It covers history from prehistoric times to the present; the flora of the river; paintings and photographs inspired by the Thames; its geology, smells and colour; its literature, laws and landscapes; its magic and myths; its architecture, trade and weather.This book meanders gloriously, rather as the river does itself: here are Toad of Toad Hall and Julius Caesar, Henry VIII and Shelley, Turner and Three Men in a Boat. The reader learns about the fishes that swam in the river and the boats that plied on its surface; about floods and tides; hauntings and suicides; sewers, miasmas and malaria; locks, weirs and embankments; bridges, docks and palaces. All the towns and villages along the river's 215-mile length are described.Peter Ackroyd has a genius for digging out the most surprising and entertaining details, and for writing about them in the most magisterial prose.

    Yet just a hundred years ago is was the ancestral pile of the Fitzwilliams - an aristocratic clan whose home and life were fuelled by coal mining. Black Diamonds tells of the Fitzwilliams' spectacular decline: of inheritance fights; rumours of a changeling and of lunacy; philandering earls; illicit love; war heroism; a tragic connection to the Kennedys; violent death; mining poverty and squalor; and a class war that literally ripped apart the local landscape. The demise of Wentworth and the Fitzwilliams is a riveting account of aristocratic decline and fall, set in the grandest house in England.

    James Rebanks' isn't. The first son of a shepherd, who was the first son of a shepherd himself, he and his family have lived and worked in and around the Lake District for generations. Their way of life is ordered by the seasons and the work they demand, and has been for hundreds of years. A Viking would understand the work they do: sending the sheep to the fells in the summer and making the hay; the autumn fairs where the flocks are replenished; the gruelling toil of winter when the sheep must be kept alive, and the light-headedness that comes with spring, as the lambs are born and the sheep get ready to return to the fells.

    In The Seine, she tells the story of that river through its rich history and lively characters—a bargewoman, a riverbank bookseller, a houseboat-dweller, a famous cinematographer known for capturing the river’s light. She patrols with river police, rows with a restorer of antique boats, discovers a champagne vineyard, and even dares to swim in the Seine.Sciolino’s keen eye and vivid prose bring the river to life as she discovers its origins on a remote plateau in Burgundy, where a pagan goddess healed pilgrims at an ancient temple. She follows the Seine to Le Havre, where it meets the sea. Braiding memoir, travelogue, and history through the Seine’s winding route, Sciolino offers a love letter to Paris and the river at its heart and invites readers to explore its magic.

    By law of trespass, we are excluded from 92 per cent of the land and 97 per cent of its waterways, blocked by walls whose legitimacy is rarely questioned. But behind them lies a story of enclosure, exploitation and dispossession of public rights whose effects last to this day.The Book of Trespass takes us on a journey over the walls of England, into the thousands of square miles of rivers, woodland, lakes and meadows that are blocked from public access. By trespassing the land of the media magnates, Lords, politicians and private corporations that own England, Nick Hayes argues that the root of social inequality is the uneven distribution of land.Weaving together the stories of poachers, vagabonds, gypsies, witches, hippies, ravers, ramblers, migrants and protestors, and charting acts of civil disobedience that challenge orthodox power at its heart, The Book of Trespass will transform the way you see England.

    Stonehenge A striking and original interpretation of the awesome Stone Age site from one of the world's foremost archaeologists on death and burial Full description

    A proud and independent nation developed from a number of smaller states; brilliant art and a unique way of life flourished, although the evidence of this, unfortunately, is often sketchy.A noted Celtic scholar, Nora Chadwick spent much of her life researching this field. Here she describes the rise and spread of the Celts and their arrival in the British Isles in about the eighth century BC. Chapters on their literature and art, their institutions and religion, punctuate the historical narrative and provide an illuminating insight into the Celtic way of life.

    He brings this vibrant city's long and noble history alive through the ever-shifting fortunes, fates, and intrigues of half-a-dozen families, from the age of Julius Caesar to the 20th century. Generation after generation, these families embody the passion, struggle, wealth, and verve of the greatest city in the world.

