From their "carpenter gothic" rented house, Paul sets himself up as a media consultant for Reverend Ude, an evangelist mounting a grand crusade that conveniently suits a mining combine bidding to take over an ore strike on the site of Ude's African mission. At the still center of the breakneck action--revealed in Gaddis's inimitable virtuoso dialoge--is Paul's wife, Liz, and over it all looms the shadowy figure of McCandless, a geologist from whom Paul and Liz rent their house. As Paul mishandles the situation, his wife takes the geologist to her bed and a fire and aborted assassination occur; Ude issues a call to arms as harrowing as any Jeremiad--and Armageddon comes rapidly closer. Displaying Gaddis's inimitable virtuoso dialogue, and his startling treatments of violence and sexuality, Carpenter's Gothic "shows again that Gaddis is among the first rank of contemporary American writers" (Malcolm Bradbury, "The Washington Post Book World" ). "An unholy landmark of a novel--an extra turret added on to the ample, ingenious, audacious Gothic mansion Gaddis has been building in American letters" --Cynthia Ozick, "The New York Times Book Review" "Everything in this compelling and brilliant vision of America--the packaged sleaze, the incipient violence, the fundamentalist furor, the constricted sexuality--is charged with the force of a volcanic eruption. "Carpenter's Gothic" will reenergize and give shape to contemporary literature." --Walter Abish

    But as he immerses himself in a routine so tedious and repetitive that new employees receive boredom-survival training, he learns of the extraordinary variety of personalities drawn to this strange calling. And he has arrived at a moment when forces within the IRS are plotting to eliminate even what little humanity and dignity the work still has.The Pale King remained unfinished at the time of David Foster Wallace's death, but it is a deeply compelling and satisfying novel, hilarious and fearless and as original as anything Wallace ever undertook. It grapples directly with ultimate questions--questions of life's meaning and of the value of work and society--through characters imagined with the interior force and generosity that were Wallace's unique gifts. Along the way it suggests a new idea of heroism and commands infinite respect for one of the most daring writers of our time.

    On this dark and lovely winter night, he will sift through the shards of his memories, trying to make sense of a lifetime of psychic visions and his family’s tumultuous history on an Indiana farmstead.As a young man, Noah, a true innocent, fell deeply in love with Opal, a young woman with a penchant for flames. Once married, the couple move into their own house on his family’s farm. After forty-two idyllic days, Opal is overcome by her fascination with fire and institutionalized. Though Noah embarks on a journey to save her, he cannot, and must instead rely on her letters, his memories, and the strength of his family to sustain him.Written in a masterful elegiac style that echoes Faulkner and Steinbeck, Indiana, Indiana is a compellingly beautiful and surreal Midwestern saga firmly grounded in an Indiana landscape populated by farmers, drifters, sheriffs, and ministers, and overflowing with musical saws, family bibles stuffed with flowers, and appliances rusting in the fields.

    fogIt's been awhile since Doc Sportello has seen his ex-girlfriend, Shasta Fay. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dodgy dentists.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .hang on. . .what

    Now, in her first novel, she builds on that early promise.Mona Gray was ten when her father contracted a mysterious illness and she became a quitter, abandoning each of her talents just as pleasure became intense. The only thing she can’t stop doing is math: She knocks on wood, adds her steps, and multiplies people in the park against one another. When Mona begins teaching math to second-graders, she finds a ready audience. But the difficult and wonderful facts of life keep intruding. She finds herself drawn to the new science teacher, who has an unnerving way of seeing through her intricately built façade. Bender brilliantly directs her characters, giving them unexpected emotional depth and setting them in a calamitous world, both fancifully surreal and startlingly familiar.

    Carol Shields' first novels, "Small Ceremonies" and "The Box Garden," each told from the viewpoint of a sister, published as one.

