A short critical essay which considers the significance of the title.

    Are you happy?'After her board exams are over, Sonali – Li to her friends– meets a mysterious stranger called Omi Daan on Facebook. What begins as an idle chat soon takes over her waking hours and her dreams, as she, and through her, her friends Jo and Neel, get sucked inexorably into a world of darkness, danger and death. Who is Omi Daan?As they try to find out, their lives disintegrate and Li discovers that one cannot deal with darkness and remain untouched ...

    Malory interprets existing French and English stories about these figures and adds original material (e.g., the Gareth story). Le Morte d'Arthur was first published in 1485 by William Caxton, and is today one of the best-known works of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in his popular The Once and Future King and Tennyson in The Idylls of the King.

    In Michael Meyer's fluent, idiomatic translations, The Wild Duck and Hedda Gabler stand as masterpieces of naturalist drama.

    Socrates, desiring instruction in these matters, converses with Euthyphro, but as usual, the man who professes to know nothing fares better than the man who claims to be an expert. One of Plato’s well-known Socratic Dialogues, Euthyphro probes the nature of piety, and notably poses the so-called Euthyphro Dilemma: Do the gods love a thing because it is holy, or is a thing holy because it is loved by the gods?

    I have fought with sword and bow, and struggled fiercely to bear my babes into this world. I have loved deeply and hated deeply, too. Lady Gruadh, called Rue, is the last female descendent of Scotland’s most royal line. Married to a powerful northern lord, she is widowed while still carrying his child and forced to marry her husband’s murderer: a rising war-lord named Macbeth. Encountering danger from Vikings, Saxons, and treacherous Scottish lords, Rue begins to respect the man she once despised–and then realizes that Macbeth’s complex ambitions extend beyond the borders of the vast northern region. Among the powerful warlords and their steel-games, only Macbeth can unite Scotland–and his wife’s royal blood is the key to his ultimate success.  Determined to protect her small son and a proud legacy of warrior kings and strong women, Rue invokes the ancient wisdom and secret practices of her female ancestors as she strives to hold her own in a warrior society. Finally, side by side as the last Celtic king and queen of Scotland, she and Macbeth must face the gathering storm brought on by their combined destiny.From towering crags to misted moors and formidable fortresses, Lady Macbeth transports readers to the heart of eleventh-century Scotland, painting a bold, vivid portrait of a woman much maligned by history. From the Hardcover edition.

    It is and based on Elizabeth's own experiences.Excerpt from Aurora Leigh: A Poem in Nine Books Aurora Leigh. First Book. Of writing many books there is no end;And I, who have written much in prose and verseFor others' uses, will write now for mine, -Will write my story for my better self, As when you paint your portrait for a friend, Who keeps it in a drawer, and looks at itLong after he has ceased to love you, justTo hold together what he was and is. I, writing thus, am still what men call youngI have not so far left the coasts of lifeTo travel inland, that I cannot hearThat murmur of the outer InfiniteWhich unweaned babies smile at in their sleepWhen wondered at for smiling; not so far, But still I catch my mother at her postBeside the nursery-door, with finger up, "Hush, hush, here's too much noise!" while her sweet eyesLeap forward, taking part against her wordIn the child's riot. Still I sit, and feelMy father's slow hand, when she has left us both, Stroke out my childish curls across his knee, And hear Assunta's daily jest (she knewHe liked it better than a better jest)Inquire how many golden scudi wentTo make such ringlets. O my father's hand, Stroke heavily, heavily, the poor hair down, Draw, press the child's head closer to thy knee!I'm still too young, too young, to sit alone.

    The enigmatic Sohma family shares a great secret: each member is possessed by spirits of the Chinese Zodiac, and when they are hugged by members of the opposite sex, they transform into their personal Zodiac animal.

