the famous---Carolyn Cassady and Jan Kerouac-to the relatively undiscovered-Mary Fabilli and Helen Adam. The art, prose, and poetry selected represent the full range and development of their work. The women whose work is featured in this anthology were talented rebels with enough courage and creative spirit to turn their backs on "the good life" that the fifties promised and forge their way to San Francisco and Greenwich Village. They dared to attempt to create lives of their own and make their own way. Today an unprecedented amount of brilliant, imaginative and highly experimental writing by women is being recognized and applauded. This anthology looks back to the antecedents for this greater liberty of expression. It is a testament to the lives of the women who helped shape the Beat era. Together, their voices form an energetic force field of consciousness that manifested at a rich and difficult time in cultural history.Women of the Beat Generation profiles 40 women --Precursors, MusesWriters, and Artists-including Elise Cowen, Diane di Prima, Hettie Jones, Joan Vollmer Burroughs, Jan Kerouac, Jane Bowles, Carolyn Cassady, Edie Parker KerouacEileen Kaufman, Joyce Johnson, Denise Levertov, Brenda Frazer, Anne Waldman, Jay DeFeo, Joan Brown, and many othersWomen of the Beat Generation highlights the lives and work of these female iconoclasts, and ensures the world will not forget their contributions to its transformation.

    Burroughs' attempt to redefine a complacent society's notion of sanity and normalcy and to reinvent their own lives through jazz, drugs, and law-breaking.

    As he looks for his father, he begins to notice that he can see the psychic residue left behind by monsters and murder victims. Along with the mind-reading Alexandra (Alex) Courtney, Jack uses his growing ESP abilities to stop the deaths in the town, and find out why his father was taken.

     By Your Side- Jake Miller likes his life. It’s simple and quiet. Solitary. He’s taking the last thing his mother truly cared about before she died, the properties she owned, and making them his purpose. His time in the Army hadn’t allowed him to be there for her before, but this is something he can do now. Just him and his dog. Exactly how he wants it. Until her, his first tenant. With her innate openness and blinding smiles, the opposite of everything he thought he could possibly want. Casey Steadman has less to show for her twenty-nine years than she’d hoped. No white picket fence. No 2.5 kids. And definitely no loving husband. Just a few lukewarm relationships, an exceedingly crappy apartment, and a fabulous shoe collection (and the credit card debt to prove it). Moving into her new place is one big, high heeled step towards a new life. The stable, make-boring-mature-decisions kind of life that she needs to be able to prove to her family that she can live. What she wasn’t planning on was her hotter-than-Hades new landlord. Sparks are a-flying, and they’re the kind that can only come from a stiletto-loving, dog-hating, budget-repelling, relentlessly optimistic, youngest of five becoming the tenant and next door neighbor to a stoically silent, slightly pessimistic, ‘my only friend is my dog’, only child and former Army Ranger. Casey and Jake are total opposites. But when they come together, it just might be true love. Light Me Up- For Rachel Hennessy, it’s been an interesting six months. Boyfriend? Cheated on her. Job? She totally just got fired. Starting her own wedding planning business sounds exciting … in theory. In reality, it’s completely terrifying. And on top of all that, the freaking cherry right on top? She just had an ill-timed, alcohol-instigated one-night stand with her bff Casey’s brother, Tate. Yeah, that Tate. The one that she’s had a teensy, inconvenient crush on for years. But nothing about it is ill-timed or inconvenient for Tate Steadman. Because he finally feels free. Free of the oppressive relationship he’d been in for the past six years. Free to pursue Rachel, because one alcohol-fueled night was not even close to enough for him. He just wished she saw it that way. Because she makes him want more than he ever knew he was capable of. When their one night has unexpected consequences, Rachel has no clue how to trust that he’s not just trying to be ‘the good guy’ who wants to do ‘the right thing’. And even though the chemistry between them practically burns down an entire city block when they’re together, she doesn’t know how to let down the concrete wall she’s built up around herself. The ‘mistake’ of one evening can change the trajectory of two lives, but maybe a mistake is all they really need to push them right into true love. Tell Them Lies- Liz Peters hasn’t exactly gotten the happily-ever-after she’s read about in her Jane Austen books. ‘Always a bridesmaid’ is more fitting to the way life has been passing this good girl by. About to go postal from loneliness, she meets a man who doesn’t seem to fit any of her requirements for a book-worthy hero. Kieran Carter would do just about anything to put a smile on his terminally ill mother’s face. When he meets a woman in the ice cream aisle at the grocery store, Kieran finally has opportunity to do just that. If he needs to lie in order to give his mom a little hope? Not a freakin problem.

    The sound of the Japanese texts i reproduced in Romaji script and the names of the poets in the calligraphy of Ukai Uchiyama. The translator's introduction gives us basic background on the history and nature of Japanese poetry, which is supplemented by notes on the individual poets and an extensive bibliography.