Noah has never been ordinary. He loves to make up stories, and he is constantly surprising her with random trivia someone his age has no right knowing. She always chalked it up to the fact that Noah was precocious―mature beyond his years. But Noah’s eccentricities are starting to become worrisome. One afternoon, Noah’s preschool teacher calls Janie: Noah has been talking about shooting guns and being held under water until he can’t breathe. Suddenly, Janie can’t pretend anymore. The school orders him to get a psychiatric evaluation. And life as she knows it stops for herself and her darling boy.For Jerome Anderson, life as he knows it has already stopped. Diagnosed with aphasia, his first thought as he approaches the end of his life is, I’m not finished yet. Once an academic star, a graduate of Yale and Harvard, a professor of psychology, he threw everything away to pursue an obsession: the stories of children who remembered past lives. Anderson became the laughing stock of his peers, but he never stopped believing that there was something beyond what anyone could see or comprehend. He spent his life searching for a case that would finally prove it. And with Noah, he thinks he may have found it.Soon, Noah, Janie, and Anderson will find themselves knocking on the door of a mother whose son has been missing for eight years. When that door opens, all of their questions will be answered.Gorgeously written and fearlessly provocative, Sharon Guskin’s debut explores the lengths we will go for our children. It examines what we regret in the end of our lives and hope for in the beginning, and everything in between.

    It's a modern Greek tragedy, as defined by Roger Dunkle in The Classical Origins of Western Culture: a story in which "the central character, called a tragic protagonist or hero, suffers some serious misfortune which is not accidental and therefore meaningless, but is significant in that the misfortune is logically connected."In other words? The bitch had it coming.

    . . Gripping and insightful."-- Kirkus Reviews Michelle LeBeau, the child of a white American father and a Japanese mother, lives with her grandparents in Deerhorn, Wisconsin--a small town that had been entirely white before her arrival. Rejected and bullied, Michelle spends her time reading, avoiding fights, and roaming the countryside with her dog Brett. She idolizes her grandfather, Charlie LeBeau, an expert hunter and former minor league baseball player who is one of the town's most respected men. Charlie strongly disapproves of his son's marriage to Michelle's mother but dotes on his only grandchild.This fragile peace is threatened when the expansion of the local clinic leads to the arrival of the Garretts, a young black couple from Chicago. The Garretts' presence deeply upsets most of the residents of Deerhorn--when Mr. Garrett makes a controversial accusation against one of the town leaders, who is also Charlie LeBeau's best friend.In the tradition of To Kill a Mockingbird, A River Runs Through It, and Snow Falling on Cedars, Revoyr's new novel examines the effects of change on a small, isolated town, the strengths and limits of community, and the sometimes conflicting loyalties of family and justice. Set in the expansive countryside of Central Wisconsin, against the backdrop of Vietnam and the post-civil rights era, Wingshooters explores both connection and loss as well as the complex but enduring bonds of family.

    Dick. The result is brilliantly original fiction as profund as it is playful. Now in his new novel, David Mitchell explores with daring artistry fundamental questions of reality and identity.Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . .Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.

    The six-day excursion becomes a journey into the past of Stevens and England, a past that takes in fascism, two world wars, and an unrealised love between the butler and his housekeeper.