It’s 1811 and President James Madison has ordered the destruction of Shawnee warrior chief Tecumseh’s alliance of tribes in the Great Lakes region. But while General William Henry Harrison would win this fight, the armed conflict between Native Americans and the newly formed United States would rage on for decades.Bestselling authors Bill O’Reilly and Martin Dugard venture through the fraught history of our country’s founding on already occupied lands, from General Andrew Jackson’s brutal battles with the Creek Nation to President James Monroe’s epic “sea to shining sea” policy, to President Martin Van Buren’s cruel enforcement of a “treaty” that forced the Cherokee Nation out of their homelands along what would be called the Trail of Tears. O’Reilly and Dugard take readers behind the legends to reveal never-before-told historical moments in the fascinating creation story of America.This fast-paced, wild ride through the American frontier will shock readers and impart unexpected lessons that reverberate to this day.

    Then, in the 20th century, an incredible turnaround took place. Conservationists outlawed commercial hunting, created wildlife sanctuaries, transplanted isolated species to restored habitats and imposed regulations on hunters and trappers. Over decades, they slowly nursed many wild populations back to health.            But after the Second World War something happened that conservationists hadn’t foreseen: sprawl. People moved first into suburbs on urban edges, and then kept moving out across a landscape once occupied by family farms. By 2000, a majority of Americans lived in neither cities nor country but in that vast in-between. Much of sprawl has plenty of trees and its human residents offer up more and better amenities than many wild creatures can find in the wild: plenty of food, water, hiding places, and protection from predators with guns. The result is a mix of people and wildlife that should be an animal-lover’s dream-come-true but often turns into a sprawl-dweller’s nightmare.Nature Wars offers an eye-opening look at how  Americans lost touch with the natural landscape, spending 90 percent of their time indoors where nature arrives via television, films and digital screens in which wild creatures often behave like people or cuddly pets.  All the while our well-meaning efforts to protect animals allowed wild populations to burgeon out of control, causing damage costing billions, degrading ecosystems, and touching off disputes that polarized communities, setting neighbor against neighbor. Deeply researched, eloquently written, counterintuitive and often humorous Nature Wars will be the definitive book on how we created this unintended mess.

    Similarly, stories and storytelling can serve as an introduction to other places and foster a powerful emotional connection to nature. Campfire Stories brings together tales about our national parks; some are by well-known writers such as John Muir, Bill Bryson, and Terry Tempest Williams, while others are from pioneer diaries or have been passed down through generations of indigenous peoples.Co-editors Dave and Ilyssa Kyu spent five months traveling and researching the stories in the book. They gathered each of these stories from public libraries, historical societies, arts and cultural organizations, museums, research centers, and national park archives. They interviewed park rangers, historians, artists, curators, educators, and local residents, who all offered insights and guidance into the essence of each place, which was than used to select entertaining, diverse, and engaging writings that reflected each park and best told around a campfire. Campfire Stories focuses on these six iconic national parks:Acadia National ParkGreat Smoky Mountains National ParkRocky Mountain National ParkKYellowstone National ParkYosemite National ParkZion National ParkEach story includes an "About this Story" reflection, offering insight into how Dave and Ilyssa discovered the tale, why they selected it, and some background about its writer. Dave and Ilyssa also share their own thoughts on each of the parks they visited, as well as tips on how to be a compelling storyteller.

    All of these hues are me; I am, in the deepest sense, colored.” From these fertile soils of love, land, identity, family, and race emerges The Home Place, a big-hearted, unforgettable memoir by ornithologist and professor of ecology J. Drew Lanham.Dating back to slavery, Edgefield County, South Carolina—a place “easy to pass by on the way somewhere else”—has been home to generations of Lanhams. In The Home Place, readers meet these extraordinary people, including Drew himself, who over the course of the 1970s falls in love with the natural world around him. As his passion takes flight, however, he begins to ask what it means to be “the rare bird, the oddity.”By turns angry, funny, elegiac, and heartbreaking, The Home Place is a remarkable meditation on nature and belonging, at once a deeply moving memoir and riveting exploration of the contradictions of black identity in the rural South—and in America today.

