The scene opens with several small vessels drifting about on the ocean. There had been a fire, followed by an explosion aboard a vessel carrying slaves. Most of the crew were pretty nasty people, but there were two pairs of people who become the heroes of this story. One of these is Ben Brace and a sixteen year old boy seaman, whom he had rescued from being eaten by the thirty or so crew members who had found enough spars, timber, sails, ropes and barrels to construct a large raft, though rather badly made, because these men were consoling themselves with a rum-barrel. At a distance floated the ship's gig, with the captain, the mate, the carpenter and three other men. Finally, there is a construction, hardly more than a large barrel, containing Snowball, an African ship's cook of the Coromantee tribe, together with a little girl of eight or ten. Luckily these get together with Ben Brace and the boy William, and it is their adventures that the story is mainly about. The author is a natural historian, and he tells us lots of interesting things about the fish and other denizens of the deep. Naturally the whole thing comes right in the end, with the wicked perishing, and the good being picked up by a whale-ship.

    Master problem-solving using this manual's worked-out solutions for all the starred problems in the text.

    Every man in your life abandons you, but who knew a one-minute clip of your latest doomed relationship would brand you a slut, prevent you from getting your perfect job, and force you to keep doing the one thing you swore you’d never do again…live with your mother.But staying with mom and her latest boy-toy (is this husband number four or five?) until your life turns around might not be all bad. Especially when you fall – literally – at the feet of a sexy, green-eyed stranger who offers you freedom and a life of luxury on a gold-rimmed platter.There’s only one little problem – the man of your dreams is none other than Mason Nash, the latest hip-hop star busting up the music charts. Fame and fortune are his calling cards and he’s vying to steal the show on a new reality TV series that will catapult him into mainstream stardom. Hello spotlight.The man behind the famous persona is perfect for Ellie in every way, but can she overcome the ugly pitfalls that come with Mason's celebrity status? Or will she be forced to choose between the man she loves and the independent life she longs for? After all, fame and fortune aren’t always what they seem and not all publicity is good publicity…***Due to strong language and sexual content, this book is not intended for readers under the age of 18.***

    So when she runs into him in New York City on business, they both see this as an opportunity to explore their undeniable attraction. But can a whirlwind of passion turn into long-lasting love?

    In Higher Superstition scientists Paul Gross and Norman Levitt raise serious questions about the growing criticism of science by humanists and social scientists on the "academic left." This paperback edition of Higher Superstition includes a new afterword by the authors.

    Outgoing, spunky, and musically talented, she’s constantly surrounded by family and friends, yet she still feels there’s something missing. Then she meets her new next-door neighbor Ayden Gregory. Mysterious, sweet, and sad, Ayden is the exact opposite of Lyric and exactly what she needs to fill the void in her life. Ayden has been through more than most people and believes his life is always going to be rocky, so when he’s suddenly adopted by the Gregorys, he’s thrown for a turn. But even with a new, loving family, he still finds himself haunted by the memories of his old life. The only true breath of fresh air is when he’s with his best friend, Lyric Scott. As Lyric and Ayden grow closer, the lines of their friendship start to blur. But when Ayden's past unexpectedly pushes its way into his new life, their friendship and newfound attraction will be tested. **A novel about Ella and Micha's daughter and Lila and Ethan's son from The Secret Series. However, this series can be read on its own.**

    In The Blues, Wald surveys a genre at the heart of American culture.It is not an easy thing to pin down. As Howlin' Wolf once described it, "When you ain't got no money and can't pay your house rent and can't buy you no food, you've damn sure got the blues." It has been defined by lyrical structure, or as a progression of chords, or as a set of practices reflecting West African "tonal and rhythmic approaches," using a five-note "blues scale." Wald sees blues less as a style than as a broad musical tradition within a constantly evolving pop culture. He traces its roots in work and praise songs, and shows how it was transformed by such professional performers as W. C. Handy, who first popularized the blues a century ago. He follows its evolution from Ma Rainey and Bessie Smith through Bob Dylan and Jimi Hendrix; identifies the impact of rural field recordings of Blind Lemon Jefferson, Charley Patton and others; explores the role of blues in the development of both country music and jazz; and looks at the popular rhythm and blues trends of the 1940s and 1950s, from the uptown West Coast style of T-Bone Walker to the "down home" Chicago sound of Muddy Waters. Wald brings the story up to the present, touching on the effects of blues on American poetry, and its connection to modern styles such as rap.As with all of Oxford's Very Short Introductions, The Blues tells you--with insight, clarity, and wit--everything you need to know to understand this quintessentially American musical genre.

