When the rain finally comes, it’s a miracle. For a moment, the scrubland flourishes and the remote swimming hole fills. Returning home from an afternoon swim, fourteen-year-old Tommy and sixteen-year-old Billy McBride discover a scene of heartbreaking carnage: their dogs dead in the yard, their hardworking father and mother shot to death, and their precocious younger sister unconscious and severely bleeding from a wound to her gut. The boys believe the killer is their former Aboriginal stockman, and, desperate to save Mary, they rush her to John Sullivan, the wealthiest landowner in the region and their father’s former employer, who promises to take care of them.Eager for retribution, the distraught brothers fall sway to Sullivan, who persuades them to join his posse led by the Queensland Native Police, an infamous arm of British colonial power whose sole purpose is the “dispersal” of indigenous Australians to “protect” settler rights. The group is led by the intimidating inspector Edmund Noone, a dangerous and pragmatic officer whose intellect and ruthlessness both fascinates and unnerves the watchful Tommy. Riding for days across the barren outback, the group is determined to find the perpetrators they insist are guilty, for reasons neither of the brothers truly understands. It is a harsh and horrifying journey that will have a devastating impact on Tommy, tormenting him for the rest of his life—and hold enduring consequences for a young country struggling to come into its own.Set in a period of Australian and British history as raw and relevant as that of the wild frontier of nineteenth-century America, Only Killers and Thieves is an unforgettable story of family, guilt, empire, race, manhood, and faith that combines the insightfulness of Philipp Meyer’s The Son with the atmospheric beauty of Amanda Coplin’s The Orchardist and the raw storytelling power of Ian McGuire’s The North Water.

    In any Austen novel that would be the end of the story, but for the real-life woman who became an Australian farming entrepreneur, it was just the beginning.John Macarthur took credit for establishing the Australian wool industry and would feature on the two-dollar note, but it was practical Elizabeth who managed their holdings—while dealing with the results of John’s manias: duels, quarrels, court cases, a military coup, long absences overseas, grandiose construction projects and, finally, his descent into certified insanity.Michelle Scott Tucker shines a light on an often-overlooked aspect of Australia’s history in this fascinating story of a remarkable woman.

    But when Sylvie dies, the ground shifts dangerously for the remaining three.They are Jude, a once-famous restaurateur; Wendy, an acclaimed public intellectual; and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they've remained close all these years, the grieving women gather at Sylvie's old beach house--not for festivities this time, but to clean it out before it is sold. Can they survive together without her?Without Sylvie to maintain the group's delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests and too much wine collide in a storm that brings long-buried hurts to the surface--and threatens to sweep away their friendship for good.The Weekend explores growing old and growing up, and what happens when we're forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book: a celebration of tenderness and friendship from an award-winning writer.

    Failed entrepreneur Stanton Finch moves his family from Adelaide to the remote Coorong area of Southern Australia, in pursuit of his dream to become a farmer.Housed in a driftwood cabin, they try to make the best of their situation. The children roam the beautiful landscape of Salt Creek; visitors are rare but warmly welcomed; a local Indigenous boy becomes almost part of the family. Yet there are daily hardships, and tensions with the Ngarrindjeri people they have displaced; disaster never seems far away.With Mrs Finch struggling to cope, Hester, their perceptive eldest daughter, willingly takes on more responsibility. But as Hester’s sense of duty grows, so does a yearning to escape Salt Creek and make a new life of her own …Lucy Treloar was born in Malaysia and educated in Melbourne, England, and Sweden. Awards for her writing include the 2014 Commonwealth Short Story Prize. Salt Creek is her first novel.

    In the Valley, where the rates of crime were the highest in the state, more than thirty people were known to police as firebugs. But the detectives soon found themselves on the trail of a man they didn’t know.The Arsonist takes readers on the hunt for this man, and inside the strange puzzle of his mind. It is also the story of fire in this country, and of a community that owed its existence to that very element. The command of fire has defined and sustained us as a species – understanding its abuse will define our future. A powerful real-life thriller written with Hooper’s trademark lyric detail and nuance, The Arsonist is a reminder that in an age of fire, all of us are gatekeepers.

    Rowan’s brother Albert, the natural heir to the farm, has died and Rowan’s dad’s health is failing. Although he longs to, there is no way that Rowan can refuse his mother’s request as she prepares the farm for sale.This is the story of the final harvest – the story of a young man in a place he doesn’t want to be, being given one last chance to make peace before the past, and those he has loved, disappear.

    Candice arrives at "the place where the rivers meet", the camp of the Eualeyai where in 1918 her grandmother Garibooli was abducted. As Garibooli takes up the story of Candice's Aboriginal family, the twentieth century falls away.Garibooli, renamed Elizabeth, is sent to work as a housemaid, but marriage soon offers escape from the terror of the master's night-time visits. Her displacement carries into the lives of her seven children - their stories witness to the impact of orphanage life and the consequences of having a dark skin in post-war Australia. Vividly rekindled, the lives of her family point the direction home for Candice.Home is a powerful and intelligent first novel from an author who understands both the capacity of language to suppress and the restorative potency of stories that bridge past and present.

