In the spirit of that iconic, timeless show, these mysterious and gripping narratives explore parallel worlds, faraway planets, dystopian societies, and unsettling reality.•A toddler shifts through parallel worlds, changing into different versions of herself. What would a mother do for her daughter?•A chef finds an alternate food source on a remote world. When the new chef arrives, will he be forced to reveal a horrific secret?•A twelve-year-old Earth girl is randomly chosen to rule the galaxy. Why are galactic administrators so desperate to stop her?•Humanity is on trial, annihilation at stake. Can an underdog alien lawyer save us?•Time seems to stand still as a young boy bikes with his troubled friend. Is the friend causing this phenomenon—and what if he doesn’t stop it?Explore space and time—and confront humanity’s deepest fears—with Ten Tales of a Dark Tomorrow.

    The paperback version of this book will only be available online for a very short time: until December 30. After December 30, it will vanish into the Land of Wind and Ghosts, and only the digital edition will be available. This is why I call The Day After and Other Stories "A very short collection of very short stories, available for a very short time."

    As she travels the land recruiting black market traders, smugglers, and extremists for her first attempt at an attack on the capital, she stumbles upon a connection that may prove to be the key to the entire operation—Mare Barrow.

    Destroyed oil rigs, mysteriously reborn, clamber from the sea and onto the land, driven by an obscure but violent purpose. An anatomy student cuts open a cadaver to discover impossibly intricate designs carved into a corpse's bones—designs clearly present from birth, bearing mute testimony to . . . what?Of such concepts and unforgettable images are made the twenty-eight stories in this collection—many published here for the first time. By turns speculative, satirical, and heart-wrenching, fresh in form and language, and featuring a cast of damaged yet hopeful seekers who come face-to-face with the deep weirdness of the world—and at times the deeper weirdness of themselves—Three Moments of an Explosion is a fitting showcase for one of our most original voices.

    The Panic Hand assembles in one volume the shorter works of this master, including the World Fantasy Award-winning tale Friend's Best Man and the short novels Uh-Oh and Black Cocktail.

    Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew. The house is the kind of wrong place where you can lose yourself and find things you'd rather not have. Over the course of a few nights, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save them . . . at terrible cost.

    Gretel likes to pick wildflowers. Gretel is one of the subjects on the farm, and she is Doctor Gottlieb's responsibility, but she knows something she isn't telling -- and if Doctor Gottlieb doesn't figure it out, it may be his body in a ditch next. This story is set in the world of Ian Tregillis's Milkweed series, which began with Bitter Seeds.

    . . and now, they need her help.

    When a rich teenage girl who spends her nights in the most desirable club and a smart, young inventor meet, they might have more in common than they know.April, niece to the dying city's cruel dictator, is Araby Worth's glittery and frivolous best friend. But she's more than she appears. And when she disappeared in Masque of the Red Death, where did she go? This short novella answers that question, taking us deep underneath the crumbling city, where April crosses paths with Kent, the serious young inventor who is key to rebellion. Glitter & Doom is a story of chilling action, of spies, and of surprising love. Can love be anything but doomed is a city that's burning down around its survivors?A dark, unnerving story about two of the most fascinating characters from Masque of the Red Death.

    The country has been invaded and is being governed by a secret organization. There is destruction everywhere; great walls of ice overrun the world. Together with the narrator, the reader is swept into a hallucinatory quest for this strange and fragile creature with albino hair. Acclaimed upon its 1967 publication as the best science fiction book of the year, this extraordinary and innovative novel has subsequently been recognized as a major work of literature in its own right.

    Jenna had promised her mother that if the worst happened during her dad’s weekend, they would meet at Red Hill Ranch. When she finds seven words spray-painted on her dad’s wall the morning after a deadly outbreak, she makes a promise to herself: to get to the ranch with her seven-year-old sister, Halle, and to get them both there alive. Among Monsters is the companion novella to Red Hill, both exploring from different perspectives what many broken families experience every other weekend: What if your children aren't with you when the world ends? What would you do to get to them? What would they go through to get to you? For Jenna, seeing her mother again is worth everything. Determined to keep her promise, she is faced with experiences and decisions that force her to leave her childhood behind.

