I feel like I’m George of the Jungle.’ —Greta'At the moment, for personal reasons, I don't like reading things about people being in love with each other.' —ValdinValdin is still in love with his ex-boyfriend Xabi, who used to drive around Auckland in a ute but now drives around Buenos Aires in one. Greta is in love with her fellow English tutor Holly, who doesn’t know how to pronounce Greta’s surname, Vladisavljevic, properly.From their Auckland apartment, brother and sister must navigate the intricate paths of modern romance as well as weather the small storms of their eccentric Māori–Russian–Catalonian family. This beguiling and hilarious novel by Adam Foundation Prize winner Rebecca K Reilly owes as much to Shakespeare as it does to Tinder. Set in a world that is deeply familiar (but also a bit sexier and more stylish than the real one), Greta and Valdin will speak to anyone who has had their heart broken, or has decided that they don’t want to be a physicist anymore, or has wondered about all of the things they don’t know about their family.

    Off the coast of Kapiti, English trader John Stewart seeks to trade with Te Rauparaha, setting off a train of events that forever change the course of New Zealand history.Narrated by two English sailors on board Stewart's ship, these events are also eerily resonant of a more distant memory, stretching back into mythology, of the charismatic leader Wulf and an ancient lament. History, it seems, may be repeating itself.Wulf, Hamish Clayton's inventive, brilliant first novel, explores a subject little covered in New Zealand fiction, and marks the emergence of a startlingly assured, exciting new voice.

    They were well meaning, and it could have done the trick. However, Hannah's focus on the duck progressively alienates those around her. As the duck takes over her world, past secrets are exposed. Will Hannah's life unravel completely? This funny, moving and insightful novel contemplates the chemistry between one person and another: a man and another man's wife; a woman and a duck; a woman and her dead mother; a drug addict and his drug. Beautifully written, it is a penetrating and compassionate view of marriage, dependency, obsession, addiction, and love.

    It is a set text in most New Zealand courses in universities, and is often grossly misrepresented as a kind of celebration of the Kiwi bloke going it alone, getting offside with the law and women, and making a fist of it on his own terms. It also has been glibly accused of misogyny and racism. For all its local emphases and colour, the novel must be read in the context of post-war Europe, as it takes a hard look at the reality of ‘ordinary’ life, without the self-congratulatory assurances common to both British and New Zealand conservatism. The starkness of the novel is also a philosophical one. Such values as emerge are what the individual manages to put together as the historical moment allows—fiction as existentialism, before such a term became modish. At the same time as he was working on the novel, Mulgan edited for Victor Gollancz Poems of Freedom, an anthology of poets who ‘were unafraid’, and whom W.H. Auden, in his Introduction, valued not for their wisdom, but for raising their voices against oppression.

    In the spring of 1903 a ship explodes as it docks on the island, drowning many of the passengers and crew in the icy waters of Stolnsay harbour. Young, strawberry-blond-haired Billie Paxton is among the only survivors. Clumsy, illiterate and suddenly alone, Billie will not say why, before the explosion, she jumped from ship to shore, and so falls under the immediate suspicion of her fellow passenger, Murdo Hesketh and his cousin and employer, Lord Hallowhulme, who owns the island - and has controversial plans for improving the lives of its inhabitants. Gloriously inventive and vividly atmospheric, Billie's Kiss conjures up a way of life hurtling towards a brave new world, in an enchanting novel that combines a strange, sexy love story with an Edwardian mystery, bringing together murder and eugenics, progress, prejudice and the loss of innocence.

    Azurite for memories. Lapis lazuli for truth… In the quiet village of Noon Sun, Benedict Stone has settled into a complacent and predictable routine. Business at his jewelry shop has dried up; his marriage is on the rocks. His life is in desperate need of a jump start…And then a surprise arrives at his door.Gemma is Benedict's audacious teenage niece-the daughter of his estranged brother, Charlie. The two Stone brothers had a falling out and haven't spoken in almost two decades, since Charlie left for America. Reckless and stubborn, Gemma invites herself into Benedict's world and turns his orderly life upside down. But she might just be exactly what he needs to get his life back on track…Filled with colorful characters and irresistible charm, Rise and Shine, Benedict Stone is a luminous reminder of the unbreakable bonds of family, and shows that having someone to embrace life with is always better than standing on your own.

    One lay dead from a single bullet to the head. The other was the only survivor: David Bain. Since then, the country has asked: Who killed the Bain family? David, or his father Robin? And why?Award-winning journalist Martin van Beynen has covered the Bain story closely for decades. His 2017 Stuff podcast, Black Hands - based on the manuscript for this book - topped the charts in New Zealand and around the world and has been downloaded more than 5 million times. Now, his book brings the story completely up to date: exploring the case from start to finish, picking through evidence old and new, plumbing the mysteries and motives, interviewing never-before-spoken-to witnesses andguiding readers through the complex police investigation and court cases, seeking to finally answer the question: Who was the killer?Black Hands is a riveting read from the first word to the last, by a skilled writer who knows his subject inside out.“If anyone can pass judgement it can only be those who sat through the whole trial.” - David Bain in New Idea

    Grant and Murray Ball, his travels to the ends of the earth with his close friend Ed Hillary, and more...

