The purpose of Why Architecture Matters is to "come to grips with how things feel to us when we stand before them, with how architecture affects us emotionally as well as intellectually" — with its impact on our lives. "Architecture begins to matter," writes Paul Goldberger, "when it brings delight and sadness and perplexity and awe along with a roof over our heads." He shows us how that works in examples ranging from a small Cape Cod cottage to the "vast, flowing" Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the highly sculptural Guggenheim Bilbao and the Church of Sant'Ivo in Rome, where "simple geometries...create a work of architecture that embraces the deepest complexities of human imagination."Based on decades of looking at buildings and thinking about how we experience them, the distinguished critic raises our awareness of fundamental things like proportion, scale, space, texture, materials, shapes, light, and memory. Upon completing this remarkable architectural journey, readers will enjoy a wonderfully rewarding new way of seeing and experiencing every aspect of the built world.

    When the Tea Party became a leading symbol of the Revolutionary ear fifty years after the actual event, this 'common man' in his nineties was 'discovered' and celebrated in Boston as a national hero. Young pieces together this extraordinary tale, adding new insights about the role that individual and collective memory play in shaping our understanding of history.

    As If an Enemy's Country is Richard Archer's gripping narrative of those critical months between October 1, 1768 and the winter of 1770 when Boston was an occupied town.Bringing colonial Boston to life, Archer deftly moves between the governor's mansion and cobblestoned back-alleys as he traces the origins of the colonists' conflict with Britain. He reveals the maneuvering of colonial political leaders such as Governor Francis Bernard, Lieutenant Governor Thomas Hutchinson, and James Otis Jr. as they responded to London's new policies, and he evokes the outrage many Bostonians felt towards Parliament and its local representatives.Archer captures the popular mobilization under the leadership of John Hancock and Samuel Adams that met the oppressive imperial measures--most notably the Sugar Act and the Stamp Act--with demonstrations, Liberty Trees, violence, and non-importation agreements. When the British government decided to garrison Boston with troops, it posed a shocking challenge to the people of Massachusetts. The city was flooded with troops; almost immediately, tempers flared and violent conflicts broke out. Archer's vivid tale culminates in the swirling tragedy of the Boston Massacre and its aftermath, including the trial and exoneration of the British troops involved.A thrilling and original work of history, As If an Enemy's Country tells the riveting story of what made the Boston townspeople, and with them other colonists, turn toward revolution.

    She delivers a rapturous celebration of other species that is also a warning to our own. Traveling from the Amazon rain forest to a forbidding island off the coast of Japan, enduring everything from broken ribs to a beating by an irate seal, Ackerman reveals her subjects in all their splendid particularity. She shows us how they feed, mate, and migrate. She eavesdrops on their class and courtship dances. She pays tribute to the men and women hwo have deoted their lives to saving them.

    There you can see remnants of the shops and churches where, amid the violence and humiliation of segregation, men and women gathered to build a remarkable community. William Sturkey introduces us to both old-timers and newcomers who arrived in search of economic opportunities promised by the railroads, sawmills, and factories of the New South. He also takes us across town and inside the homes of white Hattiesburgers to show how their lives were shaped by the changing fortunes of the Jim Crow South.Sturkey reveals the stories behind those who struggled to uphold their southern "way of life" and those who fought to tear it down--from William Faulkner's great-grandfather, a Confederate veteran who was the inspiration for the enigmatic character John Sartoris, to black leader Vernon Dahmer, whose killers were the first white men ever convicted of murdering a civil rights activist in Mississippi. Through it all, Hattiesburg traces the story of the Smith family across multiple generations, from Turner and Mamie Smith, who fled a life of sharecropping to find opportunity in town, to Hammond and Charles Smith, in whose family pharmacy Medgar Evers and his colleagues planned their strategy to give blacks the vote.

    Town residents blamed what they called "Lithobolia" or "the stone-throwing devil." In this lively account, Emerson Baker shows how witchcraft hysteria overtook one town and spawned copycat incidents elsewhere in New England, prefiguring the horrors of Salem. In the process, he illuminates a cross-section of colonial society and overturns many popular assumptions about witchcraft in the seventeenth century.

    SHUCKED is part love letter, part memoir and part documentary about the world's most beloved bivalves. An in-depth look at the work that goes into getting oysters from farm to table, SHUCKED shows Erin's full-circle journey through the modern day oyster farming process and tells a dynamic story about the people who grow our food, and the cutting-edge community of weathered New England oyster farmers who are defying convention and looking ahead. The narrative also interweaves Erin's personal story, the tale of how a technology-obsessed workaholic learns to slow life down a little bit and starts to enjoy getting her hands dirty (and cold).

