* A beautifully designed resource chronicling one of gaming's most massive, dynamic universes! * MMORPG.com's Game of the Year 2009–2011! * 2014 marks the entry of EVE Online into its second decade!

    Recent films such as Lost in Translation and Memoirs of a Geisha seem to have made everyone an expert on Japan, even if they've never been there. But the only way for a Westerner to get to know the real Japan is to become a part of it. Kate T. Williamson did just that, spending a year experiencing, studying, and reflecting on her adopted home. She brings her keen observations to us in A Year in Japan, a dramatically different look at a delightfully different way of life. Avoiding the usual clichés--Japan's polite society, its unusual fashion trends, its crowded subways--Williamson focuses on some lesser-known aspects of the country and culture. In stunning watercolors and piquant texts, she explains the terms used to order various amounts of tofu, the electric rugs found in many Japanese homes, and how to distinguish a maiko from a geisha. She observes sumo wrestlers in traditional garb as they use ATMs, the wonders of "Santaful World" at a Kyoto department store, and the temple carpenters who spend each Sunday dancing to rockabilly. A Year in Japan is a colorful journey to the beauty, poetry, and quirkiness of modern Japana book not just to look at but to experience.

    It feels good in your hands: a true work of art, a collector’s dream.But then you notice something wrong. There’s a stain on the cover. And it is there on purpose. It’s a coffee ring printed onto the cover with gloss laminate.This book, the debut effort by cult cartoonist Dave Strider, was realized with the help of a dedicated team of experienced artists. KC Green (gunshowcomic.com), John Keogh (lucid-tv.com), and David Malki ! (wondermark.com) served as designers. Homestuck creator Andrew Hussie (mspaintadventures.com) served as consultant.Since the days of Gutenberg, publishers have tried to marry form with content in pleasing and impressive ways. And while there have been fancy books, and there have been bad books, never before in the history of the codex have the two been mismatched in so dramatic and pointless a fashion. Like a wrench torquing a bolt too hard and shearing off its head, so too does Sweet Bro and Hella Jeff completely and irrevocably break the notion of the printed book.The online comic strip “Sweet Bro and Hella Jeff” follows a handful of friends who get up to nonsensical hijinks. This is in the rare cases when it makes any sense at all. It is universally acknowledged as the worst comic strip ever created.The book Sweet Bro and Hella Jeff lavishly presents the comic’s entire run in a treatment worthy of the highest masters of the form. It contains a completely gratuitous 4-page centerfold reading simply “centaurfold” in bright pink type.Scattered throughout the book are perforated business-reply cards taking the form of irredeemable Subway coupons (a first for comic strip collections). Each copy of the book also comes with a “travel version” (a removable poster of all the book’s pages in grid format); a custom commemorative coin (randomly chosen from 4 designs struck); an oversized plastic paperclip imprinted with the word “paperclop”; and an animated lenticular bookmark. Bound into the spine is a red ribbon approximately three feet long, and if you scratch the nacho chip sticker on the back cover, it smells faintly of pizza. (The hologram sticker of Tony Hawk smells only of chemicals.)

    We'll never quite know why, but sometimes they decide they've just had enough of this world- and that's when they start getting inventive. The Book of Bunny Suicides follows over one hundred bunnies as they find ever more outlandish ways to do themselves in. From an encounter with the business end of Darth Vader's lightsaber, to supergluing themselves to a diving submarine, to hanging around underneath a loose stalactite, these bunnies are serious about suicide. Illustrated in a stark and simple style, The Book of Bunny Suicides is a collection of hilarious and outrageous cartoons that will appeal to anyone in touch with their evil side.

    Demetri's first literary foray features longer-form essays and conceptual pieces (such as Protagonists' Hospital, a melodrama about the clinic doctors who treat only the flesh wounds and minor head scratches of Hollywood action heroes), as well as his trademark charts, doodles, drawings, one-liners, and lists (i.e., the world views of optimists, pessimists and contortionists), Martin's material is varied, but his unique voice and brilliant mind will keep readers in stitches from beginning to end.

    Their tank has been lost in a wager and the Australian Mafia are after their pelts. Their only hope seems to lie on the other side of the country, with Booga's estranged little brother.

