A bluff high above the Pacific. A grand mansion full of beauty and tantalizing history set against a towering redwood forest.A young reporter on assignment from the San Francisco Observer. . . an older woman, welcoming him into her magnificent, historic family home that he has been sent to write about and that she must sell with some urgency . . . A chance encounter between two unlikely people . . . an idyllic night—shattered by horrific unimaginable violence. . .The young man inexplicably attacked—bitten—by a beast he cannot see in the rural darkness . . . A violent episode that sets in motion a terrifying yet seductive transformation as the young man, caught between ecstasy and horror, between embracing who he is evolving into and fearing who—what—he will become, soon experiences the thrill of the wolf gift.As he resists the paradoxical pleasure and enthrallment of his wolfen savagery and delights in the power and (surprising) capacity for good, he is caught up in a strange and dangerous rescue and is desperately hunted as “the Man Wolf,” by authorities, the media and scientists (evidence of DNA threaten to reveal his dual existence). . . As a new and profound love enfolds him, questions emerge that propel him deeper into his mysterious new world: questions of why and how he has been given this gift; of its true nature and the curious but satisfying pull towards goodness; of the profound realization that there are others like him who may be watching—guardian creatures who have existed throughout time and may possess ancient secrets and alchemical knowledge and throughout it all, the search for salvation for a soul tormented by a new realm of temptations, and the fraught, exhilarating journey, still to come, of being and becoming, fully, both wolf and man.

    A serial killer stalks the streets of Boggslake, Ohio. The victims are always found in pairs, one human and one vampire. Simon Hawthorne has been a vampire for nearly a hundred years, and he has never seen anything like it. Neither have the other supernaturals he works with to keep the streets safe for both their kind and the humans. One meeting with Simon finds Ben Leyton falling for a man he knows is keeping secrets, but he can't ignore the growing attraction between them. A recent arrival in Boggslake, Ben finds it very different from his native New Zealand, but something about Simon makes Ben feel as though he's found a new home. After a close friend falls victim to the killer, Simon is torn between revealing his true nature to Ben, and walking away to avoid the reaction he fears. But with the body count rising and the murders becoming more frequent, either, or both of them, could be the killer's next target. Author’s note: This story was originally released in 2014 by another publisher. This edition has been revised and re-edited with the end result being a better, stronger story.

    For two hundred years he has wandered the world, enslaved by his lunatic appetites and tormented by the memory of his first and most monstrous crime. Now, the last of his kind, he knows he cannot go on.But as Jake counts down to suicide, a violent murder and an extraordinary meeting plunge him straight back into the desperate pursuit of life — and love.Sexy, smart, bloody and heartbreaking, The Last Werewolf takes literature by the throat.

    Much to Jonah’s surprise, the inheritance includes the Ashford Cemetery—and its hunky groundskeeper, recent Bosnian immigrant Luka Pavelka.Jonah soon discovers Luka is more than easy on the eyes. He sees into Jonah’s heart like no man ever before, and his job at the cemetery is all he has. If Jonah sells, Luka is left with nothing. Luka is there for Jonah when Jonah needs someone most, and there’s no denying the chemistry and connection between them. But Jonah has a successful career back in New York. Now he must decide if it’s still the life he wants….

    In an example of art echoing life, Tony landed a job as production assistant for the syndicated TV show Darkest Night, a series about a vampire detective. And except for his unrequited crush on the show's handsome costar, Lee Nicholas, Tony was pretty content.Until everything started to fall apart on the set.It began with shadows­­--shadows where they didn't belong, that almost had an existence of their own. Tony tried to ignore it--until he found Nikki Waugh's body, and felt the shadow's touch, and a stunt crash went wrong for no discernible reason--and Tony knew that he had to find out what was threatening everyone on the set.

    He just knows the man needs him, and Colin aches to find and heal his lover…even if the man doesn’t really exist.Marek Donovan just wants to be left alone to lick his wounds and recover from a terrible loss. The rundown house in Fiji suits his minimal needs just fine. He doesn’t want to face the world again, and on a small, secluded island figures he’s safe from everyone and everything. Particularly guilt from his past.Dreams of this nameless man and his house plague Colin for two years, but he’s come to care about his phantom lover so deeply he doesn’t want them to end. Then Colin visits Fiji and comes face-to-face with the house from his visions, prompting him to believe these dreams just might be his destiny.Colin knocks on the door, determined to find answers. What he finds is a man he already knows.