    Top Forty jocks screamed and yelled and sounded mightier than God on millions of transistor radios. But on FM radio it was all spun out for only you. On a golden web by a master weaver driven by fifty thousand magical watts of crystal clear power . . . before the days of trashy, hedonistic dumbspeak and disposable three-minute ditties . . . in the days where rock lived at many addresses in many cities."–from FMAs a young man, Richard Neer dreamed of landing a job at WNEW in New York–one of the revolutionary FM stations across the country that were changing the face of radio by rejecting strict formatting and letting disc jockeys play whatever they wanted. He felt that when he got there, he’d have made the big time. Little did he know he’d have shaped rock history as well.FM: The Rise and Fall of Rock Radio chronicles the birth, growth, and death of free-form rock-and-roll radio through the stories of the movement’s flagship stations. In the late sixties and early seventies–at stations like KSAN in San Francisco, WBCN in Boston, WMMR in Philadelphia, KMET in Los Angeles, WNEW, and others–disc jockeys became the gatekeepers, critics, and gurus of new music. Jocks like Scott Muni, Vin Scelsa, Jonathan Schwartz, and Neer developed loyal followings and had incredible influence on their listeners and on the early careers of artists such as Bruce Springsteen, Genesis, the Cars, and many others.Full of fascinating firsthand stories, FM documents the commodification of an iconoclastic phenomenon, revealing how counterculture was coopted and consumed by the mainstream. Richard Neer was an eyewitness to, and participant in, this history. FM is the tale of his exhilarating ride.

    It's supposed to be my dream come true. But, my life IS a fantasy, and I want real. I want exciting. I want ... NORMAL. So, I moved from California to Florida, hoping to obtain some normalcy. Instead I find...Stephan Montgomery.He's an arrogant jerk. Seriously, I hate him. I swear if he tells me one more blonde joke, I will punch him ... again ... Unfortunately I can't stop thinking about him, or his gorgeous green eyes. Trust me, I know that he's bad for me. If only my heart would listen.I also find out that my parents have kept a LIFE CHANGING secret from me. I need to know the truth.The harder I strive for normal, the stranger things seem to get.

    He loved music and became a musical explorer. Defying convention, he created music that made people laugh and planted images in their minds. Juan’s space-age lounge music—popular in the fifties and sixties—has found a new generation of listeners. And Duncan Tonatiuh’s fresh and quirky illustrations bring Esquivel’s spirit to life.

    Hailed as "unsinkable, " the "Kursk" was on maneuvers when mysterious explosions rocked the sub, causing it to sink to the bottom of the sea with its 118-man crew. This in-depth look at the disaster reveals previously unreleased information from family members of the deceased as well as from government officials.

    Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, "The Black Atlantic" also complicates and enriches our understanding of modernism.Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons. For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture. In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the "double consciousness" of W. E. B. Du Bois to the "double vision" of Richard Wright to the compelling voice of Toni Morrison.In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic.

    Book of Longing is Cohen’s eagerly awaited new collection of poems, following his highly acclaimed 1984 title, Book of Mercy, and his hugely successful 1993 publication, Stranger Music, a Globe and Mail national bestseller. Book of Longing contains erotic, playful, and provocative line drawings and artwork on every page, by the author, which interact in exciting and unexpected ways on the page with poetry that is timeless, meditative, and at times darkly humorous. The book brings together all the elements that have brought Leonard Cohen’s artistry with language worldwide recognition.From the Hardcover edition.

    Medium's first full-length novel, accessible exclusively on Medium website or app."Something is fishy at Anahata—and it’s not just the giant squid that serves as a mascot for the world’s largest tech company. A prince in exile is working as a product manager. The sales guys are battling with the engineers. The female employees are the unwitting subjects of a wild social experiment. The VPs are plotting against each other. And the yoga-loving, sex-obsessed CEO is rumored to be planning a moon colony, sending his investors into a tizzy. Is it all downhill from here? Or is this just the beginning of a bold new phase in Anahata’s quest for global domination?"

    He is filled with a gnawing sense that his beloved Mexico City’s days as the most gargantuan, chaotic, crime-ridden, toxically contaminated urban stain in the western world are doomed, and the monster he has grown to know and love through a quarter century of reporting on its foibles and tragedies and blight will be globalized into one more McCity.El Monstruo is a defense of place and the history of that place. No one has told the gritty, vibrant histories of this city of 23 million faceless souls from the ground up, listened to the stories of those who have not been crushed, deconstructed the Monstruo’s very monstrousness, and lived to tell its secrets. In El Monstruo, Ross now does.