Falling under the de Greys’ spell, Alice believes the family will heal her own past sorrows. But then the twins’ adoration becomes deceitful and taunting. Their father, ever distant, turns spiteful and cruel. The manor itself seems to lash out. Alice finds her surroundings subtly altered, her air slightly chilled. Something malicious resents her presence, something clouding her senses and threatening her very sanity.In present day New York, art gallery curator Rachel Wright has learned she is a descendant of the de Greys and heir to Winterbourne. Adopted as an infant, she never knew her birth parents or her lineage. At long last, Rachel will find answers to questions about her identity that have haunted her entire life. But what she finds in Cornwall is a devastating tragic legacy that has afflicted generations of de Greys. A legacy borne from greed and deceit, twisted by madness, and suffused with unrequited love and unequivocal rage.

    . .Vowing to make a fresh start, Sarah McAdams has come home to renovate the old Victorian mansion where she grew up. Her daughters, Jade and Gracie, aren't impressed by the rundown property on the shores of Oregon's wild Columbia River. As soon as they pull up the isolated drive, Sarah too is beset by uneasy memories--of her cold, distant mother, of the half-sister who vanished without a trace, and of a long-ago night when Sarah was found on the widow's walk, feverish and delirious. Ever since the original mistress of the house plunged to her death almost a century ago, there have been rumors that the place is haunted. As a girl, Sarah sensed a presence there, and soon Gracie claims to see a lady in white running up the stairs. Still, Sarah has little time to dwell on ghost stories, between overseeing construction and dealing with the return of a man from her past. But there's a new, more urgent menace in the small town. One by one, teenage girls are disappearing. Frantic for her daughters' safety, Sarah feels her veneer cracking and the house's walls closing in on her again. Somewhere deep in her memory is the key to a very real and terrifying danger. And only by confronting her worst fears can she stop the nightmare roaring back to life once more. . .

     In the winter of 1928, still seeking some kind of resolution to the horrors of World War I, Freddie is traveling through the beautiful but forbidding French Pyrenees. During a snowstorm, his car spins off the mountain road. Dazed, he stumbles through the woods, emerging in a tiny village, where he finds an inn to wait out the blizzard. There he meets Fabrissa, a lovely young woman also mourning a lost generation. Over the course of one night, Fabrissa and Freddie share their stories. By the time dawn breaks, Freddie will have unearthed a tragic, centuries-old mystery, and discovered his own role in the life of this remote town.

    Penthouse access is available via the broken freight elevator. Black tie optional.A dinner party is held in the penthouse of a multimillion-pound development. All the guests are strangers - even to their host, the billionaire owner of the building. None of them know why they were selected to receive his invitation. Whether privileged or deprived, besides a postcode, they share only one thing in common - they've all experienced a shocking disturbance within the building's walls.By the end of the night, their host is dead, and none of the guests ever said what happened. His death remains one of the biggest unsolved mysteries - until now.But are you ready for their stories?Jonathan Sims' debut is a darkly twisted, genre-bending journey through one of the most innovative haunted houses you'll ever dare to enter.

    No stranger to controversy, he'd already triggered a furious Twitter storm by mocking an exorcism he witnessed.Then there was that video: forty seconds of chilling footage that Jack repeatedly claimed was not of his making, yet was posted from his own YouTube account.Nobody knew what happened to Jack in the days that followed - until now.

    . .Sometimes, when a person dies, their spirit goes looking for somewhere to hide. Some people have space within them, perfect for hiding. Twelve-year-old Makepeace has learned to defend herself from the ghosts which try to possess her in the night, desperate for refuge, but one day a dreadful event causes her to drop her guard. And now there's a spirit inside her. The spirit is wild, brutish and strong, and it may be her only defence when she is sent to live with her father's rich and powerful ancestors. There is talk of civil war, and they need people like her to protect their dark and terrible family secret. But as she plans her escape and heads out into a country torn apart by war, Makepeace must decide which is worse: possession – or death.

