He comes to own it by the generosity of a brother-in-arms—a fellow soldier and confidante, Maynard Whittier, killed in action by a wayward mortar shell. The rugged landscape of Maine is an intoxicating blend of claustrophobic interiors and endless frozen wastelands. Little by little, the mysterious force in the house asserts itself until Austin isn't exactly sure what is in his mind and what is real. And just when our hero's had enough and is ready to quit the place, a blizzard arrives and the real haunting begins.

    One particular summer, young Beau follows his cousin Sumter into a hidden shack in the woods—and christens this new clubhouse "Neverland."Neverland has a secret history, unknown to the children...The rundown shack in the woods is the key to an age-old mystery, a place forbidden to all. But Sumter and his cousins gather in its dusty shadows to escape the tensions at their grandmother's house. Neverland becomes the place where children begin to worship a creature of shadows, which Sumter calls "Lucy."All gods demand sacrifice...It begins with small sacrifices, little games, strange imaginings. While Sumter's games spiral out of control, twisting from the mysterious to the macabre, a nightmarish presence rises among the straggly trees beyond the bluffs overlooking the sea.And when Neverland itself is threatened with destruction, the children's games take on a horrifying reality—and Gull Island becomes a place of unrelenting terror.

    Is it the ghost of a child who was murdered there years before - or is there a deeper mystery?

    His pursuit of her killers leads him into a waking nightmare of sexual brutality and supernatural bestiality, as he becomes entangled with sex-starved she-ghosts, snake-women and a filthy human sow.In "Image of the Beast" and its sequel "Blown" both published in this volume-Philip Jose Farmer conjures up a universe of unrelenting sexual degradation and horror populated by erogenous vampires, werewolves and other polymorphic creatures from the darkest recesses of the human imagination.Philip Jose Farmer is the best-selling author of the "Riverworld" series, and winner of 3 Hugo awards for innovations in Science Fiction.

    A memo to her boss that's replaced by obscene insults. Amanda—a successful architect in a happy marriage—finds her life going off kilter by degrees. She starts smoking again, and one night for no reason, without even the knowledge that she's doing it, she burns her husband with a cigarette. At night she dreams of a beautiful woman with pointed teeth on the shore of a blood-red sea.The new voice in Amanda's head, the one that tells her to steal things and talk to strange men in bars, is strange and frightening, and Amanda struggles to wrest back control of her life. Is she possessed by a demon, or is she simply insane? Described as “a new kind of psychological thriller” by George Pelecanos and “this year's scariest novel” by Time Out New York, Come Closer has become a modern classic “with a kick that will stay with the reader for days afterward” (The Dallas Morning News).

    In a deserted midwestern department store, a few people banded together, but beyond their temporary haven an insidious evil was stirring! In the tradition of Stephen King's The Stand.

    Alex had taught them well. They helped with the house, set the table for meals, and went straight upstairs after dinner to do their homework. They did as they were told -- that is, as Alex told.Sharon didn't miss the glances that passed between her husband and the foster children. From the day they arrived, they had looked up to Alex., worshipped him. Why, it even seemed they were beginning to act like Alex -- right down to the icy sarcasm, the terrifying smile, the evil gleam in their eyes when they looked at her.Oh yes, they'd do anything to please Alex. Anything at all...

    Feeling helpless and alone, their sorrow is compounded by anger and frustration. The local and state police haven’t uncovered any leads. Josh and Luis, the friends who were with Tommy last, may not be telling the whole truth about that night in Borderland State Park, when they were supposedly hanging out at a landmark the local teens have renamed Devil’s Rock— rumored to be cursed. Living in an all-too-real nightmare, riddled with worry, pain, and guilt, Elizabeth is wholly unprepared for the strange series of events that follow. She believes a ghostly shadow of Tommy materializes in her bedroom, while Kate and other local residents claim to see a shadow peering through their own windows in the dead of night. Then, random pages torn from Tommy’s journal begin to mysteriously appear—entries that reveal an introverted teenager obsessed with the phantasmagoric; the loss of his father, killed in a drunk-driving accident a decade earlier; a folktale involving the devil and the woods of Borderland; and a horrific incident that Tommy believed connected them all and changes everything. As the search grows more desperate, and the implications of what happened becomes more haunting and sinister, no one is prepared for the shocking truth about that night and Tommy’s disappearance at Devil’s Rock.