    The area plays host to a wide range of species, from thousand-year-old western cedars to humpback whales to iconic white Spirit bears.According to local residents, another giant is said to live in these woods. For centuries people have reported encounters with the Sasquatch--a species of hairy bipedal man-apes said to inhabit the deepest recesses of this pristine wilderness. Driven by his own childhood obsession with the creatures, John Zada decides to seek out the diverse inhabitants of this rugged and far-flung coast, where nearly everyone has a story to tell, from a scientist who dedicated his life to researching the Sasquatch, to members of the area's First Nations, to a former grizzly bear hunter-turned-nature tour guide. With each tale, Zada discovers that his search for the Sasquatch is a quest for something infinitely more complex, cutting across questions of human perception, scientific inquiry, indigenous traditions, the environment, and the power and desire of the human imagination to believe in--or reject--something largely unseen.Teeming with gorgeous nature writing and a driving narrative that takes us through the forests and into the valleys of a remote and seldom visited region, In the Valleys of the Noble Beyond sheds light on what our decades-long pursuit of the Sasquatch can tell us about ourselves and invites us to welcome wonder for the unknown back into our lives.

    His father, a Depression migrant trained as a welder, helped build dams and later worked at the secret Hanford plutonium plant. Now he and his neighbors, once considered patriots, stand accused of killing the river.As Blaine Harden traveled the Columbia-by barge, car, and sometimes on foot-his past seemed both foreign and familiar. A personal narrative of rediscovery joined a narrative of exploitation: of Native Americans, of endangered salmon, of nuclear waste, and of a once-wild river now tamed to puddled remains.Part history, part memoir, part lament, "this is a brave and precise book," according to the New York Times Book Review. "It must not have been easy for Blaine Harden to find himself turning his journalistic weapons against his own heritage, but he has done the conscience of his homeland a great service."

    Hailed as a masterpiece of American travel writing, Blue Highways is an unforgettable journey along our nation's backroads.William Least Heat-Moon set out with little more than the need to put home behind him and a sense of curiosity about "those little towns that get on the map-if they get on at all-only because some cartographer has a blank space to fill: Remote, Oregon; Simplicity, Virginia; New Freedom, Pennsylvania; New Hope, Tennessee; Why, Arizona; Whynot, Mississippi."His adventures, his discoveries, and his recollections of the extraordinary people he encountered along the way amount to a revelation of the true American experience.

    It describes a childhood that takes place on a vast Wyoming landscape--more than 6,000 acres near near Jackson Hole and adjacent to Grand Teton National Park--where the author grew up with adventure-crazed, raucous brothers and friends, and a colorful collection of Western characters, most particularly her own mother. Mead-Ferro's desire to move back to her childhood homeland from the city is weighed with how she felt when she did live on the cattle ranch, always unsure if she fit in.   When Mead-Ferro's mother is killed in a freak horse accident while herding cattle, Mead-Ferro faces the loss not only of this profoundly influential person but of the entire ranching operation: a century-old legacy. After she and her brothers sell the family ranch Mead-Ferro attempts to recreate the landscape of her childhood--particularly the privileges and responsibilities of land, animals, and real work--as a bequest to her own children.