    The Green Man’s association with the pantheistic beliefs of Celtic Christianity and with contemporary neo-paganism, with the shamanic traditions of the Anglo-Saxons and as a figurehead for ecological movements sees various paths crossing into a picture that reveals the hidden meanings of twenty-first-century Britain. Against a shifting backdrop of mountains, forests, rivers and stone circles, a cult of the Green Man emerges, manifesting itself in unexpected ways. Priests and philosophers, artists and shamans, morris dancers, folklorists and musicians offer stories about what the Green Man might mean and how he came into being. Meanwhile, in the woods strange things are happening, from an overgrown Welsh railway line to leafy London suburbia. Uprooted is a timely, provocative and beautifully written account of this most enduring and recognisable of Britain’s folk images.

    David Mattingly draws on a wealth of new findings and knowledge to cut through the myths and misunderstandings that so commonly surround our beliefs about this period. From the rebellious chiefs and druids who led native British resistance, to the experiences of the Roman military leaders in this remote, dangerous outpost of Europe, this book explores the reality of life in occupied Britain within the context of the shifting fortunes of the Roman Empire.

    It is silted up with the memories and artefacts of past voyages. It is the habitat for an astonishing range of wildlife. And for the people who live and work on the estuary, it is a way of life unlike any other - one most would not trade for anything, despites its dangers.Rachel Lichtenstein has travelled the length and breadth of the estuary many times and in many vessels, from hardy tug boats to stately pleasure cruisers to an inflatable dinghy. And during these crossing she has gathered an extraordinary chorus of voices: mudlarkers and fishermen, radio pirates and champion racers, the men who risk their lives out on the water and the women who wait on the shore.From the acclaimed author of Brick Lane and Rodinsky's Room, Estuary is a thoughtful and intimate portrait of a profoundly British place. With a clear eye and a sharp ear, Rachel Lichtenstein captures the essence of a community and an environment, examining how each has shaped and continues to shape the other.

    Yet this is the first book to tell the story of rain. Cynthia Barnett's  Rain begins four billion years ago with the torrents that filled the oceans, and builds to the storms of climate change. It weaves together science—the true shape of a raindrop, the mysteries of frog and fish rains—with the human story of our ambition to control rain, from ancient rain dances to the 2,203 miles of levees that attempt to straitjacket the Mississippi River. It offers a glimpse of our "founding forecaster," Thomas Jefferson, who measured every drizzle long before modern meteorology. Two centuries later, rainy skies would help inspire Morrissey’s mopes and Kurt Cobain’s grunge. Rain is also a travelogue, taking readers to Scotland to tell the surprising story of the mackintosh raincoat, and to India, where villagers extract the scent of rain from the monsoon-drenched earth and turn it into perfume. Now, after thousands of years spent praying for rain or worshiping it; burning witches at the stake to stop rain or sacrificing small children to bring it; mocking rain with irrigated agriculture and cities built in floodplains; even trying to blast rain out of the sky with mortars meant for war, humanity has finally managed to change the rain. Only not in ways we intended. As climate change upends rainfall patterns and unleashes increasingly severe storms and drought, Barnett shows rain to be a unifying force in a fractured world. Too much and not nearly enough, rain is a conversation we share, and this is a book for everyone who has ever experienced it.

    Each chapter takes a type of hill – whether it be knoll, cap, cliff, tor, bump or even mere hillock – as a starting point.These hills can leads to an exploration of an intimate relationship with a beach, a journey into Cox's past or a lesson from an expert in what goes into the mapping of hills themselves. Because a good walk in the hills is never just about the hills; it will take your mind to many other places.

    In only a few decades, the capital grew from a compact Regency town into a sprawling metropolis of 6.5 million inhabitants, the largest city the world had ever seen. Technology--railways, street-lighting, and sewers--transformed both the city and the experience of city-living, as London expanded in every direction. Now Judith Flanders, one of Britain's foremost social historians, explores the world portrayed so vividly in Dickens' novels, showing life on the streets of London in colorful, fascinating detail. From the moment Charles Dickens, the century's best-loved English novelist and London's greatest observer, arrived in the city in 1822, he obsessively walked its streets, recording its pleasures, curiosities, and cruelties. Now, with him, Flanders leads us through the markets, transport systems, sewers, rivers, slums, alleys, cemeteries, gin palaces, chop-houses, and entertainment emporia of Dickens' London, to reveal the Victorian capital in all its variety, vibrancy, and squalor.