    A chance meeting with a young American chased away the fear that he would always be alone and brought him the prospect of a new existence.Dustin Earl joined the military and escaped his small town Southern upbringing with the hope that he could give his mentally challenged brother a better life. But Dustin had never known real love, an honest hug, or a simple kiss. He considered his sexuality a weakness; a threat that had been used against those he cared about.For eight months their relationship blossomed until Dustin suddenly returned home. He cherished Stephen, but felt his responsibilities to his brother outweighed his own chance at happiness.Shattered, unable to function and unwilling to accept Dustin’s departure, Stephen flew three thousand miles to get Dustin back and rekindle what they had. But what he would learn when he got there… he could never have imagined.

     In the winter of 1928, still seeking some kind of resolution to the horrors of World War I, Freddie is traveling through the beautiful but forbidding French Pyrenees. During a snowstorm, his car spins off the mountain road. Dazed, he stumbles through the woods, emerging in a tiny village, where he finds an inn to wait out the blizzard. There he meets Fabrissa, a lovely young woman also mourning a lost generation. Over the course of one night, Fabrissa and Freddie share their stories. By the time dawn breaks, Freddie will have unearthed a tragic, centuries-old mystery, and discovered his own role in the life of this remote town.

    A beautiful older woman named Peggy greets her and invites her to stay, on the house's usual conditions: she has ninety-nine nights to turn her life around. With nothing left to lose, Alba takes a chance and moves in. She soon discovers that this is no ordinary house. Past residents have included Virginia Woolf and Dorothy Parker, who, after receiving the assistance they needed, hung around to help newcomers - literally, in talking portraits on the wall. As she escapes into this new world, Alba begins a journey that will heal her wounds - and maybe even save her life. Filled with a colorful and unforgettable cast of literary figures, The House at the End of Hope Street is a charming, whimsical novel of hope and feminine wisdom that is sure to appeal to fans of Jasper Fforde and especially Sarah Addison Allen.

    Tantalized by the man’s unfinished tale, Alok will do anything to hear its completion. So Alok agrees, at the stranger’s behest, to transcribe a collection of battered notebooks, weathered parchments, and once-living skins. From these documents spills the chronicle of a race of people at once more than human yet kin to beasts, ruled by instincts and desires blood-deep and ages-old. The tale features a rough wanderer in seventeenth-century Mughal India who finds himself irrevocably drawn to a defiant woman—and destined to be torn asunder by two clashing worlds. With every passing chapter of beauty and brutality, Alok’s interest in the stranger grows and evolves into something darker and more urgent.

    Except, as Peter and Helen Radley know but their children have yet to find out, the Radleys happen to be a family of abstaining vampires. When one night Clara finds herself driven to commit a bloodthirsty act, her parents decide to explain a few things.

    In order to survive, she must run as far and as fast as she can. After arriving in Seattle, Bryony befriends a tortured musician, a market fish-thrower, and a starry-eyed hero who is secretly a serial killer bent on fulfilling Bryony’s dark destiny. Mercedes M. Yardley’s Pretty Little Dead Girls: A Novel of Murder and Whimsy is a dark, lovely fairy tale with lyrical language and a high body count. It features a cover by Hugo Award Winner GALEN DARA.

    until it was unravelled by something as simple as a blood test.Taken from his family, Toby now lives in the Death House: an out-of-time existence far from the modern world, where he, and the others who live there, are studied by Matron and her team of nurses. They're looking for any sign of sickness. Any sign of their wards changing. Any sign that it's time to take them to the sanatorium.No one returns from the sanatorium.Withdrawn from his house-mates and living in his memories of the past, Toby spends his days fighting his fear. But then a new arrival in the house shatters the fragile peace, and everything changes.Because everybody dies. It's how you choose to live that counts.

    The body of a teenage boy is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last—revenge for the bullying he endures at school, day after day.But the murder is not the most important thing on his mind. A new girl has moved in next door—a girl who has never seen a Rubik's Cube before, but who can solve it at once. There is something wrong with her, though, something odd. And she only comes out at night....

    Refusing to leave his home in a small coastal town in Maine, Jack Peter spends his time drawing monsters. When those drawings take on a life of their own, no one is safe from the terror they inspire. His mother, Holly, begins to hear strange sounds in the night coming from the ocean, and she seeks answers from the local Catholic priest and his Japanese housekeeper, who fill her head with stories of shipwrecks and ghosts. His father, Tim, wanders the beach, frantically searching for a strange apparition running wild in the dunes. And the boy’s only friend, Nick, becomes helplessly entangled in the eerie power of the drawings. While those around Jack Peter are haunted by what they think they see, only he knows the truth behind the frightful occurrences as the outside world encroaches upon them all.In the tradition of The Turn of the Screw, Keith Donohue’s The Boy Who Drew Monsters is a mesmerizing tale of psychological terror and imagination run wild, a perfectly creepy read for a dark night.