He also has the tender memories of his grandfather's exaggerated stories of Irish wonder and magic stories of leprechauns and legends and the mysterious power of fate. But he doesnot have the story of why his grandfather left Ireland as a young man.Mesmerized by his romantic vision of Ireland, Cooper begins his search with a charming, down-on- his-luck Irish actor. He is also unprepared for the presence of Kathleen O'Reilly. As Cooper hunts for his grandfather's ghost, the landmarks and the fate of the Irish that Finn Coghlan talked of magically brings Cooper and Kathleen together. Yet, there is a truth between the two of them that not even the enchanting tale of Finn McCool and Sally Cavanaugh can resolve. For that, Cooper must use the one gift bestowed on him as a child by his grandfatherBogmeadow's wish.

    This peaceful life is upended when death comes to town. And not just any death. O'Hara's career is on the line as the corpse of a US Senator is found. The Senator, while searching for his ancestors, has uncovered an old, still burning hatred from the time of the Great Famine. Dermot needs all the help he can get to solve the crime but as he starts to unravel the mystery it becomes clear that those around him are not what they seem. This first book in the series introduces us to Dermot, his long suffering wife Jo and his disreputable friends in the local bar.

    Upon his father's sudden death in Dublin, Sheridan finds out about his father's almost fifty-year relationship with Doris, an Englishwoman who was both less and far more than a mistress. Sheridan elegantly describes his search for the truth in the face of resistance from his mother, who falls fatally ill. He eventually meets Doris and learns that she never married, living only for her brief meetings with Sheridan's father. This beautifully written portrait of a marriage forces us, like Sheridan himself, to face truths of the heart that refuse to conform to the easy verities of convention.

    World War One, the rise of Sinn Féin, intense Ulster unionism and conflict with Britain culminated in the Irish war of Independence, which ended with a compromise Treaty with Britain and then the enmities and drama of the Irish Civil War.Drawing on an abundance of newly released archival material, witness statements and testimony from the ordinary Irish people who lived and fought through extraordinary times, A Nation and not a Rabble explores these revolutions. Diarmaid Ferriter highlights the gulf between rhetoric and reality in politics and violence, the role of women, the battle for material survival, the impact of key Irish unionist and republican leaders, as well as conflicts over health, land, religion, law and order, and welfare.

    Starting with an account of his childhood in Ireland at the end of the 19th century, the story moves to Scotland where, tramp then gang-labourer then navvy, Dermond Flynn (as he sometimes calls himself) discovers himself as a writer.

    The province has become synonymous with conflict, terrorism and tortuous efforts to forge peace. But what is life there really like? In this enchanting and highly original book Martin Fletcher presents a portrait of Northern Ireland utterly at odds with its dire international image. He paints a compelling picture of a place caught in a time warp since the 1960s, of a land of mountains, lakes and rivers where customs, traditions and old-world charm survive, of an incredibly resourceful province that has given the world not just bombs and bullets but the Titanic, the tyre and the tractor, a dozen American presidents, two prime ministers of New Zealand and a Hindu god. He meets an intelligent, fun-loving, God-fearing people who may do terrible things to each other but who could not be more welcoming to outsiders. He describes a land of awful beauty, a battleground of good and evil, a province populated by saints and sinners that has yet to be rendered bland by the forces of modernity.

    

    The poems also address gender inequality and our inharmonious relationship with the natural world. A poem on Lilian Bland – the first woman to design, build and fly her own aeroplane – celebrates the audacity and ingenuity of a great Irish heroine. Elsewhere, explorers in Greenland set foot on a fjord system accessible to Europeans for the first time in millennia as a result of global warming. But if life is fragile then its traces are persistent, insistent, and in ‘Articulation’ we are invited to stop and wonder at the reconstructed skeleton of Napoleon’s horse, Marengo, ‘whose very hooves trod mud at Austerlitz’, suspended in time ‘for however long he lasts before he crumbles’.

    

    Fewer still have emerged from the darkest depths of alcoholism—from the perpetual fistfights and muggings, car crashes and blackouts—to tell the harrowing truth about the modern Irish immigrant experience.Orangutan is the story of a generation of young men and women in search of identity in a foreign land, both in love with and at odds with the country they've made their home. So much more than just another memoir about battling addiction, Orangutan is an odyssey across the unforgiving terrain of 1980s, '90s, and post-9/11 America.Whether he is languishing in the boozy squalor of the Bronx, coke-fueled and manic in the streets of Manhattan, chasing Hunter S. Thompson's American Dream from San Francisco to the desert, or turning the South into his beer-soaked playground, Broderick plainly and unflinchingly charts what it means to be Irish in America, and how the grips of heritage can destroy a man's soul. But brutal though Orangutan may be, it is ultimately a story of hope and redemption—it is the story of an Irish drunk unlike any you've met before.

    Her tales of the season and the Irish countryside sparkle with magic -- from the gathering of holly to the capturing of geese. Taylor beautifully recalls the wondrous innocence of youth, where every snow-dusted corner of the landscape holds a joyful surprise.

    This book, which won raves at its first publication, shows all the hallmarks of the writer who became the award-winning film director so well known today.

     When Colin Coyne, a young American filmmaker seeking aesthetic inspiration in Ireland, catches a pickpocket red-handed in a hotel pub, all it takes is one look into her dazzling eyes for him to fall hard. Purely for the sake of research -- or so he tells himself -- he hurtles headlong into the bewitching world of Gina Furey, a stunningly beautiful, iron-willed denizen of Dublin's gypsy criminal underground. Before he knows what's happening, he finds himself a star player in a Pygmalion-like relationship rich with dramatic film possibilities: the earnest Yankee auteur woos and wins the dangerous gypsy thief. But the tenuous lines separating art and reality soon dissolve and the neatly linear screenplay unfolding inside Colin's head is eclipsed by the brutal chaos and unpredictability of true life. By turns devastating and hopeful, bittersweet and hilarious, Fork in The Road is both a tragic love story and the riveting drama of one man's heartbreaking journey from exhilaration to desolation.

    This was Ireland of the 1970s and 80s before the arrival of the short-lived economic riches of the Celtic Tiger.Dwyer's vivid and colorful prose describes his hard but happy life as part of a isolated but close-knit community:Early school days spent in a building with no running water or electricityAn encounter with a violent sheep that literally turned his world upside downThe days spent cutting the turf and saving the hay by handAn Irish Christmas where nearly everything on the table was sourced from the farmHis exciting family history that brought his relations to the Klondike Gold Rush in CanadaComplemented by a collection of evocative photographs, each story tells of a way of life that has now largely disappeared.Sprinkled with a selection of fitting works by some of Ireland's best-known poets such as Seamus Heaney and Patrick Kavanagh, this gem of a book is a chronicle of the simple but happy life of an Irish farmer boy.