    Until now. From deleted scenes and altered panels for the epic Kingdom Come saga to proposals for revamping such classic properties as Batgirl, Captain Marvel, and an imagined son of Batman named Batboy, to unused alternate comic book cover ideas for the monthly Superman and Batman comics of 2008-2009, there is much to surprise and delight anyone who thought they already know all of Alex’s DC Comics work. Illuminating everything is Alex’s own commentary, written expressly for this book, explaining his though processes and stylistic approaches for the various riffs and reimaginings of characters we thought we knew everything about but whose possibilities we didn’t fully understand. As a record of a pivotal era in comics history, Rough Justice is a must for Alex’s legion of fans, as well as anyone interested in masterly comic book imagination and illustration.

    A fascinating mythology of horror and consequence, this epic masterfully combined intriguing literature with captivating art. THE SANDMAN COMPANION is an exhaustive guide to this legend. Revealing hitherto undisclosed information and behind-the-scenes secrets, this book features in-depth interviews, never-before-seen illustrations, character origins, and story explanations and analysis. Also including excerpts from the original proposal for the series, this handbook is the perfect complement to the Sandman graphic novels.

    This collaboration between the visual artist Rosanna Bruno and the poet and classicist Anne Carson attempts to give a genuine representation of how human beings are affected by warfare. Therefore, all the characters take the form of animals (except Kassandra, whose mind is in another world).

    Completely recolored in the style of the 1930s and 1940s Disney animated cartoons. Illustrated.

    His intricate, sometimes chaotic drawings examine the complications that come with passing from childhood into adulthood. Renderings of friends and family scattered across the country paint tender, sweaty, and memory-soaked portraits of small town life and beyond. Nate addresses the uneasy existential inquiries that bloom in youth and invokes all the elements of great coming of age novels with only a few dozen words. He captures that most elusive thing that disappears with age: wonder. If most people spend their entire lives longing for past episodes from their youth, then Nate addresses that longing, covering his pages with lost wonder, and offering it, wholeheartedly, back to us. His work offers the hope we might never grow old, and that even if we do, our dreams are always within reach. The power of his work is a reminder of the persistance of joy.

    Since Maurice Garin's inaugural victory in 1903, hundreds of thousands of kilometers have been covered in pursuit of the yellow jersey and few of them have been without incident or drama. Here are the Tour's legends: Eugene Christophe welding his bicycle back together at the foot of the Pyrenees in 1913; Bartali V Coppi, 1949; Poulidor shoulder-to-shoulder with Anquetil on the Puy de Dome, 1964; Tommy Simpson's death on Ventoux, 1967; Lance Armstrong's domination and disgrace; finishing with Bradley Wiggins' and Chris Froome's back-to-back victories for Britain in 2012 and 2013.

    Featuring work by Margaret Atwood (The Heart Goes Last), Mariko Tamaki (This One Summer), Trina Robbins (Wonder Woman), Marguerite Bennett (Marvel's A-Force), Noelle Stevenson (Nimona), Marjorie Liu (Monstress), Carla Speed McNeil (Finder), and over fifty more creators. It's a compilation of tales told from both sides of the tables: from the fans who love video games, comics, and sci-fi to those that work behind the scenes: creators and industry insiders.

    They meet during the Depression -- she working as a chambermaid, he as a milkman -- and we follow them as they encounter, and cope with, World War II, the advent of radio and t.v., telephones and cars, the atomic bomb, the moon landing. Briggs's portrayal of his parents as they succeed, or fail, in coming to terms with their rapidly shifting world is irresistably engaging -- full of sympathy and affection, yet clear-eyed and unsentimental.The book's strip-cartoon format is deceptively simple; it possesses a wealth of detail and an emotional depth that are remarkable in such a short volume. Briggs's marvelous illustrations and succinct, true-to-life dialogue create a real sense of time and place, of what it was like to experience such enormous changes. Almost as much a social history as it is a personal account, Ethel & Ernest is a moving tribute to ordinary people living in an extraordinary time.

    Mary, just nineteen years old at the time, had been living on her own for three years and had already lost a baby days after birth. She was deeply in love with famed poet Percy Bysshe Shelley, a mad man who both enthralled and terrified her, and her relationship with him was rife with scandal and ridicule. But rather than let it crush her, Mary fueled her grief, pain, and passion into a book that the world has still not forgotten 200 years later.Dark, intense, and beautiful, this free-verse novel with over 300 pages of gorgeous black-and-white watercolor illustrations is a unique and unforgettable depiction of one of the greatest authors of all time.