    it just happens to be narrated by a galah called Lucky.It's 1969 and a remote coastal town in Western Australia is poised to play a pivotal part in the moon landing. Perched on the red dunes of its outskirts looms the great Dish: a relay for messages between Apollo 11 and Houston, Texas.Radar technician Evan Johnson and his colleagues stare, transfixed, at the moving images on the console -although his glossy young wife, Linda, seems distracted. Meanwhile the people of Port Badminton have gathered to watch Armstrong's small step on a single television sitting centre stage in the old theatre. The Kelly family, a crop of redheads, sit in rare silence. Roo shooters at the back of the hall squint through their rifles to see the tiny screen.I'm in my cage on the Kelly's back verandah. I sit here, unheard, underestimated, biscuit crumbs on my beak. But fate is a curious thing. For just as Evan Johnson's story is about to end (and perhaps with a giant leap), my story prepares to take flight...SHORTLISTED FOR THE 2019 RUSSELL PRIZE FOR HUMOUR WRITINGSHORTLISTED FOR THE UST GLENDA ADAMS AWARD FOR NEW WRITING (2019 NSW PREMIER'S LITERARY AWARDS)SHORTLISTED FOR THE READINGS PRIZE FOR NEW AUSTRALIAN FICTION 2018LONGLISTED FOR THE INDIE BOOK AWARD FOR DEBUT FICTION 2019LONGLISTED FOR THE DUBLIN LITERARY AWARD 2020PRAISE FOR THE LUCKY GALAH"A fresh and surprising novel - thoroughly Australian, joyful and magnificently original" Charlotte Wood, author The Natural Way of Things"This book is a bundle of Australian kook ready to disarm, charm and move its readers. Embrace it." Booktopia"This clever and enjoyable book will appeal to a broad range of readers." Books + Publishing"The Lucky Galah is a bold and astoundingly brave novel..." The Newtown Review of Books"It is a book that is at once humorous and heartfelt, and evokes a specific era in Australian history very well." Readings

    And across the centuries the fates of three women are linked: to this place, to each other.In the early 1700s, Sarah, accused of being a witch, flees for her life.In the aftermath of the Second World War, Ruth navigates a new house, a new husband and the strange waters of the local community.Six decades later, the house stands empty. Viv, mourning the death of her father, catalogues Ruth’s belongings and discovers her place in the past – and perhaps a way forward.Each woman’s choices are circumscribed, in ways big and small, by the men in their lives. But in sisterhood there is the hope of survival and new life. Intricately crafted and compulsively readable, The Bass Rock burns bright with anger and love.

    Over the next three months, he was seduced by the drug and descended into psychosis.This confronting and illuminating story charts Luke's recovery from the drug, and his investigation into its usage and prevalence in Australia and the western world. In examining what led to his addiction, Luke also explores the social problems that surround ice, scrutinising whether its abuse is in fact an epidemic, with what we're experiencing now merely the tip of the proverbial iceberg, or yet another moral panic about the underclass. Luke traces the history of methamphetamine from its legal usage in the early 20th century to its contemporary relevance as one of the most foreboding and talked-about illicit drugs in the world. His search for answers sees him exploring meth labs, interviewing addicts and law-enforcement officials, and witnessing firsthand the effects of the drug on individuals, families, and the healthcare system.Combining memoir with reportage, The Ice Age is a vital, compelling first-person account, and an investigation into a drug that is fast becoming the subject of national discussion throughout the western world.

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    As daughters of the lighthouse keepers, the two girls share everything, until a fisherman, McPhail, arrives in their small community. When Kate witnesses the desire that flares between him and Harriet, she is torn by her feelings of envy and longing. But one moment in McPhail’s hut will change the course of their lives forever. Inspired by a true story, Skylarking is a stunning debut novel about friendship, love and loss, one that questions what it is to remember and how tempting it can be to forget.‘Kate Mildenhall’s impressive debut novel takes an historical case and re-imagines it with such sensitivity and insight that we feel this must be how it truly happened.’ —Emily Bitto

     Can dark family secrets ever truly be buried? When a horrible twist of fate leaves teenage friends Emma Kensington and Zane Wolfe reeling in the wake of a fatal accident, the two are driven apart for decades. As a professional bull rider in America for the past sixteen years, Zane has stayed a sensible distance from the one woman he's always loved but could never have - Emma, his childhood friend, and his brother's wife. But a phone call revealing his stepfather's sudden death means keeping half a world between them is no longer an option. Returning to Silvergum, how will he keep his long-held feelings under control?For Emma, along with the death of her father-in-law, Peter, is the shadow of the secrets he'd been blackmailing her with. She's finally free to tell the truth to the man she's covertly loved from afar all this time. But Peter's hand stretches beyond the grave, and all too soon Emma discovers she's not the only one who has been keeping secrets. And to make peace with her past, she could very likely lose everything she loves most...

    'In the beginning, it was the summers I remembered - long warm days under the palest blue skies, the cornflowers and forget-me-nots lining the road through the Lys forest, the buzz of insects going about their work, Violet telling me lies.' Iris is getting old. A widow, her days are spent living quietly and worrying about her granddaughter, Grace, a headstrong young doctor. It's a small sort of life. But one day an invitation comes for Iris through the post to a reunion in France, where she served in a hospital during WWI. Determined to go, Iris is overcome by the memories of the past, when as a shy, naive young woman she followed her fifteen-year-old brother, Tom, to France in 1914 intending to bring him home. On her way to find Tom, Iris comes across the charismatic Miss Ivens, who is setting up a field hospital in the old abbey of Royaumont, north of Paris. Putting her fears aside, Iris decides to stay at Royaumont, and it is there that she truly comes of age, finding her capability and her strength, discovering her passion for medicine, making friends with the vivacious Violet and falling in love. But war is a brutal thing, and when the ultimate tragedy happens, there is a terrible price that Iris has to pay, a price that will echo down the generations. A moving and uplifting novel about the small, unsung acts of heroism of which love makes us capable.

    Her characters are exploring new ways of loving and living - and nothing is harder than learning to love lightly. Nora and Javo are trapped in a desperate relationship. Nora's addiction is romantic love; Javo's is hard drugs. The harder they pull away, the tighter the monkey grip. A lyrical, gritty, rough-edged novel that deserves its place as a classic of Australian fiction.