Twenty miles up the Hudson River from Manhattan and the contemporary art scene Lissa wants to avoid, Tarrytown has a charming Main Street where she can set up her easel and paint, immersed in her subject, the way her beloved French Impressionists did. Charismatic cop Nick Bellini, whose family owns the ice cream shop she's painting, soon notices her expertise and asks her to be on the lookout for phony masterpieces he's heard are being made in town. She hesitates, afraid of being sued by unhappy art collectors, but takes the plunge after seeing a questionable Monet in the home of a local power couple. The danger goes from professional to personal when, responding to a vague request for help from another artist, she walks into his studio and finds him dead. Is there a link to the forgeries? Is someone in the arts community a murderer? Will Lissa be the next target?

    Each volume helps the reader to encounter the original more fully by placing it in historical context, focusing on the important aspects of the text and posing key questions.

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     The ancient civilisation is enjoying unprecedented prosperity during the 18th Dynasty under some of Egypt’s most famous Pharaohs – Ahmose I, Hatshepsut, Thutmose III, Amenhotep III, Akhenaten and Tutankhamun. But every empire has its rivals – here the Hittites, the Mittani, Nubians and Assyrians – and every royal family its enemies. Smenkhkare is the youngest son of Amenhotep III and brother to Akhenamun – later to become the ruler Akhenaten – and Thutmose, plus three older sisters. The scheming Akhenamun dismisses Smenkhkare as a mere stripling, but the wise warrior Thutmose takes the boy under his wing and sets out to make a man of him. This is crucial for Smenkhkare whose father has decided that the only role for the boy will be through a marriage of convenience to the beautiful Mittani princess Taduheppa. The bride is ravishing – but older and more worldly – and refuses to consummate the coupling. Full of sympathy for his little brother, Thutmose advises patience and also invites Smenkhkare to accompany him on a raid to hunt down bandits who have attacked a caravan in the desert. It is a fateful moment. Thutmose is killed by an arrow through the neck, igniting a calamitous chain of events as Smenkhkare discovers the arrow did not come from a bandit’s bow. Who, then, did fire the fatal missile? Who would benefit most from the death of the man next in line for the pharoah’s throne? Could the murderer be within his own family? Or was someone else close to the family plotting to seize power? Can Smenkhkare trust his favourite sister Nebetah with his thoughts? Can trusted general Coreb help him in his bid to avenge the death of Thutmose? Who would try to eliminate Smenkhkare by placing a deadly cobra in a basket under his bed? And what are the ghastly contents in two other baskets thrust under Smenkhkare’s nose? David Adkins’ absorbing historical re-imagining The Forgotten Pharaoh, explores the extraordinary and dangerous life and times of a real but little known figure from history – from his child-marriage to exile and then reinstatement in Thebes as pharaoh of one of the most influential dynasties of the ancient civilised world. David Adkins is a retired civil servant who worked for many years at English Heritage. He lives in Letchworth Garden City with his wife. His other historical fiction books to date are The Eagle’s Nest and the Wolf’s Lair, The End of a Dynasty and Season of the Gladiatrix.

    Taken in by an aunt bent on ridding herself of this unexpected burden, "Baby" Teegarten plots her escape using the only means at her disposal: a voice that makes church ladies cry and angels take notice. "I'm gonna sing jazz up to New York City," she brags to anybody who'll listen. 'Cept that Big Apple--well, it's an awful long way from that dry patch of earth she used to call home. So when the smoky stages of New Orleans speakeasies give a whistle, offering all kinda shortcuts, Emily soon learns it's the whorehouses and drug joints promising to tickle more than just a young girl's fancy that can dim a spotlight . . . and knowing the wrong people can snuff it out. Jazz Baby just wants to sing--not fight to stay alive.

    74 pages of chapter summaries, quotes, character analysis, themes, and more – everything you need to sharpen your knowledge of Sinuhe the Egyptian: A Novel. This detailed literature summary also contains Topics for Discussion and a Free Quiz on Sinuhe the Egyptian: A Novel by Mika Waltari.

    This is the story of two young women discovering the heartbreak of their mothers' lives, and of how mothers create daughters - and learn from them.

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    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

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    Ramanan is dramatic pastoral elegy and it is beautifully illustrated by Artist Madanan.

    Within an hour, the family is torn asunder. While her husband is away, Indians seize her and their sons, carrying them to an unknown fate. Only her teenage daughter escapes. Alone in the world, young Jane fights to make her way, while her father searches frantically for her. Amidst the turmoil of the Revolutionary War, the family struggles to reunite. Soon even greater tragedy erupts. Book club discussion questions included. Also by Sandy Hill: "Tangled Threads," set in a 1890s cotton mill village. The novel tells the story of two strong women whose lives intersect through the years in both painful and joyful ways.

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    But first he'll have to make it across the bloody north and that is easier said than done when there's a price on your head . . . For fans of gritty, action-packed fantasy in the vein of George R. R. Martin and Joe Abercrombie. Bestselling independent author Tony Healey presents The Fallen Crown series, a hard-hitting sword & sorcery epic that will blow you away and leave you gagging for the next installment!

    Darcy's younger sister searches for her own happily-ever-after.The year is 1814, and it's springtime at Pemberley. Elizabeth and Mr. Darcy have married. But now a new romance is in the air, along with high fashion, elegant manners, scandal, deception, and the wonderful hope of a true and lasting love.Shy Georgiana Darcy has been content to remain unmarried, living with her brother and his new bride. But Elizabeth and Darcy's fairy-tale love reminds Georgiana daily that she has found no true love of her own. And perhaps never will, for she is convinced the one man she secretly cares for will never love her in return. Georgiana's domineering aunt, Lady Catherine de Bourgh, has determined that Georgiana shall marry, and has a list of eligible bachelors in mind. But which of the suitors are sincere, and which are merely interested in Georgiana's fortune? Georgiana must learn to trust her heart and rely on her courage, for she also faces the return of the man who could ruin her reputation and spoil a happy ending, just when it finally lies within her grasp.