    The first novel of a 'thriller' trilogy.Nicky is asked to read some of her work aloud in class. She dreads it-and, just as she starts-she finds herself elsewhere. Transported. For Nicky is one of a select few people who can will themselves away not just in mind, but in body. She has the gift of teleportation. It's a rare, genetic ability, and a sinister, anonymous group called the Project want to use her 'gift' for their own ends. Nicky finds herself whisked off to a nameless desert site. Here, she and four other teenagers, who are also 'travellers', are educated and trained for search and rescue missions. As these missions grow more frightening, more perilous, the five start to form closer friendships. Yet it is only when they realise that the Project wants them to breed more travellers like themselves, that Nicky, Paul and the others, find the impetus to form an escape plan. In a stark, direct style, Thieves pulls you right in to this strange, sinister world of gifted young adults exploited by an anonymous group. This novel is above all a thriller. It comments on much that is surreal in our own supposedly ordinary times. A remarkable and original debut and the first in a trilogy that includes Anywhere But Here (2008) and Real Life (2009) .". . . the best teenage science fiction novel I have read this century." Trevor Agnew, Magpies"My teenager read it almost in one sitting (getting up at 5am to continue)." Tania Roxborogh, Otago Daily Times"Not many debut novels make it onto the New Zealand Post Children's Book Awards shortlists, but Thieves, by Ella West, fully deserves its place." Tessa Duder, the Australian Women's Weekly"As readers we are in the same predicament as the five teens and we are left to grapple with the sort of questions and interesting possibilities raised by novels such as Slaughterhouse 5 and more particularly The Time Travellers Wife." Steve Langley in English in Aotearoa

    Rowan’s brother Albert, the natural heir to the farm, has died and Rowan’s dad’s health is failing. Although he longs to, there is no way that Rowan can refuse his mother’s request as she prepares the farm for sale.This is the story of the final harvest – the story of a young man in a place he doesn’t want to be, being given one last chance to make peace before the past, and those he has loved, disappear.

    From Venice to the South Island of New Zealand, from the assassination of a Gestapo commander in WWII to contemporary real estate shenanigans in Auckland, from political assassination in the darkest days of the Red Brigade to the vaulting cosmology of particle physics, The Antipodeans is a novel of epic proportions where families from the opposite ends of the earth discover an intergenerational legacy of love, blood and betrayal.

    Gray Lewis lost his wife two years ago, and the gorgeous community police officer hasn’t looked at another woman since. He’s had far too much on his plate to think about love, including a rebellious daughter who’s now in trouble at school. And then in walks Tuppence with her green eyes and gentle manner, and Gray’s lost.Falling in love with someone on the opposite side of the world is the last thing Tuppence needs, but Christmas is a time for miracles, and she’s not the only one who’s made a wish at the well…

    Severely depressed, he tried everything - from mindfulness to massage; Prozac to Pilates. Was something missing?This Is Not How It Ends chronicles Jehan's four-year battle with depression, and how the power of storytelling helped him to survive. He argues that many of us think our brains are broken, but in fact, our stories are broken.Jehan began an experiment on himself. Could he rewrite his past? Could he reinvent his character? Could he create a whole new plot?This gritty, vulnerable book will challenge readers' understanding of mental distress, and give them the tools to reshape their own life stories.

    Until now.Part memoir, part essay collection, Megan Dunn’s ingenious, moving, hilariously personal Things I Learned at Art School tells the story of her early life and coming-of-age in New Zealand in the ‘70s, ‘80s and ‘90s.From her single mother's love life to her Smurf collection, from the mean girls at school to the mermaid movie Splash, from her work in strip clubs and massage parlours (and one steak restaurant) to the art school of the title, this is a dazzling, killer read from a contemporary voice of comic brilliance.Chapters include (but are not limited to): The Ballad of Western Barbie; A Comprehensive List of All the Girls Who Teased Me at Western Heights High School, What They Looked Like and Why They Did It; On Being a Redhead; Life Begins at Forty: That Time My Uncle Killed Himself; Good Girls Write Memoirs, Bad Girls Don’t Have Time; Videos I Watched with My Father; Things I Learned at Art School; CV of a Fat Waitress; Nine Months in a Massage Parlour Called Belle de Jour; Various Uses for a Low Self-esteem; Art in the Waiting Room and Submerging Artist.

    Laid-back investing is not only easier, it can actually make you richer.Learn how to kill off debt, curb spending, find your best KiwiSaver fund, save painlessly, buy a house or be happy not buying one, and move confidently towards and through retirement (hint: you don't need $1 million). You'll also learn why it's best to 'set and forget' your investments. And why, beyond a certain point, having more money is not the key to happiness.Unlike many writers of finance books, Mary is not selling anything (except this book!). She just wants you to do well. She's on your side.'Mary has that rare ability to cut through the jargon to what really matters. She combines expert wisdom and real-world insights, with fantastic results!'DIANE MAXWELL, RETIREMENT COMMISSIONER'Mary Holm is in the first rank of New Zealanders offering simple and wise advice to those who want to take effective steps to secure their future financial wellbeing. This straightforward guide should help ordinary Kiwis navigate their way through the various traps they can fall into.'SIR MICHAEL CULLEN, FORMER DEPUTY PRIME MINISTER and MINISTER OF FINANCE