When Cassie Hollander spills her guts to her very straight best friend, she doesn’t get the answer she wants, and even though she knew that would probably happen, she’s still crushed. She’s used to hiding in the shadows, masking her true self and pretending to conform to a life that doesn’t fit her. Everything happens for a reason, and in Cassie’s case, being rejected by Jessica Taylor was the catapult she needed to get her life together in more ways than one. Come along as Cassie figures out who she is, where she’s going, and how wonderful things happen when you open your heart to the chance for real love.

     Anthony had a special feeling about Jonathan Larson's rock musical from his first audition, so he was thrilled when he landed a starring role as the filmmaker Mark Cohen. With his mom's cancer in remission and a reason to quit his newly acquired job at Starbucks, his life was looking up. When Rent opened to thunderous acclaim off Broadway, Rapp and his fellow cast members knew that something truly extraordinary had taken shape. But even as friends and family were celebrating the show's success, they were also mourning Jonathan Larson's sudden death from an aortic aneurysm. By the time Rent made its triumphant jump to Broadway, Larson had posthumously won the 1996 Pulitzer Prize. When Anthony's mom began to lose her battle with cancer, he struggled to balance the demands of life in the theatre with his responsibility to his family. Here, Anthony recounts the show's magnificent success and his overwhelming loss. He also shares his first experiences discovering his sexuality, the tension it created with his mother, and his struggle into adulthood to gain her acceptance. Variously marked by fledgling love and devastating loss, piercing frustration and powerful enlightenment, Without You charts the course of Rapp's exhilarating journey with the cast and crew of Rent as well as the intimacies of his personal life behind the curtain.

    The story begins with the death of the community's esteemed rabbi, which sets in motion plans for a memorial service and the search for a replacement. The rabbi's nephew and likely successor, Dovid, calls his cousin Ronit in New York to tell her that her father has died. Ronit, who left the community long ago to build a life for herself as a career woman, returns home when she hears the news, and her reappearance exposes tears in the fabric of the community.Steeped in Jewish philosophy and teachings, Disobedience is a perceptive and thoughtful exploration of the laws and practices that have governed Judaism for centuries, and continue to hold sway today. Throughout the novel, Alderman retells stories from the Torah -- Judaism's fundamental source -- and the interplay between these tales and the struggles of the novel's unique characters wields enormous power and wisdom, and will surely move readers to tears.

    Disgusted by an overabundance of phallocratic narratives and Freytag’s pyramid, she turns to a subcultural canon of resistance and failure. Wryly riffing on feminist literary tropes, it documents the survival of a demonized single mother figuring things out.

    Summers spent with the girls at their lakeside camp in Vermont are her one escape--from her husband's demands, from days consumed by household drudgery, and from the nagging suspicion that life was supposed to hold something different.Then a new family moves in across the street. Ted and Eva Wilson have three children and a fourth on the way, and their arrival reignites long-buried feelings in Billie. The affair that follows offers a solace Billie has never known, until her secret is revealed and both families are wrenched apart in the tragic aftermath.Fifty years later, Ted and Eva's son, Johnny, contacts an elderly but still spry Billie, entreating her to return east to meet with him. Once there, Billie finally learns the surprising truth about what was lost, and what still remains, of those joyful, momentous summers.In this deeply tender novel, T. Greenwood weaves deftly between the past and present to create a poignant and wonderfully moving story of friendship, the resonance of memories, and the love that keeps us afloat.

    The quest, however, proves to be difficult, as—so far—nobody has managed to discover who the legendary DeVor really is.As Jamie delves deeper into the mysteries surrounding the enigmatic artist, trying to salvage her stagnant career, she risks getting in over her head and losing her heart in the process.100,000 words

    Not because she didn’t want to, but because she didn’t think girls from Connecticut married other girls. Yet here she is with Caroline, the love of her life, at their destination wedding on the Bermuda coast. In attendance—their respective families and a few choice friends. The conflict-phobic Tiny hopes for a beautiful weekend with her bride-to-be. But as the weekend unfolds, it starts to feel like there’s a skeleton in every closet of the resort.From Tiny’s family members, who find the world is changing at an uncomfortable speed, to Caroline’s parents, who are engaged in conspiratorial whispers, to their friends, who packed secrets of their own—nobody seems entirely forthcoming. Not to mention the conspicuous no-show and a tempting visit from the past. What the celebration really needs now is a monsoon to help stir up all the long-held secrets, simmering discontent, and hidden agendas.All Tiny wanted was to get married, but if she can make it through this squall of a wedding, she might just leave with more than a wife.