    Her aunt's mind is crumbling, and the old woman refuses to let Rebecca stay overnight. And just as she thinks she's starting to understand the truth, Rebecca makes a horrifying discovery in one of the house's many spare rooms. A dead body. A woman. Old and rotten. And her aunt insists she has no idea where it came from. The truth lies buried in the past. For generations, the occupants of Auercliff have been tormented by the repercussions of a horrific secret. And somehow everything seems to be centered upon the mausoleum in the house's ground, where every member of the family is entombed once they die. Whose body was left to rot in one of the house's rooms? Why have successive generations of the family been plagued by a persistent scratching sound? And what really happened to Rebecca many years ago, when she found herself locked inside the Auercliff mausoleum? The Body at Auercliff is a horror story about a family and a house, and about the refusal of the past to stay buried.

    Imagine there was a supernatural chiller that Hammer Films never made. A grand epic produced at the studio's peak, which played like a cross between the Dracula and Frankenstein films and Dr Terror's House Of Horrors... Four passengers meet on a train journey through Eastern Europe during the First World War, and face a mystery that must be solved if they are to survive. As the 'Arkangel' races through the war-torn countryside, they must find out: What is in the casket that everyone is so afraid of? What is the tragic secret of the veiled Red Countess who travels with them? Why is their fellow passenger the army brigadier so feared by his own men? And what exactly is the devilish secret of the Arkangel itself? Bizarre creatures, satanic rites, terrified passengers and the romance of travelling by train, all in a classically styled horror novel.

    As with his other gigs, he sets rules for himself: no leaving the house for any reason, refrain from outside contact, and sleep during the day.When Thomas Ruth, Felix's oldest friend and fellow horror film obsessive, joins him on the project, the two dance around a recent and unspeakably painful rough-patch in their friendship, but eventually fall into their old rhythms of dark humor and movie trivia. That's when things start going wrong: screams from upstairs, figures in the thresholds, and more than what should be in any basement. Felix realizes the book he's writing, and his very state of mind, is tilting from nonfiction into all out horror, and the shocking climax answers a question that's been staring these men in the face all along: In Rotter House, who's haunting who?

    Until the deaths. First a farmer was found horribly mutilated in his field. Then a little girl disappeared from her home. Deep in the woods a deputy came upon a chamber of horrors straight from a nightmare. And through it all, one child is haunted by visions of the mysterious "blue man," a madman who brings with him blood and pain and terror, a terror spawned by forces no one can understand.

     A college student's mother is dying in a Maine hospital. When he hitches a ride to see her, the driver is not who he appears to be. Soon the journey veers off into a dark landscape that could only be drawn by Stephen King.2 Cassettes / 2 Hours

    Not out here. We never have. In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the city lights, but in close quarters with each other. One day, a stranger from the city arrives with alarming news: Junior has been randomly selected to travel far away from the farm...very far away. The most unusual part? Arrangements have already been made so that when he leaves, Henrietta won't have a chance to miss him, because she won't be left alone—not even for a moment. Henrietta will have company. Familiar company. Told in Reid’s sharp and evocative style, Foe examines the nature of domestic relationships, self-determination, and what it means to be (or not to be) a person. An eerily entrancing page-turner, it churns with unease and suspense from the first words to its shocking finale.

    The Headhunter is loose on the streets of Vancouver. The psycho’s victims are everywhere - floating in the Fraser River, buried in a shallow grave, nailed to a totem pole on the university campus. All are women. All are headless.Then the taunting photographs arrive. Carefully posed shots of the women’s heads stuck on poles. The Mounties of Special X are up against a unique brand of killer. A killer whose sexual psychosis stretches back through Ecuador’s steaming jungle and a scream-filled New Orleans dungeon to a dead-of-winter manhunt in the Rocky Mountains a century ago.