     Fighting off the constraints of his Mormon upbringing he found a new home with a Shoshone Indian tribe. Under their guidance, particularly of the Great Chief Washakie, he learned how to live and survive in the wild lands of the far west. But realising that he could not stay with his adopted family for ever he left the Shoshones and returned to his family as a teenager. Those lessons that he learnt from the Native Americans stayed with him for the rest of his eventful life when he worked as a Pony Express rider, stagecoach driver, trapper, and whatever other job he could do to support his family He never lost his connection with Native Americans and would frequently act as a translator and liaison between various tribes and the ever-encroaching United States. The White Indian Boy is a fascinating memoir of a young boys life spent with a Shoshone tribe and how their love and teachings greatly influenced him throughout his later life. Yet one account alone cannot answer the question of what life like to live among the Native Americans in the nineteenth century so the publisher has therefore included two other accounts of lives spent with Native American tribes in the nineteenth century, both with different subject matters and tones to Wilson’s account. The first is J. W. Schultz’s My Life as an Indian which covers his adult life with the Blackfeet, where he immersed himself in the ways of these Native Americans, assisting his friends in fighting rivals, hunting alongside them and even marrying Nat-ah’-ki, a Blackfoot woman. The second follows the life of Nelson Lee who was captured by the Comanches and sold as a slave between various warriors before he was eventually able to make his escape in the mid-nineteenth century. Together they should provide three different insights into what life was life among Native Americans in the nineteenth century. Elijah Nicholas Wilson was known as "Yagaiki" when among the Shoshones, and in his later years as "Uncle Nick" when entertaining young children with his adventurous exploits. His book was first published in 1910 and he passed away in 1915.

     Desert Notebooks examines how the unprecedented pace of destruction to our environment and an increasingly unstable geopolitical landscape have led us to the brink of a calamity greater than any humankind has confronted before. As inhabitants of the Anthropocene, what might some of our own histories tell us about how to confront apocalypse? And how might the geologies and ecologies of desert spaces inform how we see and act toward time--the pasts we have erased and paved over, this anxious present, the future we have no choice but to build? Ehrenreich draws on the stark grandeur of the desert to ask how we might reckon with the uncertainty that surrounds us and fight off the crises that have already begun.In the canyons and oases of the Mojave and in Las Vegas's neon apocalypse, Ehrenreich finds beauty, and even hope, surging up in the most unlikely places, from the most barren rocks, and the apparent emptiness of the sky. Desert Notebooks is a vital and necessary chronicle of our past and our present--unflinching, urgent--yet timeless and profound.

    I figure it is eighty feet up to the sunlight. The walls above me climb up at about eighty degrees, then they go dead vertical, and then, higher up, they overhang. It is as if I am looking out from the belly of a beast, its jagged white teeth interlocking above me.” In June 1992, best friends Jim Davidson and Mike Price stood triumphantly atop Washington’s Mount Rainier, celebrating what they hoped would be the first of many milestones in their lives as passionate young mountaineers. Instead, their conquest gave way to catastrophe when a cave-in plunged them deep inside a glacial crevasse—the pitch-black, ice-walled hell that every climber’s nightmares are made of.An avid adventurer from an early age, Davidson was already a seasoned climber at the time of the Rainier ascent, fully aware of the risks and hopelessly in love with the challenge. But in the blur of a harrowing free fall, he suddenly found himself challenged by nature’s grandeur at its most unforgiving. Trapped on a narrow, unstable frozen ledge, deep below daylight and high above a yawning chasm, he would desperately battle crumbling ice and snow that threatened to bury him alive, while struggling in vain to save his fatally injured companion. And finally, with little equipment, no partner, and rapidly dwindling hope, he would have to make a fateful choice—between the certainty of a slow, lonely death or the seeming impossibility of climbing for his life.At once a heart-stopping adventure story, a heartfelt memoir of friendship, and a stirring meditation on fleeting mortality and immutable nature, The Ledge chronicles one man’s transforming odyssey from the dizzying heights of elation and awe to the punishing depths of grief and hard-won wisdom. This book’s visceral, lyrical prose sings the praises of the physical world’s wonders, while searching the souls of those willing, for better or worse, to fully embrace it.

    Each included adventure has been selected to show the extent to which Muir courted and faced danger, i.e. lived "wildly, " throughout his life. From the famous avalanche ride off the rim of Yosemite Valley to his night spent riding out a windstorm at the top of a tree to death-defying falls on Alaskan glaciers, the renowned outdoorsman's exploits are related in passages that are by turns exhilarating, unnerving, dizzying and outrageous.