She is forced to seek the help of the ancient God and her husband, Lord El, whom she married at a young age. But there she falls in love with Lord El's stable hand, Hanish.Hanish…Hanish knows his limits. He knew falling in love with Asherah was forbidden.The Love…They're both bound by duty - one to her kingdom and the other to his master - and so they try their best to fight the growing attraction between them.Will this forbidden love ever reach fruition? When Asherah discovers the truth about Sandor, will it sabotage her love for Hanish? Or will the truth about her marriage to Lord El destroy her forever?Caught between three men, Asherah has to travel to her past to know her present. Will her heart finally recognize her true love? Grab a copy of Asherah now to find out.

    Only actions remain in our control while the reactions are simply to be borne. How one handles those reactions is believed to be the real test of one's existence on earth according to Hindu mythology. Desire and Destiny are the governing principles of the universe. What we desire, what we do to fulfill those desires and how we act upon our destinies—they all add up as credits and debits in our life's ledger, maintained by none other than Yama, the God of death. And he maintains this ledger for a reason: to determine what happens to us after we die. Read on as Devdutt Pattanaik unravels the various beliefs associated with death in Hindu mythology in Yama and His Book of Accounts.

    It portrays the raging storm in the minds of twenty-year olds and the confusion they go through to endure the highs and lows of life. It is a tale of transformation of an arrogant and self-centric creature to a mature and mellowed down human being. It also gives an insight into one of the greatest corporate frauds that India has known, through the eyes of an employee.

    

    However, Sreya is tormented by demons from her past. And she turns down Vishal, the college heartthrob. Will their intense chemistry triumph over her dark past? Kavya falls desperately in love with Aadhi. Aadhi loves Kavya too, but only on his own terms. Things then start to go incredibly wrong. Will their love succeed? Anand and Priya are quiz partners, project partners and great friends. But is there more than what meets the eye? Are they secretly in love with each other? Join the fun loving group of close-knit friends, studying in an Engineering college, having the time of their life while following their passions and dreams!

    Every Indian has grown up conditioned to the view that the Pandavas were virtuous and wronged; and the Kauravas were manipulative and evil. On a visit to Malanada Temple, Kerala, national bestselling author of ASURA, Anand Neelakantan, discovered the temple deity to be none other than Duryodhanan, the ostensible 'villain' of the Mahabharata. This astonishing discovery prompted him to delve deep into the narrative of the defeated Crown Prince of Hastinapura, and the Kaurava clan. Ajaya challenges established views and compels us to think again. The book is all about the power of perception. It retells with compelling credibility, the epic events from Duryodhan's (given name: Suryodhana), point of view. While Jaya is the story of the Pandavas, told from the perspective of the victors of Kurukshetra; Ajaya is the narrative of the 'unconquerable' Kauravas, who were decimated to the last man. At the heart of India's most powerful empire, a revolution is brewing. Bhishma, the noble patriarch of Hastinapura, is struggling to maintain the unity of his empire. On the throne sits Dhritarashtra, the blind King, and his foreign-born Queen – Gandhari. In the shadow of the throne stands Kunti, the Dowager-Queen, burning with ambition to see her firstborn become the ruler, acknowledged by all. Amidst the chaos, Prince Suyodhana, heir of Hastinapura, stands tall, determined to claim his birthright and act according to his conscience. He is the maker of his own destiny – or so he believes. While in the corridors of the Hastinapura palace, a foreign Prince plots to destroy India. About the Author : Anand Neelakantan says: Ajaya is an attempt to revisit our mythologies with a modern view and see what the same events look like when observed from the side of the defeated. Were these people branded villains because they were far ahead of their times? There are many books about the Pandavas, about Karna, Draupadi, Kuniti and the other dramatis personae of the Mahabharata. But who speaks for Duryodhana? Growing up in a Kerala village with more temples than necessary, it was small wonder that mythology fascinated Anand early on. Ironically, he was drawn to the anti-heroes. But life called and he went on to become an engineer; joined the Indian Oil Corporation; moved to Bangalore; married Aparna; and welcomed a daughter and a son. But the voices of yore refused to be silenced in his head and he felt impelled to narrate the stories of the vanquished and the dammed; to give life to those silent heroes we have long overlooked in our uncritical acceptance of the conventional renderings of our epics. Ajaya follows the outstanding success of his #1 bestseller, Asura: Tale Of The Vanquished.

    Now at your fingertips. The Mahabharata is the world's longest epic. It contains within it numerous fables, anecdotes and pieces of practical wisdom that make up what we today call Indian culture.Two thousand tales from this ocean of Vedic literature are now being retold for your reading pleasure. Crisp, comprehensive, contextual.In this volume you will find stories such as:- The three disciples of Dhaumya the sage- The strange adventures of Uttanka- The tortoise that fought with an elephant over years by a lake- How Sesha came to become the supporter of Mother Earth- Who the second Indra was and how he was 'defeated'And many more. Whether you're a casual reader of mythology or a die-hard fanatic, this is a must-read.