    Whenever a noble dies, it's Odessa's job to raise them by retrieving their souls from a dreamy and dangerous shadow world called the Deadlands. But there is a cost to being raised--the Dead must remain shrouded, or risk transforming into zombie-like monsters known as Shades. If even a hint of flesh is exposed, the grotesque transformation will begin.A dramatic uptick in Shade attacks raises suspicions and fears among Odessa's necromancer community. Soon a crushing loss of one of their own reveals a disturbing conspiracy: someone is intentionally creating Shades by tearing shrouds from the Dead--and training them to attack. Odessa is faced with a terrifying question: What if her necromancer's magic is the weapon that brings Karthia to its knees?

    It contains his only novel, The Portrait of Dorian Gray as well as his plays, stories, poems, essays and letters. Illustrated with many photographs, the book includes introductions to each section by Wilde's grandon, Merlin Holoand, Owen Dudley Edwards, Declan Kibertd and Terence Brown. A comprehensive bibliography of works by and about Oscar Wilde together with a chronological table of his life and work are also included.

    ‘I want the world to change shape.’ ‘I'm not sure theatre can do that.’‘Well then where am I meant to take that impulse because I'm very serious about the endeavour?’A young writer challenges the status quo but discovers that creative gain comes at a personal cost.Ella Hickson's play The Writer premiered in April 2018 at the Almeida Theatre, London, in a production directed by Blanche McIntyre.

    With a successful career in San Francisco and plenty of opportunity for casual relationships, the last thing Joy wants is to return to the small town she’d planned her whole life to escape. But family obligations pull her back home and it isn’t long before Joy runs into someone she’s always dreamed of seeing again—the first girl she ever imagined kissing. Kelsey West.Olympic dreams are a thing of the past for Kelsey. Now an out of work swim coach recovering from a bad relationship, she’s back home only long enough to get her life together. When she learns that Joy Henderson, the high school crush she never forgot, is also back in town, she can’t help but wonder if there’s a chance to rewrite the past.Time has changed their hometown. Time has changed Kelsey and Joy. But when it comes to two women who have never trusted love—has time changed them enough?

    Instead, Astrid spends hours lying on the backyard picnic table watching airplanes fly overhead. She doesn't know the passengers inside, but they're the only people who won't judge her when she asks them her most personal questions--like what it means that she's falling in love with a girl.As her secret relationship becomes more intense and her friends demand answers, Astrid has nowhere left to turn. She can't share the truth with anyone except the people at thirty thousand feet, and they don't even know she's there. But little does Astrid know just how much even the tiniest connection will affect these strangers' lives--and her own--for the better.In this truly original portrayal of a girl struggling to break free of society's definitions, Printz Honor author A.S. King asks readers to question everything--and offers hope to those who will never stop seeking real love.

    Blood Wedding tells the story of a couple drawn irresistibly together in the face of an arranged marriage; Doña Rosita the Spinster follows the appalling fate of a young woman beguiled into the expectation of marriage and left stranded for a lifetime whilst Yerma is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. Set in and around his home territory, Granada, the plays return again and again to the lives of passionate individuals, particularly women, trapped by the social conventions of narrow peasant communities. The plays appear here in new playable translations.

    They don't even know about her ex-girlfriends or her fake IDs.But it's that fake ID that leads her to the hottest club in the city. While her friends tear up the dancefloor, however, Audrey meets the foil to her suppressed desires and curiosity.Dylan. The resident bad girl with an affinity for good girls like Audrey.What begins as a torrid fling soon transforms into something that opens Audrey's eyes to the life she's always wanted. The longer she's with Dylan, the more she realizes the sources of her suffocation. A toxic family. Airheaded friends. Caring for nothing but the trappings of wealth. "A bad girl is someone who refuses to accept the status quo." Dylan has dated her fair share of heiresses, but Audrey is the first one to make her believe in a chance at love.Yet it's not easy to give over to someone like Audrey. She represents everything Dylan has spent her whole life rejecting, for she knows all too well what it's like to be forced into the good girl role.And her past is constantly threatening to ruin everything she's built for herself since her darkest days. "Good girls don't go bad. They save themselves." The fatalistic love that haunts both Dylan and Audrey will last the summer. After that? Someone will have to give up the only life they've ever known.Easier said than done.Please note that this book contains examples of transphobia and growing up in an abusive cult.

    It is divided into sections to read when you feel you need them most. Make a cup of tea and let yourself feel.