    In his earlier novels, he has written about conspiracy theory, the Cold War and global terrorism. Now, in Point Omega, he looks into the mind and heart of a "defense intellectual", one of the men involved in the management of the country's war machine. Richard Elster was a scholar—an outsider—when he was called to a meeting with government war planners, asked to apply "ideas and principles to such matters as troop deployment and counterinsurgency". We see Elster at the end of his service. He has retreated to the desert, "somewhere south of nowhere", in search of space and geologic time. There he is joined by a filmmaker, Jim Finley, intent on documenting his experience. Finley wants to persuade Elster to make a one-take film, Elster its single character—"Just a man and a wall."Weeks later, Elster's daughter Jessica visits—an "otherworldly" woman from New York, who dramatically alters the dynamic of the story. The three of them talk, train their binoculars on the landscape, and build an odd, tender intimacy, something like a family. Then a devastating event throws everything into question. In this compact and powerful novel, it is finally a lingering human mystery that haunts the landscape of desert and mind.

    Extensively revised by Nabokov in 1965 - thirty years after its original publication -Despair is the wickedly inventive and richly derisive story of Hermann Karlovich, a man who undertakes the perfect crime - his own murder.

    In his fourteenth collection of poems, Pulitzer Prize winner Stephen Dunn reveals his concerns, ranging from meditations on salvation and time to the difficulties and pleasures of loving in this "already brutal century." In language that Gerald Stern has called "unbearably fearless and beautiful," Dunn continues to probe the elusive in the lives we live.

    Moliere's farcical, tragic, anarchic Don Juan (1665) is the inspiration for Patrick Marber's new play in which the action of the original is relocated to present day Soho, London.Whereas Moliere condemned his anti-hero to a literal Hell, Marber condemns him to a hell of his own making.Don Juan in Soho premiered at the Donmar Warehouse in December 2006.

    He’s drawn into the streets of New York, onto an elusive case that’s more puzzling and more deeply-layered than anything he might have written himself. In Ghosts, Blue, a mentee of Brown, is hired by White to spy on Black from a window on Orange Street. Once Blue starts stalking Black, he finds his subject on a similar mission, as well. In The Locked Room, Fanshawe has disappeared, leaving behind his wife and baby and nothing but a cache of novels, plays, and poems.This Penguin Classics Deluxe Edition includes an introduction from author and professor Luc Sante, as well as a pulp novel-inspired cover from Art Spiegelman, Pulitzer Prize-winning graphic artist of Maus and In the Shadow of No Towers.

    It lends to milk cartons the associative richness of Marcel Proust's madeleines. It names the eight most significant advances in a human life -- beginning with shoe-tying. It asks whether the hot air blowers in bathrooms really are more sanitary than towels. And it casts a dazzling light on our relations with the objects and people we usually take for granted.

    Preston Grind, she's just about out of options. She recently graduated from high school and is pregnant with her art teacher's baby. Her mother is dead and her father is a drunk. The art teacher is too much of a head-case to help raise the child. Izzy knows she can be a good mother but without any money or prospects, she's left searching.So when Dr. Grind offers her a space in The Infinite Family Project, she accepts. Housed in a spacious compound in Tennessee, she joins nine other couples, all with children the same age as her newborn son, to raise their children as one extended family. Grind's theory is that the more parental love a child receives, the better off they are.This attempt at a utopian ideal-funded by an eccentric billionaire-starts off promising: Izzy enjoys the kids, reading to them and teaching them to cook. She even forms a bond with her son more meaningful than she ever expected. But soon the gentle equilibrium among the families is upset and it all starts to disintegrate: unspoken resentments between the couples begin to fester; the project's funding becomes tenuous; and Izzy's feelings for Dr. Grind, who is looking to expunge his own painful childhood, make her question her participation in this strange experiment in the first place.Written with the same compassionate voice, disarming sense of humor, and quirky charm that made The Family Fang such a success, Perfect Little World is a poignant look at how the best families are the ones we make for ourselves.