    Evelyn, a young woman disfigured by her dangerous work in a matchstick factory, who has nowhere to go, does not know what to make of her new position as a maid to the Elephant Man in the London Hospital. Evelyn wants to be locked away from the world, like he is, shut in from the filth and dangers of the streets. But in Joseph Merrick, the Elephant Man, she finds a gentle kindred who does not recoil from her and who understands her pain.When the murders begin, however, Joseph and Evelyn are haunted nightly by the ghosts of the Ripper’s dead, setting Evelyn on a path to facing her fears and uncovering humanity’s worst nightmares.

    A tragic childhood event left her haunted, in the company of a cast of prattling saints who pop in and out of her life like tourists. Other than visiting her agoraphobic neighbor, Maud keeps to herself, finding solace in her work and in her humble existence–until she meets Mr. Flood.Cathal Flood is a menace by all accounts. The lone occupant of a Gothic mansion crawling with feral cats, he has been waging war against his son’s attempts to put him into an old-age home and sent his last caretaker running for the madhouse. But Maud is this impossible man’s last chance: if she can help him get the house in order, he just might be able to stay. So the unlikely pair begins to cooperate, bonding over their shared love of Irish folktales and mutual dislike of Mr. Flood’s overbearing son.Still, shadows are growing in the cluttered corners of the mansion, hinting at buried family secrets, and reminding Maud that she doesn’t really know this man at all. When the forgotten case of a missing schoolgirl comes to light, she starts poking around, and a full-steam search for answers begins.Packed with eccentric charms, twisted comedy, and a whole lot of heart, Mr. Flood’s Last Resort is a mesmerizing tale that examines the space between sin and sainthood, reminding us that often the most meaningful forgiveness that we can offer is to ourselves.

    The summer Jake turns twelve, he befriends a pair of siblings new to town, and so Calvin decides to initiate them all into the "Saturday Night Ghost Club." But as the summer goes on, what begins as a seemingly lighthearted project may ultimately uncover more than any of its members had imagined. With the alternating warmth and sadness of the best coming-of-age stories, The Saturday Night Ghost Club examines the haunting mutability of memory and storytelling, as well as the experiences that form the people we become.

    Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    The police are left with few leads and no witnesses. Except one. Rory spotted the man believed to be the prime suspect. But she is the only one who saw him - the only one who can see him. And now Rory has become his next target...unless she can tap her previously unknown abilities to turn the tables.

    The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance...

    Scattered throughout the settlement are centuries-old stones used during the Great Plague as boundary markers. No plague-sufferer was permitted to pass them and enter the village. The plague diminished, and the village survived unscathed, but since then each year the village trustees have insisted on an ancient ceremony to renew the village boundaries, until a misguided act by the Feenans' son then reminds the village that there is a reason traditions have been rigidly stuck to, and that all acts of betrayal, even those committed centuries ago, have consequences...

    When Robert Fallon is asked to survey the structure, he finds clues indicating that its long twilight sleep may contain a sinister secret. Joining forces with researcher Hilary Bryant, Robert discovers the legend of the Tarleton's ghost, a mysterious figure that was first glimpsed during the era of Toby Chance, a charismatic performer who vanished suddenly and inexplicably in the early 1900s. After almost a century the Tarleton's dark silence is about to end, but there are those who find its reopening a threatening prospect. As Robert and Hilary delve into the macabre history, they both become menaced by the secrets of the past.

    Trouble was, he didn’t ask Rose what she thought of the idea.It’s been more than sixty years since that night, and she’s still sixteen, and she’s still running.They have names for her all over the country: the Girl in the Diner. The Phantom Prom Date. The Girl in the Green Silk Gown. Mostly she just goes by “Rose,” a hitchhiking ghost girl with her thumb out and her eyes fixed on the horizon, trying to outrace a man who never sleeps, never stops, and never gives up on the idea of claiming what’s his. She’s the angel of the overpass, she’s the darling of the truck stops, and she’s going to figure out a way to win her freedom. After all, it’s not like it can kill her.You can’t kill what’s already dead.