    R. James.Casting the Runes, adapted by Stephen GallagherWhen academic Jo Harrington (Anna Maxwell Martin) is sent a paper—The Truth of Alchemy, by Anton Karswell—for peer review, she pulls no punches. Jo writes that the paper has no place in a serious academic publication and that Karswell is a half-bright fool. When the editor writes a rejection note to Karswell, he inadvertently includes Jo’s entire email. Occultist Karswell (Reece Shearsmith) doesn’t take kindly to criticism.On the tube home with her partner Edward Dunning (Tom Burke), Jo spots a poster with her name on it. It reads: "In memory of Joanne Harrington, MLitt, PhD, died September eighteenth, three days were allowed." Is there anything that Edward can do to save Jo from this curse?Lost Hearts, adapted by A. K. BenedictTeenager Stephanie Elliot (Rosa Coduri) is taken to Aswarby House to be fostered by Mrs. Bunch (Susan Jameson). Stephanie strikes up a friendship with Ben (Bill Milner), the adopted son of charismatic community leader Mr. Abney (Jeff Rawle). He tells her that Mr. Abney is a good man—he even took in a child refugee last year, but she stole from him and ran away. Stephanie is troubled by voices and visions of a dead girl clutching at her chest, and when Ben disappears she begins to suspect that all is not right in Aswarby House.The Treasure of Abbot-Thomas, adapted by Jonathan BarnesWhen former Somerton school pupil Greg Parsbury (Robert Bathurst) meets history teacher Mika Chantry (Pearl Mackie) at a memorial service for schoolmaster Sam Abbot-Thomas, he begs for her help. Greg has been sent a postcard by the estate of the mysterious and charismatic Abbot-Thomas. On it is a strange inscription in Latin, which he believes to be an inaugural clue in a treasure hunt much like the elaborate treasure hunts Abbot-Thomas used to set back in the 1970s. There were rumors that Abbot-Thomas possessed a hidden fortune, and Parsbury and Chantry set out to find it.A View from a Hill, adapted by Mark MorrisComedian and podcaster Paul Fanshawe (Andy Nyman) and his wife, Sarah (Alice Lowe), visit the Cotswolds on holiday, trying to rebuild their lives after the death of their young son, Archie. While out walking, they spot a beautiful abbey across the valley on Gallows Hill, but when they reach it, they find the building is little more than rubble. While Sarah explores, Paul records commentary for his podcast. Sarah thinks she hears children’s laughter, but there’s no one there. Later that night, she listens to the recording and hears a child’s voice whisper, "Mummy." Sarah is convinced that Archie is trying to reach them and wants to return to the ruins. But something far worse is waiting for them on Gallows Hill.

    A woman chases the ghost of her neglectful father to a vanished amusement park at the end of the Long Beach pier. Two recently retired teachers learn just how much Los Angeles has taken from them.In these atmospheric, wide-ranging, surprisingly playful, and deeply mournful stories, grandkids and widows, ice cream-truck drivers and judges, travelers and invalids all discover -- and sometimes even survive -- the everyday losses from which the most vengeful ghosts so often spring.

    She’s been diagnosed as schizophrenic and locked away in a children’s psychiatric ward. But that’s not what makes her special. She also has a very strange—and powerful—gift. Scientists have been studying Sarah’s remarkable psychic power for years, enhancing it, manipulating it…twisting it into something evil. But their plans have gone horribly wrong. How much longer can they control Sarah? And what will happen if her powers are unleashed?

    Eventually Henry's mind blocked out the bad memories, but he continued to draw, often at night by the light of the moon.Twenty years later, Henry makes his living by painting his disturbing works of art. He loves his wife and his son and life couldn't be better... except there's something not quite right about the old stone farmhouse his family now calls home. There's something strange living in the cramped cellar, in the maze of pipes that feed the ancient steam boiler. A winter storm is brewing and soon Henry will learn the true nature of the monster waiting for him down in the darkness. He will battle this demon and, in the process, he may discover what really happened when he was a child and why, in times of trouble, he thinks: I paint against the darkness. But will Henry learn the truth in time to avoid the terrible fate awaiting him... or will the thing in the cellar get him and his family first? Written as both a meditation on the art of creation and as an examination of the secret fears we all share, The Painted Darkness is a terrifying look at the true cost we pay when we run from our grief--and what happens when we're finally forced to confront the monsters we know all too well.