    They were settlers in the New World in the 1600s, revolutionaries creating a new nation in the 1700s, merchants and manufacturers building prosperity in the 1800s, and scientists and artists flourishing in the 1900s. For the first time, Nina Sankovitch tells the story of this fascinating and powerful dynasty in The Lowells of Massachusetts.Though not without scoundrels and certainly no strangers to controversy , the family boasted some of the most astonishing individuals in America’s history: Percival Lowle, the patriarch who arrived in America in the seventeenth to plant the roots of the family tree; Reverend John Lowell, the preacher; Judge John Lowell, a member of the Continental Congress; Francis Cabot Lowell, manufacturer and, some say, founder of the Industrial Revolution in the US; James Russell Lowell, American Romantic poet; Lawrence Lowell, one of Harvard’s longest-serving and most controversial presidents; and Amy Lowell, the twentieth century poet who lived openly in a Boston Marriage with the actress Ada Dwyer Russell.The Lowells realized the promise of America as the land of opportunity by uniting Puritan values of hard work, community service, and individual responsibility with a deep-seated optimism that became a well-known family trait. Long before the Kennedys put their stamp on Massachusetts, the Lowells claimed the bedrock.

    Wresting this iconic urban center from these misleading, tired clich�s, The City-State of Boston highlights Boston's overlooked past as an autonomous city-state, and in doing so, offers a pathbreaking and brilliant new history of early America. Following Boston's development over three centuries, Mark Peterson discusses how this self-governing Atlantic trading center began as a refuge from Britain's Stuart monarchs and how--through its bargain with slavery and ratification of the Constitution--it would tragically lose integrity and autonomy as it became incorporated into the greater United States.Drawing from vast archives, and featuring unfamiliar figures alongside well-known ones, such as John Winthrop, Cotton Mather, and John Adams, Peterson explores Boston's origins in sixteenth-century utopian ideals, its founding and expansion into the hinterland of New England, and the growth of its distinctive political economy, with ties to the West Indies and southern Europe. By the 1700s, Boston was at full strength, with wide Atlantic trading circuits and cultural ties, both within and beyond Britain's empire. After the cataclysmic Revolutionary War, "Bostoners" aimed to negotiate a relationship with the American confederation, but through the next century, the new United States unraveled Boston's regional reign. The fateful decision to ratify the Constitution undercut its power, as Southern planters and slave owners dominated national politics and corroded the city-state's vision of a common good for all.Peeling away the layers of myth surrounding a revered city, The City-State of Boston offers a startlingly fresh understanding of America's history.

    Published on the occassion of an exhibition at the Danish Architecture Centre, Copenhagen, 21 February - 31 May 2009.

    Aureli uses the term absolute not in the conventional sense of "pure," but to denote something that is resolutely itself after being separated from its other. In the pursuit of the possibility of an absolute architecture, the other is the space of the city, its extensive organization, and its government. Politics is agonism through separation and confrontation; the very condition of architectural form is to separate and be separated. Through its act of separation and being separated, architecture reveals at once the essence of the city and the essence of itself as political form: the city as the composition of (separate) parts. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Etienne Louis-Boull'e, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms. Their projects for the city do not take the form of an overall plan but are expressed as an "archipelago" of site-specific interventions.

    The "shot heard round the world" catapulted this sleepy New England town into the midst of revolutionary fervor, and Concord went on to become the intellectual capital of the new republic. The town--future home to Emerson, Thoreau, and Hawthorne--soon came to symbolize devotion to liberty, intellectual freedom, and the stubborn integrity of rural life. In The Minutemen and Their World, Robert Gross has written a remarkably subtle and detailed reconstruction of the lives and community of this special place, and a compelling interpretation of the American Revolution as a social movement.

    Here are "...the choicest fruits of Thoreau..." — Nation.

    In contrast, Nathaniel Philbrick's Away off Shore focuses on the real people (great and obscure, famous and infamous) behind one of America's most extraordinary success stories: Nantucket, the tiny island that became the whaling capital of the world.

    Puritan Anne Bradstreet arrived in Massachusetts in 1630, 18 years old and newly married to Simon Bradstreet, the son of a minister. She was accompanied by her imperious father, Thomas Dudley, and a powerful clutch of Protestant dissenters whose descendants would become the founding fathers of the country. Bradstreetís story is a rich one, filled with drama and surprises, among them a passionate marriage, intellectual ferment, religious schisms, mortal illness, and Indian massacres. This is the story of a young woman and poet of great feeling struggling to unearth a language to describe the country in which she finds herself. And it also offers a rich and complex portrait of early America, the Puritans, and their trials and values; a legacy that continues to shape our country to the present day.