    Shortly before the story opens he has endured a ridiculously humiliating incident that put him off his instrument—as part of a string quartet, he was sent unaware by the Musicians’ Union to “open” for a reunion tour of over-the-hill Hessian metal-gods Volstagg (based on Meat Loaf), who threw the classical musicians offstage. Biding his time until he can afford to leave Philth Town (a tweaked Philadelphia), he now works in a deli run by a despotic Dutchman and lives in a boarding house (The Desmon), among whose other residents are Armless Rob (self-explanatory), Yancey Fishnet (dominatrix), Emmylou Mattressback (basically what you’d expect), and others. Including Tinsel Greetz, an ill-informed anarchist prone to disaster, and Charlie's best friend.As the story opens, Tinsel has founded a “barter system” economy for the various misfits in the Desmon and its affiliated businesses (The Grain Shack, the dive bar Maxine’s, a veterinary office) which results in the destruction of the Shack, a huge pack of dogs being left at the Desmon for Tinsel to deal with, threats of lawsuits and bodily harm, and Tinsel hiding out with his inexplicably understanding girlfriend Zelda. Charlie has been supplementing his deli paycheck via the “Willard Rounds,” the illegal method Philth Town’s Sanitation Department has evolved to deal with its out-of-control sewer rat problem: paying “slag-hands” to go down into the sewers armed with pipes and duffel bags and pays them a fee per quantity of dead rats (“Willard,” above, and “Ben,” as the rats are collectively called, are references to the movies Willard [1971, recently remade starring Crispin Glover] and Ben [1972] in which rats avenge the wrongs done to their human guardians). Tinsel is persona non grata and has lost his gig playing guitar at a bar, so Charlie initiates him into life as a slag-hand, ending in a ridiculously generous haul. To celebrate, Charlie and Tinsel get drunk and—unfortunately—trash Zelda's apartment just as a foreign investor is about to come buy some of her photographs for a French media conglomerate. Furious, Zelda throws them out whereupon they are beaten up by skinheads and end up waking up the next morning worse for wear in a hotel room in one of the poshest hotels in the city, with Louise (the “investor,” who's actually a French journalist). Charlie is instantly, stupidly in love with Louise, reduced to stammering incoherence and suddenly relating to the lyrics of “Total Eclipse of the Heart.” And strange as it might seem, it appears to be mutual.Over the next forty-eight hours, Charlie is on a hellbent journey from disaffected, self-destructive, downwardly mobile slacker to redeeming his former creativity and maturity, as Tinsel and Louise vie for his loyalties. Along the way there are hilarious scenes where the two cleaned-up slag-hands attempt to navigate the stressful environment of a nice restaurant (complete with compulsive table-crumbers and a schmaltzy table-side troubadour who receives his comeuppance when Charlie takes his violin and bears down with classical fury, getting a standing ovation); the three play a vicious game of Death Match culminating in watching a Felix Trinidad-Hector Camacho fight at Maxine’s; and a final denouement in which fallen cinematic genius Delvin Corollo is shooting a vapid costume drama outside the hotel (based on Martin Scorsese and The Age of Innocence) and Tinsel and Charlie conspire to destroy the shoot.Brewing under the surface, Charlie is being forced to confront the “hate” part of his “love-hate” relationship with his extremely trying friend. Louise has offered to take him with her when she leaves town—to cover an uprising in New Guinea, and whatever comes next. Tinsel shows no sign of abandoning his hare-brained schemes—he’s planning to rob a bank now—and Charlie has become disgusted with himself for putting up with Tinsel’s behavior, which includes not only a lack of hygiene and normalcy, but more seriously a streak of casual misogyny and xenophobia that Charlie has always assumed was a joke, but now is not so sure. In a final scene both hilarious and poignant, Charlie takes his revenge on the evil Dutchman who persecuted him at the deli and gives Tinsel the means to attempt the bank job—in other words, enough rope to hang himself.

    So far he’s on the winning side. He’s never lost a case. But nothing lasts forever, and pride like his has a long way to fall.Funny, smart and always surprising, A Naked Singularity speaks a language all of its own and reads like nothing else ever written. Casi’s beautiful mind and planetary intelligence make him an inimitable and unforgettable narrator.In De La Pava’s hands, the labyrinthine miseries of the New York Justice System are as layered and diabolical as Dante’s nine circles of Hell. But the Devil doesn’t hog the best lines. There are plenty here to go around.