    True, she doesn’t have a love life to speak of, but she has a cute house in the suburbs of Los Angeles, a cat and a quirky best friend.Enter Rand Balfour, a sinfully attractive warlock who insists she’s a witch and who just might turn her life upside down. Rand hires her to help him solve a mystery regarding the death of his client who also happens to be a ghost. Jolie not only uncovers the cause of the ghost’s demise but, in the process, she brings him back to life!Word of Jolie’s incredible ability to bring back the dead spreads like wildfire, putting her at the top of the Underworld’s most wanted list. Consequently, she finds herself at the center of a custody battle between a villainous witch, a dangerous but oh-so-sexy vampire, and her warlock boss, Rand. Jolie Wilkins Book 2: Toil and Trouble:The Underworld in civil war.The cause? A witch who can reanimate the dead.A sexy as sin vampire determined to claim her.An infuriatingly handsome warlock torn between duty and love.Who says blonds have more fun?After defending herself against fairy magic, Jolie Wilkins wakes to find her world turned upside down—the creatures of the Underworld on the precipice of war.The Underworld is polarized in a battle of witch against witch, creature against creature, led by the villainous Bella, who would be Queen.While Jolie has one goal in mind, to stake the vampire, Ryder, who nearly killed her, she also must choose between the affections of her warlock employer, Rand, and the mysteriously sexy vampire, Sinjin.And as if that weren’t enough to ruin a girl’s day, everything Jolie knows will be turned inside out when she’s thrust into the shock of a lifetime.Dulcie O'Neil Book 1: To Kill A Warlock:A Dreamstalker— a creature that stalks and kills its victims in sleep.A fairy in law enforcement determined to stop him.A potions smuggler who possesses something she wants.A vampire with his own agenda.And a partner who couldn’t possibly be sexier or more frustrating.Dulcie O’Neil is a fairy working in law enforcement for the Netherworld.When Knight Vander approaches her with a case regarding comatose victims, she agrees to help him, imagining the most difficult part will be combatting her attraction to him.But, what Dulcie isn’t betting on is the fact that the case becomes personal when she learns all the victims are somehow linked to her.When her best friend falls victim to the Dreamstalker, Dulcie must do everything in her power to ensure her friend’s survival, including associating with criminals and accepting the fact that desperate times do definitely call for desperate measures.Dulcie O'Neil Book 2: A Tale of Two Goblins:The murder of a dark arts warlock.A shape-shifting, ravenous creature on the loose.A devilishly handsome stranger sent to investigate.Sometimes working law enforcement for the Netherworld is a real bitch.Dulcie O’Neil is a fairy. And not the type to frolic in gardens. She’s a Regulator—a law-enforcement agent who monitors the creatures of the Netherworld to keep them from wreaking havoc in the mortal world.When a warlock is murdered and Dulcie was the last person to see him alive, she must uncover the truth before she’s either deported back to the Netherworld, or she becomes the next victim.Enter Knight Vander, a sinfully attractive investigator sent from the Netherworld to work the case with Dulcie.Between battling her attraction to her self-appointed partner, keeping a sadomasochistic demon in check, and fending off the advances of a sexy and powerful vampire, Dulcie’s got her hands full.As the body count increases, Dulcie finds herself battling dark magic, reconnoitering in S&M clubs and suffering the greatest of all betrayals.

    To make Oedipus more accessible for the modern reader, our Prestwick House Literary Touchstone Classics includes a glossary of the more difficult words, as well as convenient sidebar notes to enlighten the reader on aspects that may be confusing or overlooked. We hope that the reader may, through this edition, more fully enjoy the beauty of the verse, the wisdom of the insights, and the impact of the drama.

    . . and then must battle the Queen of Faery for possession of her lover’s body and soul.In this version of Tam Lin Janet is a college student, "Carterhaugh" is Carter Hall at the university where her father teaches, and Tam Lin is a boy named Thomas Lane. The book is set against the backdrop of the early 1970s.

    0-935906-00-2$5.00 / Javan Press

    Devout court composer Antonio Salieri plots against his rival, the dissolute but supremely talented Wolfgang Amadeus Mozart. How far will Salieri go to achieve the fame that Mozart disregards? The 1981 Tony Award winner for Best Play. An L.A. Theatre Works full cast performance featuring: Steven Brand as Baron van Swieten James Callis as Mozart Michael Emerson as Salieri Darren Richardson as Venticello 2 Alan Shearman as Count Orsini-Rosenberg Mark Jude Sullivan as Venticello 1 Simon Templeman as Joseph II Brian Tichnell as Count Johann Kilian Von Strack Jocelyn Towne as Constanze Directed by Rosalind Ayres. Recorded in Los Angeles before a live audience at The James Bridges Theater, UCLA in September of 2016.

    Set in a Blade Runner-esque version of Brooklyn, PRINCE OF CATS is a mix of urban melodrama, samurai action and classic Shakespearean theater...all written in Iambic Pentameter!