    We feel the sand between our toes, or the grass beneath our feet. In these long, warm days, languid and sensual, we reconnect with the natural world, revelling in light and scent and colour once more.Capturing the high point of the year's progress, Summer presents prose and poetry spanning eight hundred years. Featuring new contributions by Simon Barnes, Michael McCarthy and Esther Woolfson, classic extracts from the work of Charles Dickens, Mary Webb and Philip Larkin, and diverse new nature writing from across the UK, this vibrant and evocative collection will inspire you to go out and enjoy the pleasures of summer.“A remarkable anthology of abundance capturing both the physical wonders and the psychological enchantments of this glorious season, this book conjures summer in the senses as potently as a field of freshly cut hay. Featuring some of the greatest writers on landscape as well as fantastic new voices, it is a collection that will trigger the memory, evoke new places and people, and help you see afresh the preciousness and precariousness of our natural world.” -- Rob Cowen, author of Common Ground“A delightful miscellany of reflections on that loveliest of seasons, summer – packed with insights and encounters with nature from a wide range of authors from Gilbert White and George Eliot to a bevy of young contemporary naturalists” — Stephen Moss, author of Wild Hares and Hummingbirds and Wild Kingdom: Bringing Back Britain’s Wildlife“This book will convince you that summertime is where we truly belong – not through overindulgence in nostalgia, but through realisation of our core values and roots. It will take you home” -- Matthew Oates, author of In Pursuit of Butterflies: A Fifty-year Affair“Lavishly capturing the nature of the season in all its slow, sensual splendour, Summer is a potent reminder of the riches that surround us, and a poignant evocation of all that we cannot bear to lose” – Sharon Blackie, author of If Women Rose Rooted and editor of Earthlines“[A] delicious antidote … a summer collection to wake up a tired imagination, like sunshine warming a plant to coax it into opening.” – Richard Littledale, blogger“I’ve been dipping in and out of this beautiful anthology for some time but didn’t want to post a review until I had read every entry. There are poems, extracts and essays spanning several centuries, so that there is something for every reader in this celebration of the season ... There’s a beauty to this book – from the glorious cover to the simple illustrations like that of the swallow that adorn the inside pages. The writings are all evocative, enlightening, entertaining or thought provoking ... I shall treasure it and return to it again and again ... A perfect gift for any lover of words or nature.” -- Linda’s Book Bag blog“Taken together, these pieces truly give the feeling of an English summer. The older writing is remarkably undated, which contributes to a sense of continuity across the centuries ... These are really rather lovely books. Summer is a perfect bedside companion to dip into as the days warm up. Impossible not to covet the whole four-season set.” – BookishBeck blog“There are so many lovely things that I could pull out from this book … I know that I will enjoy revisiting this beautifully produced anthology” -- Beyondedenrock.comPraise for Spring "A book to live with and to love… features a wonderfully various array of poetry and prose, from Chaucer to the present day, that allows us to see the arrival and the passing of our most fecund season (and those who have written about it) in fresh and stimulating ways." -- Matthew Adams, The Independent‘[A] tremendous, soul-lifting collection … a profound evocation of what rejuvenation means to the winter-stunned psyche’—Lucy Jones, BBC Wildlife Magazine"The cover of this book is absolutely striking… I couldn't wait to look inside. It is so full of life… Full of perfectly mixed passages of the wonders of nature, this is a book I will turn to each year as the vivacious season of spring approaches." --The Book Magnet"A very lovely object … I was captivated by the writing. These were the words of people who wanted to share their experiences of the world around them; some of them wrote to inform, some of them wrote to celebrate, and of course the very best of them did both … There is nothing in it that doesn't deserve its place, and I can think of nothing that should be there but isn't. It would make a lovely Easter gift. It's a book that I know I will enjoy revisiting." -- Beyondedenrock.com"Everything about this book, from Lynn Hatzius' gorgeous cover, to the rich cream of the pages, to the meticulously selected content is an invitation … to taste the Spring in the air, to hear the grasses grow, to lose yourself in a vast sky or to watch the farmers at work. The book, like a sparkling Spring stream swollen with meltwater, is just begging for you to dip in." --Richard Littledale, blogger"An anthology edited by Melissa Harrison was never going to stick to [the] beaten track … important is her imaginative commissioning of new works and choice of previously published pieces. There are several refreshing novelties in this book … Serves to remind us that the future of nature writing - if we must use the label - is under no threat." -- Laurence Rose, thelongspring.com