    She was engaged to be married and everyone knew that her fiancé Rakesh was a great guy. But life took a detour when her father collapsed and Manasi had to rush back to India to take care of ND Software, her father’s company that focused on software for manufacturing industry. When she had been running the company for about six months, ZipMake, the company that was their best customer, got acquired by AccellaFab. Jay Randive, the founder and CEO of AccellaFab wanted to get into the Indian market and he had identified NDS as the Indian software company he wanted to acquire for that purpose. Jay Randive was coming to India to visit NDS, and when he learnt that the CEO’s daughter had stepped in after the CEO suffered a stroke; Jay was looking forward to an easy acquisition.

    In "Caterpillars in Their Usual Hurry", an alcoholic businessman whose girlfriend has walked out on him decides to make more money, only to discover that his future and past can’t coexist. "The Window at the End of the Street" is the story of Anita, a recently widowed woman, whose return to her parents’ home becomes the cause of both her mother’s death and Anita’s incurable attraction to her neighbour. "Nude Man at the Window" is the second-person narrative of an egoist millionaire who is accused of murdering a prostitute after she claims to have fallen in love with him. "Why I Don’t Lock up My Wife Anymore" is about a man who accidentally discovers his wife in bed with a total stranger and decides to do the unthinkable. "Unloved in Nude Town" is about three friends, one of whom falls in love with a stranger named Mona and pays a price he could never have imagined. With its delicate wit and a strong sense of place, "Long Way from Home" is the story of a gigolo who falls in love for the first time. A second-person narrative, "All You Need Is One Good Shot", is the story of a young police officer who is kidnapped by his wife, who he thinks still loves him.

    Tragedy in her last semester at the prestigious Indian Institute of Technology (IIT). Devastated when authorities hush things up, Neha decides to dig out the truth.Few believe her. Only one can help - the lone, depressed outcast, Alok. Problem is, he’s a liability. Having attempted suicide thrice before, will he himself fall prey to the Red Shark game?The suicide challenge spreads like fire at hundreds of colleges. Neha doesn't have much time. Determined to proceed, she must do it alone. She contacts an admin of the sinister suicide game.Will she find answers?What will it cost her?Her quest could destroy everything she’s worked for her entire life.But she must do this for Fatima. Even if it means following her footsteps into the deadly game.Neha must go in far enough to learn the truth, but will she return before meeting the same tragic fate?About the AuthorJay Puranik is the bestselling author of the Letters of a Bloodline series, with readers from over 15 countries including India, USA, UK, Japan, Australia, Netherlands, Germany, UAE, Brazil, and Singapore. He won Literati 2019 (South Asian Award for Microfiction). Qualified as an Electronics Engineer, he also holds and an MBA from IIM Calcutta. Jay lives in Mumbai with his wife, Gayatri.

    

     The greatest villain of our legends, burnt down every year, reduced to ashes again and again, only to rise anew. His is a cycle of death and rebirth that never ends, a legend that refuses to die. And there is a reason for that. The tale of Rāvan still screams to be told, to break free of the falsehoods that have buried his truth. But in the vastness of our myths, there are bits and pieces of his legend scattered all around, leading us to the truth of what could well be the greatest unsolved mystery of all time. The truth of Rāvan's life, and his death by a God in mortal flesh… Rāvan's origin, as the descendant of Lord Brahma, his devotion to Shiva and his conquest of Swarga speak of a great king, stronger and wiser than even the Devas. How then does he succumb to lust, cowardice and finally, foolhardiness? And what was Rāvan's sin that made his death necessary? The abduction of Sitā was a mere front, for the Rām avatar had been born long before that. Why did Vishnu stand against him, when he was blessed by both Shiva and Brahma? How was Rāvan, blessed with invincibility, defeated so conveniently, by a God in human flesh? Could Rāvan not have thought of that, and prepared against it? And why did Shiva allow the death of his greatest worshipper, the one he himself had named? What if the Rāmayan was just a part of a greater story, a cosmic game of chess between Vishnu and Rāvan? What if our greatest epic is merely the end of a tale that had begun long ago?"

    If yes, then congrats! You are their next target.

    Things changed when a foreign force of Khidmatgars attacked. 250 years after the invasion, Khidmatgars are now a formidable force in Gondwana. Led by Commander Bakht Khan, they have successfully tamed all the native tribes except the Aryans. Yet the Commander's desire for conquest is not satiated.During an unusual conquest of Agneyapuram, Commander accidentally lays his hands on ancient secret of the Mahabharata times - a secret so strong that it can actually help Khidmatgars claim entire Gondwana for themselves. At the same time, a genius Aryan Prince of Indraprashta has vowed to annihilate Khidmatgars from Gondwana using the same secret. What's the secret? Will the Commander be able to tame the Aryans using the secret or shall the genius Aryan prince write the history his way? Gondwana is staring at a war which has the potential to change its fate forever.Plunge into the epic story of the Vedic past with THE GENIUS OF INDRAPRASHTA.About The AuthorHARSHWARDHAN PADOLE, born in 1986, is a graduate from Visvesvaraya National Institute of Technology, Nagpur. He later studied Business Management from prestigious MDI, Gurgaon. After testing his skills in Indian IT Industry for a brief time, he is currently working in the Indian Defence Aerospace Industry for last one decade.He is a passionate reader of fiction works and biographies and considers J. K. Rowling, Sidney Sheldon, Jeffrey Archer and Amish Tripathi as his writing mentors. The Genius of Indraprashta is his debut book inspired from his understanding of India’s cultural history and Indian epics.